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2020 – today
- 2025
[j10]Andreas Förster
, Norbert Schnell:
Accessible guitar playing: Exploring participatory design of digital musical instruments in a special educational needs school. Int. J. Hum. Comput. Stud. 196: 103435 (2025)- 2024
- [j9]Andreas Förster, Norbert Schnell:
Designing accessible digital musical instruments for special educational needs schools - A social-ecological design framework. Int. J. Child Comput. Interact. 41: 100666 (2024) - [j8]Michael Iber, Kajetan Enge, Niklas Rönnberg, Annika Neidhardt, Norbert Schnell, Katharina Pollack, Maria Kallionpää, Alan Chamberlain:
What you hear is what you see? Perspectives on modalities in sound and music interaction. Pers. Ubiquitous Comput. 28(5): 655-656 (2024) - [c52]Andreas Förster, Norbert Schnell:
Harmonizing Abilities: Collaborative Digital Musical Instruments for Students with Complex Disabilities Using the Some for Many Strategy. CHI Extended Abstracts 2024: 520:1-520:8 - 2023
- [c51]Patrizia Held, Florian Röhrl, Norbert Schnell:
Interactive Soundscape Tabletop to Promote Immersive Sound Experiences for People Living With Dementia and Their Caregivers. MuC 2023: 543-547 - 2022
- [c50]Cornelius Pöpel, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Sebastian Trump, Norbert Schnell, Lars Engeln, Egbert Jürgens:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2022 - 2020
- [c49]Andreas Förster, Christina Komesker, Norbert Schnell:
SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School. NIME 2020: 83-88 - [i1]Nicola Orio, Norbert Schnell, Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI. CoRR abs/2010.01571 (2020)
2010 – 2019
- 2019
- [j7]Benjamin Matuszewski, Norbert Schnell, Frédéric Bevilacqua:
Interaction Topologies in Mobile-Based Situated Networked Music Systems. Wirel. Commun. Mob. Comput. 2019: 9142490:1-9142490:9 (2019) - [c48]Cornelius Pöpel, Sebastian Trump, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Norbert Schnell:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2019 - [c47]Hugo Scurto, Wanyu Liu, Benjamin Matuszewski, Frédéric Bevilacqua, Jean-Louis Frechin, Uros Petrevski, Norbert Schnell:
Entrain: Encouraging Social Interaction in Collective Music Making. SIGGRAPH Studio 2019: 5:1-5:2 - 2017
- [c46]Norbert Schnell, Diemo Schwarz, Joseph Larralde, Riccardo Borghesi:
PiPo, a Plugin Interface for Afferent Data Stream Processing Operators. ISMIR 2017: 361-367 - [c45]Norbert Schnell, Benjamin Matuszewski, Jean-Philippe Lambert, Sébastien Robaszkiewicz, Oussama Mubarak, Dominique Cunin, Samuel Bianchini, Xavier Boissarie, Gregory Cieslik:
Collective Loops: Multimodal Interactions Through Co-located Mobile Devices and Synchronized Audiovisual Rendering Based on Web Standards. TEI 2017: 217-224 - 2016
- [c44]Aaron Einbond, Diemo Schwarz, Riccardo Borghesi, Norbert Schnell:
Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. ICMC 2016 - 2015
- [j6]Max Rheiner, Thomas Tobler, Fabian Troxler, Seki Inoue, Keisuke Hasegawa, Yasuaki Monnai, Yasutoshi Makino, Hiroyuki Shinoda, Jules Françoise, Norbert Schnell, Riccardo Borghesi, Frédéric Bevilacqua, Tuncay Cakmak, Holger Hager:
Demo hour. Interactions 22(2): 6-9 (2015) - [j5]Jules Françoise, Norbert Schnell, Riccardo Borghesi, Frédéric Bevilacqua:
MaD. Interactions 22(3): 14-15 (2015) - [c43]Norbert Schnell, Sébastien Robaszkiewicz, Frédéric Bevilacqua, Diemo Schwarz:
Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications. TEI 2015: 685-690 - 2014
- [j4]Baptiste Caramiaux, Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
Mapping Through Listening. Comput. Music. J. 38(3): 34-48 (2014) - [j3]Baptiste Caramiaux, Frédéric Bevilacqua, Tommaso Bianco, Norbert Schnell, Olivier Houix, Patrick Susini:
