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ORCID4. CMMR 2007: Copenhagen, Denmark
- Richard Kronland-Martinet, Sølvi Ystad, Kristoffer Jensen:
Computer Music Modeling and Retrieval. Sense of Sounds, 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 27-31, 2007. Revised Papers. Lecture Notes in Computer Science 4969, Springer 2008, ISBN 978-3-540-85034-2
Towards the Understanding of Sense of Sounds
Perceptual and Cognitive Aspects of Music
- John Chowning:
Fifty Years of Computer Music: Ideas of the Past Speak to the Future. 1-10 - Barbara Tillmann:
Music Cognition: Learning, Perception, Expectations. 11-33 - Dilip Swaminathan
, Harvey D. Thornburg, Todd Ingalls, Stjepan Rajko, Jodi James, Ellen Campana, Kathleya Afanador, Randal J. Leistikow:
Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models. 34-55 - Barbara Pastuszek-Lipiñska:
Musicians Outperform Nonmusicians in Speech Imitation. 56-73 - Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter, Catherine Upton:
Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers. 74-97 - Tuukka Ilomäki:
The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study. 98-109 - Parag Chordia, Alex Rae:
Understanding Emotion in Raag: An Empirical Study of Listener Responses. 110-124
Relevant Features in Sounds and Music
- Gary S. Kendall, Mauricio Ardila:
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata. 125-138 - Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki:
Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features. 139-158 - Swe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li:
Exploring Perceptual Based Timbre Feature for Singer Identification. 159-171 - Adam Lockhart:
Cognitive Implications of Musical Perception. 172-180 - John Ashley Burgoyne, Stephen McAdams:
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL. 181-202 - John MacCallum, Aaron Einbond:
Real-Time Analysis of Sensory Dissonance. 203-211
Multimodal Perception and Interaction
- Amalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin:
Multimodal Design for Enactive Toys. 212-222 - Sonia Wilkie, Catherine J. Stevens, Roger Dean:
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash. 223-234 - Kathleya Afanador, Ellen Campana, Todd Ingalls, Dilip Swaminathan, Harvey D. Thornburg, Jodi James, Jessica Mumford, Gang Qian, Stjepan Rajko:
On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement. 235-245 - Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby:
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance. 246-262
Towards the Generation of Sense of Sounds
Rule-Based Music Retrieval and Generation
- Ole Kühl, Kristoffer Jensen:
Retrieving and Recreating Musical Form. 263-275 - William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen:
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses. 276-287 - Marco Fabiani, Anders Friberg:
Rule-Based Expressive Modifications of Tempo in Polyphonic Audio Recordings. 288-302 - Matthias Rath, Marcel Wältermann:
Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds. 303-312 - Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad:
Improving Musical Expressiveness by Time-Varying Brightness Shaping. 313-336
AI Approaches for Interactive Musical Systems
- Michael Young:
NN Music: Improvising with a 'Living' Computer. 337-350 - Gil Weinberg, Mark Godfrey, Alex Rae, John Rhoads:
A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation. 351-359 - Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi:
A Musical Framework with Swarming Robots. 360-367 - Arne Eigenfeldt:
Emergent Rhythms through Multi-agency in Max/MSP. 368-379
Tools and Applications for Composers and Performers
- Xavier Amatriain, Jorge Castellanos, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope, Graham Wakefield, Will Wolcott:
Experiencing Audio and Music in a Fully Immersive Environment. 380-400 - Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. 401-425 - J. Milo Taylor:
The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. 426-440 - Miguel Angel Ortiz Pérez, R. Benjamin Knapp:
BioTools: A Biosignal Toolbox for Composers and Performers. 441-452 - David Gerhard, Brett Park, Jarrod Ellis:
Focus-Plus-Context Audio Interaction Design. 453-477 - Robert Hamilton:
Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance. 478-486 - Steve Mann, James Fung, Ariel Garten:
DECONcert: Making Waves with Water, EEG, and Music. 487-505
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