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Miller S. Puckette
Person information
- affiliation: University of California, San Diego, Department of Music, CA, USA
- affiliation: MIT, Media Lab, Cambridge, MA, USA
- affiliation (PhD 1986): Harvard University, Cambridge, MA, USA
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2020 – today
- 2022
- [c41]Ke Chen, Hao-Wen Dong, Yi Luo, Julian J. McAuley, Taylor Berg-Kirkpatrick, Miller S. Puckette, Shlomo Dubnov:
Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments. ISMIR 2022: 726-732 - [i3]Ke Chen, Hao-Wen Dong, Yi Luo, Julian J. McAuley, Taylor Berg-Kirkpatrick, Miller S. Puckette, Shlomo Dubnov
:
Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments. CoRR abs/2209.02871 (2022)
2010 – 2019
- 2019
- [c40]Chris Donahue, Julian J. McAuley, Miller S. Puckette:
Adversarial Audio Synthesis. ICLR (Poster) 2019 - [c39]Paarth Neekhara, Chris Donahue, Miller S. Puckette, Shlomo Dubnov
, Julian J. McAuley
:
Expediting TTS Synthesis with Adversarial Vocoding. INTERSPEECH 2019: 186-190 - [i2]Paarth Neekhara, Chris Donahue, Miller S. Puckette, Shlomo Dubnov, Julian J. McAuley
:
Expediting TTS Synthesis with Adversarial Vocoding. CoRR abs/1904.07944 (2019) - 2018
- [c38]Chris Donahue, Julian J. McAuley, Miller S. Puckette:
Synthesizing Audio with GANs. ICLR (Workshop) 2018 - [i1]Chris Donahue, Julian J. McAuley, Miller S. Puckette:
Synthesizing Audio with Generative Adversarial Networks. CoRR abs/1802.04208 (2018) - 2016
- [j5]Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Audio Systems Using Power-Preserving All-Pass Filters. Comput. Music. J. 40(1): 54-69 (2016) - [c37]Chris Donahue, Tom Erbe, Miller S. Puckette:
Extended Convolution Techniques for Cross-Synthesis. ICMC 2016 - 2015
- [c36]Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Feedback Networks Using Time-Varying Allpass Filters. ICMC 2015 - 2011
- [c35]Miller S. Puckette:
Infuriating Nonlinear Reverberator. ICMC 2011 - 2010
- [c34]Miller S. Puckette:
Grafting Synthesis Patches Onto Live Musical Instruments. ICMC 2010 - [c33]Miller S. Puckette, Hans-Christoph Steiner, Alexandre Torres Porres:
Pure Data Barcamp. ICMC 2010
2000 – 2009
- 2008
- [c32]Miller S. Puckette:
Not being there. ICMC 2008 - [c31]Miller S. Puckette:
Thoughts on Parallel Computing for Music. ICMC 2008 - [c30]David Wessel, Roger B. Dannenberg, Yann Orlarey, Miller S. Puckette, Peter Van Roy, Ge Wang:
Reinventing Audio and Music Computation for Many-Core Processors. ICMC 2008 - 2007
- [c29]Miller S. Puckette:
On timbre stamps and other frequency-domain filters. ICMC 2007 - 2006
- [c28]Miller S. Puckette:
Phase-bashed packet synthesis: a musical test. ICMC 2006 - 2005
- [c27]Miller S. Puckette:
Phase Bashing for sample-Based formant synthesis. ICMC 2005 - 2004
- [c26]Miller S. Puckette:
Low-dimensional parameter mapping using spectral envelopes. ICMC 2004 - 2002
- [j4]Miller S. Puckette:
Max at Seventeen. Comput. Music. J. 26(4): 31-43 (2002) - [c25]Miller S. Puckette:
Using Pd as a score language. ICMC 2002 - 2001
- [c24]Miller S. Puckette:
Synthesizing Sounds with Specified, Time-Varying Spectra. ICMC 2001 - [c23]Miller S. Puckette:
New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics. ICMC 2001
1990 – 1999
- 1999
- [j3]Elizabeth McNutt, Miller S. Puckette, Andrew May:
Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999. Comput. Music. J. 23(3): 103-104 (1999) - 1998
- [j2]Miller S. Puckette, Judith C. Brown:
Accuracy of frequency estimates using the phase vocoder. IEEE Trans. Speech Audio Process. 6(2): 166-176 (1998) - [c22]Miller S. Puckette, Theodore Apel, David Zicarelli:
Real-time audio analysis tools for Pd and MSP. ICMC 1998 - 1997
- [c21]Miller S. Puckette:
Pure Data. ICMC 1997 - 1995
- [c20]Peter Otto, Miller S. Puckette:
Department of Music, University of California, San Diego. ICMC 1995 - [c19]Miller S. Puckette:
Score Following Using the Sung Voice. ICMC 1995 - 1994
- [c18]François Déchelle, Maurizio De Cecco, Miller S. Puckette, David Zicarelli:
The IRCAM "Real-Time Platform" - Evolutions and Perspectives. ICMC 1994 - [c17]Miller S. Puckette:
Is There Life After MIDI? ICMC 1994 - 1993
- [c16]Cort Lippe, Miller S. Puckette, Zack Settel, Vincent Puig:
The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms. ICMC 1993 - [c15]Miller S. Puckette, Zack Settel:
Nonobvious roles for electronics in performance enhancement. ICMC 1993 - 1992
- [c14]Maurizio De Cecco, Eric Lindemann, Miller S. Puckette:
The Ircam Signal Processing Workstation Prototyping Environment. CHI 1992: 639-640 - [c13]Miller S. Puckette, Cort Lippe:
Score Following in Practice. ICMC 1992 - 1991
- [c12]Cort Lippe, Miller S. Puckette:
Musical Performance Using the IRCAM Workstations. ICMC 1991 - [c11]Eric Lindemann, Miller S. Puckette, Eric Viara, Maurizio De Cecco, François Déchelle, Bennett Smith:
The Architecture of the IRCAM Musical Workstation. USENIX Summer 1991: 209-220 - 1990
- [j1]Eric Lindemann, Miller S. Puckette, Eric Viara, Michel Starkier:
The IRCAM signal processing workstation - An environment for research in real-time musical signal processing and performance. Microprocessing and Microprogramming 30(1-5): 167-174 (1990) - [c10]Miller S. Puckette:
EXPLODE: A User Interface for Sequencing and Score Following. ICMC 1990 - [c9]Eric Viara, Miller S. Puckette:
A Real-time Operating System for Computer Music. ICMC 1990
1980 – 1989
- 1988
- [c8]Miller S. Puckette:
The Patcher. ICMC 1988 - 1987
- [c7]Judith C. Brown, Miller S. Puckette:
Musical Information from a Narrowed Autocorrelation Function. ICMC 1987 - 1986
- [c6]Emmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller S. Puckette, Robert Rowe:
Software Developments for the 4X Real-time System. ICMC 1986 - [c5]Miller S. Puckette:
Interprocess Communication and Timing in Real-Time Computer Music Performance. ICMC 1986 - 1985
- [c4]Barry Vercoe, Miller S. Puckette:
Synthetic Rehearsal: Training the Synthetic Performer. ICMC 1985 - 1984
- [c3]Miller S. Puckette:
The M Orchestra Language. ICMC 1984 - 1981
- [c2]Miller S. Puckette, Barry Vercoe, John P. Stautner:
A Real-time Music 11 Emulator. ICMC 1981 - [c1]John P. Stautner, Barry Vercoe, Miller S. Puckette:
A Four-Channel Reverberation Network. ICMC 1981
Coauthor Index
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