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2020 – today
- 2020
[j5]Dan Trueman, Michael Mulshine:
Preparing the Digital Piano: Introducing bitKlavier. Comput. Music. J. 43(2-3): 48-66 (2020)- [j4]Dan Trueman, Aatish Bhatia, Michael Mulshine, Theo Trevisan:
Tuning Playfully: Composed and Adaptive Tunings in bitKlavier. Comput. Music. J. 43(2-3): 67-88 (2020) - [i2]Curtis Bahn, Dan Trueman:
interface : Electronic Chamber Ensemble. CoRR abs/2010.04276 (2020)
2010 – 2019
- 2018
- [i1]Kayhan Özcimder, Biswadip Dey, Alessio Franci, Rebecca J. Lazier, Daniel Trueman, Naomi Ehrich Leonard:
Social decision-making driven by artistic explore-exploit tension. CoRR abs/1812.07117 (2018) - 2016
- [c15]Kayhan Özcimder, Biswadip Dey
, Rebecca J. Lazier, Daniel Trueman, Naomi Ehrich Leonard:
Investigating group behavior in dance: an evolutionary dynamics approach. ACC 2016: 6465-6470 - 2011
- [c14]Rebecca Fiebrink, Perry R. Cook, Dan Trueman:
Human model evaluation in interactive supervised learning. CHI 2011: 147-156 - 2010
- [c13]Rebecca Fiebrink, Daniel Trueman, N. Cameron Britt, Michelle Nagai, Konrad Kaczmarek, Michael Early, M. R. Daniel, Anne Hege, Perry R. Cook:
Toward Understanding Human-Computer Interaction In Composing The Instrument. ICMC 2010 - [c12]Dan Trueman:
Clapping Machine Music Variations: A Composition For Acoustic/Laptop Ensemble. ICMC 2010
2000 – 2009
- 2009
- [c11]Scott Smallwood, Perry R. Cook, Dan Trueman, Lawrence McIntyre:
Don't Forget the Loudspeaker - A History of Hemispherical Speakers at Princeton, Plus a DIY Guide. NIME 2009: 110-115 - [c10]Rebecca Fiebrink, Dan Trueman, Perry R. Cook:
A Meta-Instrument for Interactive, On-the-Fly Machine Learning. NIME 2009: 280-285 - 2008
- [j3]Scott Smallwood, Dan Trueman, Perry R. Cook, Ge Wang:
Composing for Laptop Orchestra. Comput. Music. J. 32(1): 9-25 (2008) - [j2]Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
The Laptop Orchestra as Classroom. Comput. Music. J. 32(1): 26-37 (2008) - [j1]Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
Erratum: The Laptop Orchestra as Classroom. Comput. Music. J. 32(2): 4 (2008) - [c9]Daniel Trueman:
The cyclotron: a Tool for Playing with Time. ICMC 2008 - 2007
- [c8]Ivica Ico Bukvic, Ji-Sun Kim, Dan Trueman, Thomas Grill:
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis. ICMC 2007 - 2006
- [c7]Daniel Trueman, Perry R. Cook, Scott Smallwood, Ge Wang:
PLOrk: The Princeton Laptop Orchestra, Year 1. ICMC 2006 - 2004
- [c6]Van Stiefel, Dan Trueman, Perry R. Cook:
Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller. ICMC 2004 - 2001
- [c5]Curtis Bahn, Tomie Hahn, Dan Trueman:
Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music. ICMC 2001 - [c4]Curtis Bahn, Dan Trueman:
Interface: electronic chamber ensemble. NIME 2001: 19-23 - 2000
- [c3]Dan Trueman, Curtis Bahn, Perry R. Cook:
Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs). ICMC 2000
1990 – 1999
- 1999
- [c2]Dan Trueman, Perry R. Cook:
BoSSA: The Deconstructed Violin Reconstructed. ICMC 1999 - 1998
- [c1]Perry R. Cook, Dan Trueman:
NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses. ICMC 1998
Coauthor Index
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