The Role of Sound Source Perception in Gestural Sound Description. ACM Trans. Appl. Percept. 11(1): 1:1-1:19 (2014) - [c42]Jules Françoise, Norbert Schnell, Riccardo Borghesi, Frédéric Bevilacqua:
Probabilistic Models for Designing Motion and Sound Relationships. NIME 2014: 287-292 - [c41]Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
MaD: mapping by demonstration for continuous sonification. SIGGRAPH Emerging Technologies 2014: 16:1 - [c40]Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
MaD: mapping by demonstration for continuous sonification. SIGGRAPH Studio 2014: 38:1 - 2013
- [c39]Frédéric Bevilacqua, Sidney S. Fels, Alexander Refsum Jensenius, Michael J. Lyons, Norbert Schnell, Atau Tanaka:
SIG NIME: music, technology, and human-computer interaction. CHI Extended Abstracts 2013: 2529-2532 - [c38]Frédéric Bevilacqua, Norbert Schnell, Nicolas H. Rasamimanana, Julien Bloit, Emmanuel Fléty, Baptiste Caramiaux, Jules Françoise, Eric O. Boyer:
De-Mo: designing action-sound relationships with the mo interfaces. CHI Extended Abstracts 2013: 2907-2910 - [c37]Atau Tanaka, Baptiste Caramiaux, Norbert Schnell:
MubuFunkScatShare: gestural energy and shared interactive music. CHI Extended Abstracts 2013: 2999-3002 - [c36]Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
Gesture-based control of physical modeling sound synthesis: a mapping-by-demonstration approach. ACM Multimedia 2013: 447-448 - [c35]Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
A multimodal probabilistic model for gesture-based control of sound synthesis. ACM Multimedia 2013: 705-708 - 2012
- [c34]Nicolas H. Rasamimanana, Frédéric Bevilacqua, Julien Bloit, Norbert Schnell, Emmanuel Fléty, Andrea Cera, Uros Petrevski, Jean-Louis Frechin:
The urban musical game: using sport balls as musical interfaces. CHI Extended Abstracts 2012: 1027-1030 - [c33]Mari Kimura, Nicolas H. Rasamimanana, Frédéric Bevilacqua, Norbert Schnell, Bruno Zamborlin, Emmanuel Fléty:
Extracting Human Expression For Interactive Composition with the Augmented Violin. NIME 2012 - 2011
- [j2]Hugues Vinet, Gérard Assayag, Juan José Burred, Grégoire Carpentier, Nicolas Misdariis, Geoffroy Peeters, Axel Roebel, Norbert Schnell, Diemo Schwarz, Damien Tardieu:
Sample Orchestrator : gestion par le contenu d'échantillons sonores. Traitement du Signal 28(3-4): 417-468 (2011) - [c32]Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell, Nicolas Misdariis:
Gestural Embodiment of Environmental Sounds: an Experimental Study. NIME 2011: 144-148 - [c31]Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell:
Sound Selection by Gestures. NIME 2011: 329-330 - [c30]Norbert Schnell, Frédéric Bevilacqua, Nicolas H. Rasamimanana, Julien Blois, Fabrice Guédy, Emmanuel Fléty:
Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and Music. NIME 2011: 535-536 - [c29]Nicolas H. Rasamimanana, Frédéric Bevilacqua, Norbert Schnell, Fabrice Guédy, Emmanuel Fléty, Come Maestracci, Bruno Zamborlin, Jean-Louis Frechin, Uros Petrevski:
Modular musical objects towards embodied control of digital music. TEI 2011: 9-12 - 2010
- [c28]Grace Leslie, Diemo Schwarz, Olivier Warusfel, Frédéric Bevilacqua, Bruno Zamborlin, Pierre Jodlowski, Norbert Schnell:
Grainstick: A Collaborative, Interactive Sound Installation. ICMC 2010 - [c27]Diemo Schwarz, Norbert Schnell:
A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time Applications. ICMC 2010
2000 – 2009
- 2009
- [c26]Frédéric Bevilacqua, Bruno Zamborlin, Anthony Sypniewski, Norbert Schnell, Fabrice Guédy, Nicolas H. Rasamimanana:
Continuous Realtime Gesture Following and Recognition. Gesture Workshop 2009: 73-84 - [c25]Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell:
Towards a Gesture-Sound Cross-Modal Analysis. Gesture Workshop 2009: 158-170 - [c24]Norbert Schnell, Axel Röbel, Diemo Schwarz, Geoffroy Peeters, Riccardo Borghesi:
