default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID14th ICMC 1988: Cologne, Germany
- Proceedings of the 1988 International Computer Music Conference, ICMC 1988, Cologne, Germany, September 20-25, 1988. Michigan Publishing 1988
- Claude Cadoz:
Instrumental Gestures and Musical Composition. - Douglas J. Collinge, Stephen M. Parkinson:
The Oculus Ranae. - Barry Eaglestone:
A Database Environment for Musician-Machine Interaction Experimentation. - Sylvie Gibet, Jean-Loup Florens:
Instrumental Gesture Modeling by Identification with Time-varying Mechanical Models. - Johannes Goebel:
Man-Machine Interaction. - Dean Rubine, Paul McAvinney:
The VideoHarp. - Mira Balaban:
A Music-Workstation Based on Multiple Hierarchical Views of Music. - Michael Czeiszperger:
A Multi-Workstation Environment for Joint Computer Music/Computer Graphics Production. - Xavier Rodet, Gerhard Eckel:
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation. - Jean-Michel Raczinski, Gerard Marino:
A Real Time Synthesis Unit. - Reginald Bain:
Linguistics and Music Composition: Logical Structures. - Pierre-François Baisnée, Jean-Baptiste Barrière, Marc-André Dalbavie, Jacques Duthen, Magnus Lindberg, Yves Potard, Kaija Saariaho:
ESQUISSE: A Compositional Environment. - Antonio Camurri, Mauro Giacomini, A. Ponassi, Renato Zaccaria:
Key-Music: An Expert System Environment for Music Composition. - John Free, Paul Vytas:
The CAMP Music Configuration Database. - Gary Greenberg:
Composing With Performer Objects. - Gary Greenberg:
Music Learning - Compositional Thinking. - Bernd Streitberg, Klaus Balzer:
The Sound of Mathematics. - Heinz-Dieter Böcker, Andreas Mahling:
What's in a Note? - Marc Chemillier, Dan Timis:
Toward a Theory of Formal Musical Languages. - Glendon R. Diener:
TTrees: An Active Data Structure for Computer Music. - David Rosenthal:
A Model of the Process of Listening to Simple Rhythms. - Andranick Tanguiane:
An Algorithm for Recognition of Chords. - Barry Vercoe, David Cumming:
Connection Machine Tracking of Polyphonic Audio. - Peter Beyls:
Introducing Oscar. - Douglas J. Collinge, Daniel J. Scheidt:
Moxie for the Atari ST. - Roger B. Dannenberg:
A Real Time Scheduler/Dispatcher. - Roger B. Dannenberg, Hirofumi Mukaino:
New Techniques for Enhanced Quality of Computer Accompaniment. - Rupert C. Nieberle, Frank H. Rothkamm, Marcus Verwiebe, Paul Modler, Stefan Koschorreck, Lutz Kosensky:
The CAMP System: An approach for integration of realtime, distributed, and interactive features in a multiparadigm environment. - Rupert C. Nieberle, Paul Modler:
An Open Multiprocessing Architecture for Realtime Music Performance. - Jean-Marie Adrien, René Caussé, Eric Ducasse:
Dynamic Modeling of Stringed and Wind Instruments, Sound Synthesis by Physical Models. - Peter Castine:
A Survey of Users' Experience with Digital Audio Synthesis. - Guy E. Garnett, Bernard Mont-Reynaud:
Hierarchical Waveguide Networks. - Xavier Rodet, Philippe Depalle, Gilles Poirot:
Diphone Sound Synthesis Based on Spectral Envelopes and Harmonic/Noise Excitation Functions. - Marie-Hélène Serra, Dean Rubine, Roger B. Dannenberg:
The Analysis and Resynthesis of Tones via Spectral Interpolation. - Ron W. Berry:
Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??). - Lee Boynton, David Cumming:
A Real-Time Acoustic Processing Card for the Mac II. - Michael Clarke, Peter D. Manning, Ron W. Berry, Alan Purvis:
VOCEL: New implementations fo the FOF synthesis method. - Mark Lentczner, John Worthington:
The Sound Manager: A Software Architecture for Device Independent Sound. - Miles A. Marks:
Resource Allocation in an Additive Synthesis System for Audio Waveform Generation. - Bruce W. Pennycook:
PRAESCIO-II: Amnesia Toward Dynamic Tapeless Performance. - Curtis Roads:
Sound Structure in Message. - Rodney Waschka II, Tózé Ferreira:
Rapd Event Deployment in a MIDI Environment. - Antoine Chaigne, F. Troxler:
SONATE: An analysis/synthesis system of musical sounds based on perceptual data. - Bruno Degazio:
The Development of Context Sensitivity in the Midiforth Computer Music System. - Francesco Giomi, Marco Ligabue:
An Interactive System for Musical Improvisation. - Miller S. Puckette:
The Patcher. - Uri Shimony, Shlomo Markel, Josef Tal:
Icon Notation for Electroacoustic and Computer Music.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-02-24 21:38 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
