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ORCIDGe Wang 0002
Person information
- unicode name: 王戈
- affiliation: Stanford University, Center for Computer Research in Music and Acoustics (CCRMA), CA, USA
- affiliation (PhD 2008): Princeton University, Computer Science Department, NJ, USA
Other persons with the same name
- Ge Wang — disambiguation page
- Ge Wang 0001
![[0000-0002-2656-7705]](https://dblp.uni-trier.de./img/orcid-mark.12x12.png "0000-0002-2656-7705")
— Rensselaer Polytechnic Institute, Department of Biomedical Engineering, CBIS, Troy, NY, USA (and 3 more) - Ge Wang 0003 — Xi'an Jiaotong University, Department of Computer Science and Engineering, China
- Ge Wang 0004 — University of Oxford, Department of Computer Science, UK
- Ge Wang 0005 — ShanghaiTech University, School of Information Science and Technology, China
- Ge Wang 0006 — Beijing University of Posts and Telecommunications, MoE Key Laboratory of Universal Wireless Communications, China
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2010 – 2019
- 2019
[c50]Ge Wang:
(Keynote) Artful Design: Technology in Search of the Sublime! Creativity & Cognition 2019: 1- 2015
- [j5]Ge Wang, Perry R. Cook, Spencer Salazar:
ChucK: A Strongly Timed Computer Music Language. Comput. Music. J. 39(4): 10-29 (2015) - 2014
- [j4]Ge Wang:
Ocarina: Designing the iPhone's Magic Flute. Comput. Music. J. 38(2): 8-21 (2014) - [c49]Nicholas J. Bryan, Gautham J. Mysore, Ge Wang:
ISSE: an interactive source separation editor. CHI 2014: 257-266 - [c48]Spencer Salazar, Ge Wang:
miniAudicle for iPad: Touchscreen-based Music Software Programming. ICMC 2014 - [c47]Ge Wang:
Principles of Visual Design for Computer Music. ICMC 2014 - [c46]Spencer Salazar, Ge Wang:
Auraglyph: Handwritten Computer Music Composition and Design. NIME 2014: 106-109 - [c45]Hyung-Suk Kim, Jorge Herrera, Ge Wang:
Ping-Pong: Musically Discovering Locations. NIME 2014: 273-276 - 2013
- [c44]Jieun Oh, Ge Wang:
Laughter modulation: from speech to speech-laugh. INTERSPEECH 2013: 754-755 - [c43]Nicholas J. Bryan, Gautham J. Mysore, Ge Wang:
Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano Roll Display. ISMIR 2013: 119-124 - [c42]Jieun Oh, Ge Wang:
LOLOL: Laugh Out Loud On Laptop. NIME 2013: 190-195 - [c41]Mark Cerqueira, Spencer Salazar, Ge Wang:
SoundCraft: Transducing StarCraft 2. NIME 2013: 243-247 - 2012
- [c40]Spencer Salazar, Ge Wang:
Chugens, Chubgraphs, Chugins: 3 Tiers for Extending Chuck. ICMC 2012 - [c39]Chris Carlson, Ge Wang:
Borderlands -An Audiovisual Interface for Granular Synthesis. NIME 2012 - 2011
- [c38]Jieun Oh, Ge Wang:
Audience-Participation Techniques Based on Social Mobile Computing. ICMC 2011 - [c37]Ge Wang, Jieun Oh, Spencer Salazar, Robert Hamilton:
World Stage: A Crowd-sourcing Paradigm for Interactive Social / Mobile Music. ICMC 2011 - [c36]Nicholas J. Bryan, Ge Wang:
Musical Influence Network Analysis and Rank of Sample-Based Music. ISMIR 2011: 329-334 - [c35]Nicholas J. Bryan, Ge Wang:
Two Turntables and a Mobile Phone. NIME 2011: 179-184 - [c34]Ge Wang, Jieun Oh, Tom Lieber:
Designing for the iPad: Magic Fiddle. NIME 2011: 197-202 - [c33]Ge Wang:
Breaking barriers with sound. UIST 2011: 205-206 - 2010
- [c32]Jieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, Ge Wang:
Evolving The Mobile Phone Orchestra. NIME 2010: 82-87 - [c31]Hongchan Choi, Ge Wang:
LUSH: An Organic Eco + Music System. NIME 2010: 112-115 - [c30]Nicholas J. Bryan, Jorge Herrera, Jieun Oh, Ge Wang:
MoMu: A Mobile Music Toolkit. NIME 2010: 174-177 - [c29]Luke Dahl, Ge Wang:
Sound Bounce: Physical Metaphors in Designing Mobile Music Performance. NIME 2010: 178-181
2000 – 2009
- 2009
- [c28]Ge Wang, Nicholas J. Bryan, Jieun Oh, Robert Hamilton:
Stanford Laptop Orchestra (SLOrk). ICMC 2009 - [c27]Ge Wang, Georg Essl, Jeff Smith, Spencer Salazar, Perry R. Cook, Rob Hamilton, Rebecca Fiebrink, Jonathan Berger, David Zhu, Mattias Ljungstrom, Arnaud Berry, Jennifer Wu, Turner Kirk, Elon Berger, Jillian Segal:
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social. ICMC 2009 - [c26]Ananya Misra, Ge Wang, Perry R. Cook:
TAPESTREA: a new way to design sound. ACM Multimedia 2009: 933-934 - [c25]Ananya Misra, Ge Wang, Perry R. Cook:
TAPESTREA: a new way to design sound. ACM Multimedia 2009: 1033-1036 - [c24]Ge Wang:
Designing Smule's Ocarina: The iPhone's Magic Flute. NIME 2009: 303-307 - [c23]Ge Wang, Rebecca Fiebrink:
PLOrk Beat Science 2.0. NIME 2009: 334 - 2008
- [j3]Scott Smallwood, Dan Trueman, Perry R. Cook, Ge Wang:
Composing for Laptop Orchestra. Comput. Music. J. 32(1): 9-25 (2008) - [j2]Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
The Laptop Orchestra as Classroom. Comput. Music. J. 32(1): 26-37 (2008) - [j1]Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
Erratum: The Laptop Orchestra as Classroom. Comput. Music. J. 32(2): 4 (2008) - [c22]Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Foundations for on-the-Fly Learning in the Chuck Programming Language. ICMC 2008 - [c21]Ge Wang:
A comment on Many-Core Computing and Real-Time audio Software Systems (2008). ICMC 2008 - [c20]Ge Wang, Georg Essl, Henri Penttinen:
Do Mobile phones Dream of Electric Orchestras? ICMC 2008 - [c19]David Wessel, Roger B. Dannenberg, Yann Orlarey, Miller S. Puckette, Peter Van Roy, Ge Wang:
Reinventing Audio and Music Computation for Many-Core Processors. ICMC 2008 - [c18]Ge Wang, Rebecca Fiebrink, Perry R. Cook:
Music Information Retrieval in ChucK; Real-Time Prototyping for MIR Systems & Performance. ISMIR 2008: 23 - [c17]Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language. ISMIR 2008: 153-158 - 2007
- [c16]Ge Wang, Rebecca Fiebrink, Perry R. Cook:
Combining Analysis and synthesis in the Chuck Programming Language. ICMC 2007 - [c15]Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control. NIME 2007: 164-167 - 2006
- [c14]Ananya Misra, Perry R. Cook, Ge Wang:
Musical Tapestry: Re-composing Natural Sounds. ICMC 2006 - [c13]Spencer Salazar, Ge Wang, Perry R. Cook:
miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance. ICMC 2006 - [c12]Daniel Trueman, Perry R. Cook, Scott Smallwood, Ge Wang:
PLOrk: The Princeton Laptop Orchestra, Year 1. ICMC 2006 - [c11]Ge Wang, Ananya Misra, Perry R. Cook:
Building Collaborative Graphical interFaces in the Audicle. NIME 2006: 49-52 - [c10]Ge Wang, Perry R. Cook:
On-the-fly Counterpoint. SIGGRAPH Art Gallery 2006: 124 - [c9]Ananya Misra, Perry R. Cook, Ge Wang:
TAPESTREA: sound scene modeling by example. SIGGRAPH Sketches 2006: 177 - 2005
- [c8]Ananya Misra, Ge Wang, Perry R. Cook:
Sndtools: Real-Time audio DSP and 3D Visualization. ICMC 2005 - [c7]Ge Wang, Perry R. Cook, Ananya Misra:
Designing and Implementing the Chuck Programming Language. ICMC 2005 - [c6]Ge Wang, Ananya Misra, Philip Davidson, Perry R. Cook:
Co-Audicle: a Collaborative audio Programming Space. ICMC 2005 - [c5]Ge Wang, Ananya Misra, Ajay Kapur, Perry R. Cook:
Yeah, ChucK It! => Dynamic, Controllable Interface Mapping. NIME 2005: 196-199 - 2004
- [c4]Ge Wang, Perry R. Cook:
The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality. ICMC 2004 - [c3]Ge Wang, Perry R. Cook:
ChucK: a programming language for on-the-fly, real-time audio synthesis and multimedia. ACM Multimedia 2004: 812-815 - [c2]Ge Wang, Perry R. Cook:
"On-the-fly Programming: Using Code as an Expressive Musical Instrument". NIME 2004: 138-143 - 2003
- [c1]Ge Wang, Perry R. Cook:
ChucK: A Concurrent, On-the-fly, Audio Programming Language. ICMC 2003
Coauthor Index
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