default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDMarcelo M. Wanderley
Person information
- affiliation: McGill University, Input Devices and Music Interaction Laboratory, Montreal, Canada
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
showing all ?? records
2020 – today
- 2024
[i3]Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley:
Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique. CoRR abs/2405.10502 (2024)- 2023
- [j25]Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley:
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. Frontiers Comput. Sci. 5 (2023) - [c137]Ziyue Piao
, Marcelo M. Wanderley, Felipe Verdugo:
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. ArtsIT (2) 2023: 325-341 - [c136]Brady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph W. Malloch:
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. NIME 2023 - [c135]Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley:
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. NIME 2023 - [c134]Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier:
eTud, be: case studies in playing with musical agents. NIME 2023 - [c133]Takuto Fukuda, Marcelo M. Wanderley:
T-Patch: a software application for T-Stick Digital Musical Instruments. NIME 2023 - [c132]Eduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley:
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. NIME 2023 - [c131]Albert-Ngabo Niyonsenga, Marcelo M. Wanderley:
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. NIME 2023 - [c130]Marcelo M. Wanderley:
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. NIME 2023 - 2022
- [j24]John Sullivan, Marcelo M. Wanderley, Catherine Guastavino:
From Fiction to Function: Imagining New Instruments through Design Workshops. Comput. Music. J. 46(3): 26-47 (2022) - [c129]Brady Boettcher, Joseph W. Malloch, Johnty Wang, Marcelo M. Wanderley:
Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. NIME 2022 - [c128]Brady Boettcher, John Sullivan, Marcelo M. Wanderley:
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. NIME 2022 - [c127]Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley:
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. NIME 2022 - [c126]Linnea Kirby, Paul Buser, Marcelo M. Wanderley:
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. NIME 2022 - [c125]Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley:
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME 2022 - 2021
- [j23]Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino:
Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact. 5(4): 19 (2021) - [j22]Luca Turchet, Travis J. West, Marcelo M. Wanderley:
Touching the audience: musical haptic wearables for augmented and participatory live music performances. Pers. Ubiquitous Comput. 25(4): 749-769 (2021) - [c124]Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley:
Projeto: Cerrado: Unfolding Spaces. ARTECH 2021: 11:1-11:6 - [c123]Leandro Lesqueves Costalonga, Daniel Hora, Marcelo Soares Pimenta, Marcelo M. Wanderley:
The Ragpicking DMI Design: The Case for Green Computer Music. ARTECH 2021: 64:1-64:10 - [c122]Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson:
The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly Conference 2021: 232-239 - [c121]Benjamin Lavastre, Marcelo M. Wanderley:
Interaction Strategies in Composition for Karlax and Acoustic Instruments. CMMR 2021: 163-179 - [c120]Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley:
Documentation and Replicability in the NIME Community. NIME 2021 - [c119]Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley:
A Visualization Tool to Explore Interactive Sound Installations. NIME 2021 - [c118]Christian Frisson, Mathias Bredholt, Joseph W. Malloch, Marcelo M. Wanderley:
MapLooper: Live-looping of distributed gesture-to-sound mappings. NIME 2021 - [c117]Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley:
The T-Stick Music Creation Project: An approach to building a creative community around a DMI. NIME 2021 - [c116]Juliette Regimbal, Marcelo M. Wanderley:
Interpolating Audio and Haptic Control Spaces. NIME 2021 - [c115]P. J. Charles Reimer, Marcelo M. Wanderley:
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. NIME 2021 - [c114]Geise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha:
Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. NIME 2021 - [c113]Matthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley:
