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ORCIDComputer Music Journal, Volume 38
Volume 38, Number 1, Spring 2014
- Thor Magnusson
:
Herding Cats: Observing Live Coding in the Wild. 8-16 - David Ogborn:
Live Coding in a Scalable, Participatory Laptop Orchestra. 17-30 - Kate Sicchio:
Hacking Choreography: Dance and Live Coding. 31-39 - Till Bovermann, Dave Griffiths:
Computation as Material in Live Coding. 40-53 - Scott Wilson, Norah Lorway, Rosalyn Coull, Konstantinos Vasilakos, Tim Moyers:
Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. 54-64 - Andrew Sorensen, Ben Swift, Alistair Riddell:
The Many Meanings of Live Coding. 65-76 - Martin Zeilinger:
Live Coding the Law: Improvisation, Code, and Copyright. 77-89 - Ross Feller:
Barry Schrader: The Barnum Museum (2009-2012). 90-91 - Annea Lockwood:
Thomas Clark: Larry Austin: Life and Works of an Experimental Composer. 91-93
Volume 38, Number 2, Summer 2014
- Ge Wang:
Ocarina: Designing the iPhone's Magic Flute. 8-21
- Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil:
In-House Development of Paper Force Sensors for Musical Applications. 22-35
- Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia:
Methods and Prospects for Human-Computer Performance of Popular Music. 36-50 - Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia:
Active Scores: Representation and Synchronization in Human-Computer Performance of Popular Music. 51-62
- Israel Neuman:
Generative Tools for Interactive Composition: Real-Time Musical Structures Based on Schaeffer's TARTYP and on Klumpenhouwer Networks. 63-77 - Katerina Kosta, Shengchen Li:
2013 Performance Studies Network International Conference. 78-80 - Robert S. Thompson:
Eric Lyon: Designing Audio Objects for Max/MSP and Pd. 80-84 - Ross Feller:
Juan Blanco: Nuestro Tiempo/Our Time. 84-86
Volume 38, Number 3, Fall 2014
- Douglas Keislar:
About This Issue. 1-2 - Marcelo M. Wanderley, Joseph W. Malloch:
Editors' Notes. 4-5
- Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. 6-22 - Robert Tubb, Simon Dixon:
A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves. 23-33 - Baptiste Caramiaux, Jules Françoise, Norbert Schnell, Frédéric Bevilacqua:
Mapping Through Listening. 34-48 - Jan C. Schacher, Daniel Bisig, Philippe Kocher:
The Map and the Flock: Emergence in Mapping with Swarm Algorithms. 49-63 - Eric D. Lyon, R. Benjamin Knapp, Gascia Ouzounian:
Compositional and Performance Mapping in Computer Chamber Music: A Case Study. 64-75 - Louis Bigo:
MCM 2013: The Fourth International Conference on Mathematics and Computation in Music. 76-77 - Ross Feller:
Matthew Burtner: Noise Plays Burtner. 77-79
Volume 38, Number 4, Winter 2014
Digital Sound Synthesis
- Gary S. Kendall, Christopher Haworth, Rodrigo F. Cádiz:
Sound Synthesis with Auditory Distortion Products. 5-23 - Simon Conan, Etienne Thoret, Mitsuko Aramaki, Olivier Derrien, Charles Gondre, Sølvi Ystad, Richard Kronland-Martinet:
An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling. 24-37 - Jaime Serquera, Eduardo Reck Miranda:
Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design. 38-52 - Rodrigo F. Cádiz, Javier Ramos:
Sound Synthesis of a Gaussian Quantum Particle in an Infinite Square Well. 53-67
- Qi Yang, Georg Essl:
Evaluating Gesture-Augmented Keyboard Performance. 68-79
- Amy K. Hoover, Paul A. Szerlip, Kenneth O. Stanley:
Functional Scaffolding for Composing Additional Musical Voices. 80-99
- Ian Stevenson:
EMS 2014: The Twelfth Electroacoustic Music Studies Network Conference. 100-101
- Curtis Roads:
Nicolas Isherwood: The Techniques of Singing. 102-104 - Jacob Gotlib:
Andrey Smirnov: Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia. 104-107
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