MuBu and Friends - Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP. ICMC 2009 - [c23]Diemo Schwarz, Norbert Schnell, Sébastien Gulluni:
Scalability in Content-Based Navigation of Sound Databases. ICMC 2009 - 2008
- [c22]Diemo Schwarz, Sylvain Cadars, Norbert Schnell:
What Next? Continuation in Real-Time Corpus-Based concatenative synthesis. ICMC 2008 - 2007
- [c21]Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael:
Evaluation of Real-Time Audio-to-Score Alignment. ISMIR 2007: 315-316 - [c20]Frédéric Bevilacqua, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, Nicolas Leroy:
Wireless Sensor Interface and Gesture-Follower for Music Pedagogy. NIME 2007: 124-129 - 2006
- [e1]Norbert Schnell, Frédéric Bevilacqua, Michael J. Lyons, Atau Tanaka:
New Interfaces for Musical Expression, NIME-06, Proceedings, Paris, France, June 4-8, 2006. IRCAM - Centre Pompidou in collaboration with Sorbonne University 2006, ISBN 2-84426-314-3 [contents] - 2005
- [c19]Arshia Cont, Diemo Schwarz, Norbert Schnell:
Training Ircam's score follower [audio to musical score alignment system]. ICASSP (3) 2005: 253-256 - [c18]Norbert Schnell, Riccardo Borghesi, Diemo Schwarz, Frédéric Bevilacqua, Rémy Müller:
Ftm - Complex Data Structures for Max. ICMC 2005 - [c17]Diemo Schwarz, Arshia Cont, Norbert Schnell:
From Boulez to ballads: Training IRCAM's Score follower. ICMC 2005 - [c16]Frédéric Bevilacqua, Rémy Müller, Norbert Schnell:
MnM: a Max/MSP mapping toolbox. NIME 2005: 85-88 - 2004
- [c15]Arshia Cont, Diemo Schwarz, Norbert Schnell:
Training IRCAM's Score Follower. AAAI Technical Report (7) 2004: 31-36 - [c14]Diemo Schwarz, Nicola Orio, Norbert Schnell:
Robust Polyphonic Midi Score Following with Hidden Markov Models. ICMC 2004 - 2003
- [c13]Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell:
Score Following: State of the Art and New Developments. NIME 2003: 36-41 - 2002
- [c12]Norbert Schnell, Marc Battier:
Introducing Composed Instruments: Technical and Musicological Implications. NIME 2002: 138-142 - 2001
- [c11]Nicola Orio, Norbert Schnell, Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI. NIME 2001: 15-18 - 2000
- [c10]Robin Bargar, François Déchelle, Insook Choi, Alex Betts, Camille Goudeseune, Norbert Schnell, Olivier Warusfel:
Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality Installation. ICMC 2000 - [c9]François Déchelle, Norbert Schnell, Riccardo Borghesi, Nicola Orio:
The jMax environment: an overview of new features. ICMC 2000 - [c8]Norbert Schnell, Geoffroy Peeters, Serge Lemouton, Phillippe Manoury, Xavier Rodet:
Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA). ICMC 2000
1990 – 1999
- 1999
- [j1]François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: An Environment for Real-Time Musical Applications. Comput. Music. J. 23(3): 50-58 (1999) - [c7]François Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell:
jMax Recent Developments. ICMC 1999 - [c6]Francisco Iovino, Norbert Schnell, Olivier Lartillot:
Modalys in jMax: Real-time Modal-synthesis. ICMC 1999 - 1998
- [c5]François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: A New JAVA-based Editing and Control System for Real-time Musical Applications. ICMC 1998 - [c4]François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: Demonstration of an Integrated Environment for Real Time Musical Applications. ICMC 1998 - [c3]François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
Latest Evolutions of the jMax Real-time Engine: Typing, Scoping, Threading, Compiling. ICMC 1998 - [c2]Marcelo M. Wanderley, Norbert Schnell, Joseph Butch Rovan:
ESCHER-modeling and performing composed instruments in real-time. SMC 1998: 1080-1084 - 1996
- [c1]François Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell:
New DSP Applications on FTS. ICMC 1996
Coauthor Index
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