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. NIME 2021 - [c112]Travis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley:
Making Mappings: Design Criteria for Live Performance. NIME 2021 - [i2]Geise Santos, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha:
A multi-sensor human gait dataset captured through an optical system and inertial measurement units. CoRR abs/2111.15044 (2021) - 2020
- [j21]Thomas Pietrzak, Marcelo M. Wanderley:
Haptic and audio interaction design. J. Multimodal User Interfaces 14(3): 231-233 (2020) - [j20]Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley:
Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. J. Multimodal User Interfaces 14(3): 285-301 (2020) - [j19]Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley:
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors 20(19): 5722 (2020) - [c111]Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo Meneses, Marcelo M. Wanderley:
Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments. HCI (41) 2020: 84-97 - [c110]Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson:
A Visualization Tool for the CIRMMT Distinguished Lecture Series. HCI (4) 2020: 156-169 - [c109]Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley:
Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments. HCI (5) 2020: 375-384 - [c108]Mathias Kirkegaard, Mathias Bredholt, Marcelo M. Wanderley:
An Intermediate Mapping Layer for Interactive Sequencing. HCI (5) 2020: 447-456 - [c107]John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley:
Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. NIME 2020: 5-10 - [c106]Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley:
The Scalability of WiFi for Mobile Embedded Sensor Interfaces. NIME 2020: 73-76 - [c105]Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley:
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME 2020: 160-165 - [c104]Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley:
TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. NIME 2020: 273-278 - [c103]Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs:
Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. NIME 2020: 285-290 - [c102]Travis J. West, Marcelo M. Wanderley, Baptiste Caramiaux:
Making Mappings: Examining the Design Process. NIME 2020: 291-296 - [i1]Nicola Orio, Norbert Schnell, Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI. CoRR abs/2010.01571 (2020)
2010 – 2019
- 2019
- [j18]Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer:
Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action. Cogn. Sci. 43(8) (2019) - [c101]Luca Turchet, Travis J. West, Marcelo M. Wanderley:
Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance. Audio Mostly Conference 2019: 168-175 - [c100]Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley:
The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. HCI (5) 2019: 70-89 - [c99]Johnty Wang, Axel Mulder, Marcelo M. Wanderley:
Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. NIME 2019: 25-30 - [c98]Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley:
Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. NIME 2019: 37-42 - [c97]Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley:
Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). NIME 2019: 150-155 - [c96]Eduardo Meneses, Johnty Wang, Sérgio Freire, Marcelo M. Wanderley:
A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. NIME 2019: 222-227 - [p3]Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley:
Understanding Music Interaction, and Why It Matters. New Directions in Music and Human-Computer Interaction 2019: 1-20 - [p2]Joseph W. Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot:
A Design Workbench for Interactive Music Systems. New Directions in Music and Human-Computer Interaction 2019: 23-40 - [p1]Marcelo M. Wanderley, Wendy E. Mackay:
HCI, Music and Art: An Interview with Wendy Mackay. New Directions in Music and Human-Computer Interaction 2019: 115-120 - [e2]Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley:
New Directions in Music and Human-Computer Interaction. Springer 2019, ISBN 978-3-319-92068-9 [contents] - 2018
- [j17]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multim. 25(1): 39-50 (2018) - [c95]Deborah C. Egloff, Marcelo M. Wanderley, Ilja Frissen:
Haptic display of melodic intervals for musical applications. HAPTICS 2018: 284-289 - [c94]John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley:
Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. MOCO 2018: 26:1-26:8 - [c93]Catherine Massie-Laberge, Marcelo M. Wanderley, Isabelle Cossette:
Kinetic Analysis of Hip Motion During Piano Playing. MOCO 2018: 39:1-39:6 - [c92]Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley:
NIME Identity from the Performer's Perspective. NIME 2018: 168-173 - [c91]Alex Nieva, Johnty Wang, Joseph W. Malloch, Marcelo M. Wanderley:
The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. NIME 2018: 198-199 - [c90]Eduardo Meneses, Sérgio Freire, Marcelo M. Wanderley:
GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. NIME 2018: 222-227 - [c89]Joseph W. Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley:
The Digital Orchestra Toolbox for Max. NIME 2018: 255-258 - [c88]Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot:
ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments. VL/HCC 2018: 167-175 - 2017
- [j16]Esteban Maestre, Panagiotis Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Pérez, Marcelo M. Wanderley:
Enriched Multimodal Representations of Music Performances: Online Access and Visualization. IEEE Multim. 24(1): 24-34 (2017) - [j15]Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber L. Ramalho:
A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multim. 24(1): 63-71 (2017) - [c87]Ian Hattwick, Ivan Franco, Marcelo M. Wanderley:
The Vibropixels: A Scalable Wireless Tactile Display System. HCI (3) 2017: 517-528 - [c86]Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer, Marcelo M. Wanderley:
Individuality in Piano Performance Depends on Skill Learning. MOCO 2017: 14:1-14:7 - [c85]Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot:
Exploring playfulness in nime design: the case of live looping tools. NIME 2017: 87-92 - [c84]Ian Hattwick, Marcelo M. Wanderley:
Design of hardware systems for professional artistic applications. NIME 2017: 436-441 - 2016
- [c83]Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston:
Music and HCI. CHI Extended Abstracts 2016: 3339-3346 - [c82]Ivan Franco, Marcelo M. Wanderley:
Prynth: A Framework for Self-contained Digital Music Instruments. CMMR 2016: 357-370 - [c81]Lei Chen, Sylvie Gibet, Pierre-François Marteau, Fabrice Marandola, Marcelo M. Wanderley:
Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher. MOCO 2016: 13:1-13:8 - 2015
- [j14]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Distributed tools for interactive design of heterogeneous signal networks. Multim. Tools Appl. 74(15): 5683-5707 (2015) - [j13]Alfonso Pérez Carrillo, Marcelo M. Wanderley:
Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE ACM Trans. Audio Speech Lang. Process. 23(5): 932-940 (2015) - [c80]Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley:
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. CMMR 2015: 71-87 - [c79]Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci:
Composition Techniques for the Ilinx Vibrotactile Garment. ICMC 2015 - [c78]Mickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley:
Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. ICMC 2015 - [c77]Jerônimo Barbosa, Joseph W. Malloch, Marcelo M. Wanderley, Stéphane Huot:
What does 'evaluation' mean for the nime community? NIME 2015: 156-161 - [c76]Ian Hattwick, Marcelo M. Wanderley:
Interactive lighting in the pearl: considerations and implementation. NIME 2015: 201-204 - [c75]Ivan Franco, Marcelo M. Wanderley:
Pratical evaluation of synthesis performance on the beaglebone black. NIME 2015: 223-226 - [c74]Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber L. Ramalho, Marcelo M. Wanderley:
Designing dmis for popular music in the brazilian northeast: lessons learned. NIME 2015: 277-280 - 2014
- [j12]Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil:
In-House Development of Paper Force Sensors for Musical Applications. Comput. Music. J. 38(2): 22-35 (2014) - [j11]Marcelo M. Wanderley, Joseph W. Malloch:
Editors' Notes. Comput. Music. J. 38(3): 4-5 (2014) - [j10]Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Comput. Music. J. 38(3): 6-22 (2014) - [j9]Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich:
Automatic detection of musicians' ancillary gestures based on video analysis. Expert Syst. Appl. 41(4): 2098-2106 (2014) - [j8]Carolina Brum Medeiros, Marcelo M. Wanderley:
A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. Sensors 14(8): 13556-13591 (2014) - [j7]Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward:
Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. IEEE Trans. Haptics 7(4): 533-544 (2014) - [c73]Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley:
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. ICMC 2014 - [c72]Thor Kell, Marcelo M. Wanderley:
A High-Level Review of Mappings in Musical iOS Applications. ICMC 2014 - [c71]Vanessa Yaremchuk, Marcelo M. Wanderley:
Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. MOCO 2014: 88 - [c70]Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola:
Handedness in Percussion Sight-Reading. MOCO 2014: 112 - [c69]Ian Hattwick, Joseph W. Malloch, Marcelo M. Wanderley:
Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. NIME 2014: 443-448 - [c68]Clayton Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes:
Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. NIME 2014: 509-512 - [c67]Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola:
Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. NIME 2014: 597-600 - 2013
- [j6]Joseph Thibodeau, Marcelo M. Wanderley:
Trumpet Augmentation and Technological Symbiosis. Comput. Music. J. 37(3): 12-25 (2013) - [c66]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Libmapper: (a library for connecting things). CHI Extended Abstracts 2013: 3087-3090 - [c65]Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley:
Vibrotactile Feedback for an Open Air Music Controller. CMMR 2013: 41-57 - [c64]Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo Ferreira-Lopes:
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. CMMR 2013: 393-415 - [c63]Marcello Giordano, Marcelo M. Wanderley:
Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. HAID 2013: 89-98 - [c62]Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley:
Alternatives in Network transport Protocols for audio Streaming Applications. ICMC 2013 - 2012
- [j5]Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley:
Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. Vis. Comput. 28(4): 357-370 (2012) - [c61]Alfonso Pérez Carrillo, Marcelo M. Wanderley:
Learning and extraction of violin instrumental controls from audio signal. MIRUM 2012: 25-30 - [c60]Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley:
Bowing a vibration-enhanced force feedback device. NIME 2012 - [c59]Ian Hattwick, Marcelo M. Wanderley:
A Dimension Space for Evaluating Collaborative Musical Performance Systems. NIME 2012 - [c58]Avrum Hollinger, Marcelo M. Wanderley:
Optoelectronic Acquisition and Control Board for Musical Applications. NIME 2012 - [c57]Olivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley:
Exploring audio and tactile qualities of instrumentality with bowed string simulations. NIME 2012 - [c56]Gabriel Vigliensoni, Marcelo M. Wanderley:
A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. NIME 2012 - 2011
- [j4]Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola:
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Comput. Music. J. 35(3): 57-72 (2011) - [c55]Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward, Gary P. Scavone:
Noise-free haptic interaction with a bowed-string acoustic model. World Haptics 2011: 463-468 - [c54]Mark T. Marshall, Marcelo M. Wanderley:
Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. NIME 2011: 399-404 - 2010
- [c53]Avrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley:
An Embedded Hardware Platform For Fungible Interfaces. ICMC 2010 - [c52]Gabriel Vigliensoni, Marcelo M. Wanderley:
Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller. ICMC 2010
2000 – 2009
- 2009
- [j3]Stephen Sinclair, Marcelo M. Wanderley:
A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interact. Comput. 21(1-2): 54-63 (2009) - [c51]Florian Grond, Thomas Hermann, Vincent Verfaille, Marcelo M. Wanderley:
Methods for Effective Sonification of Clarinetists' Ancillary Gestures. Gesture Workshop 2009: 171-181 - [c50]Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet:
Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. ICMC 2009 - [c49]Xenia Pestova, Erika Donald, Heather Hindman, Joseph W. Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, Sean Ferguson:
The CIRMMT/McGill Digital Orchestra Project. ICMC 2009 - [c48]Stephen Sinclair, Gary P. Scavone, Marcelo M. Wanderley:
Audio-Haptic Interaction with the Digital Waveguide Bowed String. ICMC 2009 - [c47]Mark Zadel, Stephen Sinclair, Marcelo M. Wanderley:
Haptic Feedback for Different Strokes Using DIMPLE. ICMC 2009 - [c46]Mike Collicutt, Carmine Casciato, Marcelo M. Wanderley:
From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. NIME 2009: 1-6 - [c45]Jason Hockman, Marcelo M. Wanderley, Ichiro Fujinaga:
Real-Time Phase Vocoder Manipulation by Runner's Pace. NIME 2009: 90-93 - [c44]Marije A. J. Baalman, Harry Smoak, Christopher L. Salter, Joseph W. Malloch, Marcelo M. Wanderley:
Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. NIME 2009: 131-134 - [e1]Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley, Rafael Bastos:
Gesture-Based Human-Computer Interaction and Simulation, 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. Lecture Notes in Computer Science 5085, Springer 2009, ISBN 978-3-540-92864-5 [contents] - 2008
- [c43]Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley:
Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. NIME 2008: 38-43 - 2007
- [c42]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. CMMR 2007: 401-425 - [c41]Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo M. Wanderley:
Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture Workshop 2007: 48-56 - [c40]Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, Frédéric Bevilacqua:
String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture Workshop 2007: 216-226 - [c39]Mark T. Marshall, Joseph W. Malloch, Marcelo M. Wanderley:
Gesture Control of Sound Spatialization for Live Musical Performance. Gesture Workshop 2007: 227-238 - [c38]David Birnbaum, Marcelo M. Wanderley:
A Systematic Approach to Musical vibrotactile feedback. ICMC 2007 - [c37]Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Fingerings of harmonic Notes on the Flute. ICMC 2007 - [c36]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. ICMC 2007 - [c35]Doug Van Nort, David Gauthier, Sha Xin Wei, Marcelo M. Wanderley:
Extraction of gestural Meaning from a Fabric-Based Instrument. ICMC 2007 - [c34]Joseph W. Malloch, Marcelo M. Wanderley:
The T-Stick: From Musical Interface to Musical Instrument. NIME 2007: 66-69 - [c33]Stephen Sinclair, Marcelo M. Wanderley:
Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. NIME 2007: 209-212 - [c32]Avrum Hollinger, Christopher John Steele, Virginia B. Penhune, Robert J. Zatorre, Marcelo M. Wanderley:
fMRI-Compatible Electronic Controllers. NIME 2007: 246-249 - [c31]Doug Van Nort, Marcelo M. Wanderley:
Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models. NIME 2007: 379-383 - 2006
- [c30]Mark T. Marshall, Nils Peters, Alexander Refsum Jensenius, Julien Boissinot, Marcelo M. Wanderley, Jonas Braasch:
On the Development of a System for Gesture Control of Spatialization. ICMC 2006 - [c29]Doug Van Nort, Marcelo M. Wanderley:
The LoM Mapping Toolbox for Max/MSP/Jitter. ICMC 2006 - [c28]Vincent Verfaille, Julien Boissinot, Philippe Depalle, Marcelo M. Wanderley:
Ssynth: a Real Time Additive Synthesizer With Flexible Control. ICMC 2006 - [c27]Marcelo M. Wanderley, David Birnbaum, Joseph W. Malloch, Elliot Sinyor, Julien Boissinot:
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. NIME 2006: 180-183 - [c26]Anne-Marie Burns, Marcelo M. Wanderley:
Visual Methods for the Retrieval of Guitarist Fingering. NIME 2006: 196-199 - [c25]Mark T. Marshall, Marcelo M. Wanderley:
Vibrotactile Feedback in Digital Musical Instruments. NIME 2006: 226-229 - [c24]Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil:
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. NIME 2006: 230-233 - 2005
- [c23]Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley:
Building Low-Cost Music Controllers. CMMR 2005: 123-129 - [c22]Mark T. Marshall, Marcelo M. Wanderley:
Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005: 130-139 - [c21]Paul Kolesnik, Marcelo M. Wanderley:
Implementation of the Discrete Hidden Markov Model in Max/MSP Environment. FLAIRS 2005: 68-73 - [c20]Alexander Refsum Jensenius, Rolf Inge Godøy, Marcelo M. Wanderley:
Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment. ICMC 2005 - [c19]Elliot Sinyor, Marcelo M. Wanderley:
Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. NIME 2005: 42-45 - [c18]Andrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone:
On the Use of Flute Air Jet as A Musical Control Variable. NIME 2005: 105-108 - [c17]David Birnbaum, Rebecca Fiebrink, Joseph W. Malloch, Marcelo M. Wanderley:
Towards a Dimension Space for Musical Artifacts. NIME 2005: 192-195 - 2004
- [j2]Marcelo M. Wanderley, Philippe Depalle:
Gestural control of sound synthesis. Proc. IEEE 92(4): 632-644 (2004) - [c16]Paul Kolesnik, Marcelo M. Wanderley:
Recognition, Analysis and Performance with Expressive Conducting Gestures. ICMC 2004 - [c15]Gary P. Scavone, Marcelo M. Wanderley:
The Music Technology Program at McGill University. ICMC 2004 - [c14]Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
On the Choice of Mappings Based On Geometric Properties. NIME 2004: 87-91 - 2003
- [c13]Bradley W. Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina L. Nuzzo, Daniel J. Levitin:
Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? Gesture Workshop 2003: 468-478 - [c12]Caroline Traube, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. NIME 2003: 42-48 - 2002
- [j1]Marcelo M. Wanderley, Nicola Orio:
Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Comput. Music. J. 26(3): 62-76 (2002) - [c11]Andy Hunt, Marcelo M. Wanderley, Matthew Paradis:
The Importance of Parameter Mapping in Electronic Instrument Design. NIME 2002: 149-154 - 2001
- [c10]Marcelo M. Wanderley:
Quantitative Analysis of Non-obvious Performer Gestures. Gesture Workshop 2001: 241-253 - [c9]Marcelo M. Wanderley, Marie-Hélène Serra, Marc Battier, Xavier Rodet:
Gestural Control at IRCAM. ICMC 2001 - [c8]Nicola Orio, Norbert Schnell, Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI. NIME 2001: 15-18 - [c7]Marcelo M. Wanderley:
The jMax Digitizing Tablet. NIME 2001 - 2000
- [c6]Andy Hunt, Marcelo M. Wanderley, Ross Kirk:
Towards a Model for Instrumental Mapping in Expert Musical Interaction. ICMC 2000 - [c5]Marcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart, Xavier Rodet:
On the Choice of Transducer Technologies for Specific Musical Functions. ICMC 2000
1990 – 1999
- 1999
- [c4]Marcelo M. Wanderley:
Non-obvious Performer Gestures in Instrumental Music. Gesture Workshop 1999: 37-48 - [c3]Stefania Serafin, Richard Dudas, Marcelo M. Wanderley, Xavier Rodet:
Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. ICMC 1999 - [c2]Marcelo M. Wanderley, Philippe Depalle, Olivier Warusfel:
Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. ICMC 1999 - 1998
- [c1]Marcelo M. Wanderley, Norbert Schnell, Joseph Butch Rovan:
ESCHER-modeling and performing composed instruments in real-time. SMC 1998: 1080-1084
Coauthor Index
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
Unpaywalled article links
Add open access links from 
to the list of external document links (if available).
Privacy notice: By enabling the option above, your browser will contact the API of unpaywall.org to load hyperlinks to open access articles. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Unpaywall privacy policy.
Archived links via Wayback Machine
For web page which are no longer available, try to retrieve content from the 
of the Internet Archive (if available).
Privacy notice: By enabling the option above, your browser will contact the API of archive.org to check for archived content of web pages that are no longer available. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Internet Archive privacy policy.
Reference lists
Add a list of references from 
, 
, and 
to record detail pages.
load references from crossref.org and opencitations.net
Privacy notice: By enabling the option above, your browser will contact the APIs of crossref.org, opencitations.net, and semanticscholar.org to load article reference information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Crossref privacy policy and the OpenCitations privacy policy, as well as the AI2 Privacy Policy covering Semantic Scholar.
Citation data
Add a list of citing articles from and to record detail pages.
load citations from opencitations.net
Privacy notice: By enabling the option above, your browser will contact the API of opencitations.net and semanticscholar.org to load citation information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the OpenCitations privacy policy as well as the AI2 Privacy Policy covering Semantic Scholar.
OpenAlex data
Load additional information about publications from 
.
Privacy notice: By enabling the option above, your browser will contact the API of openalex.org to load additional information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the information given by OpenAlex.
last updated on 2024-09-18 01:09 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
