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ORCID10th ICMC 1984: Paris, France
- Proceedings of the 1984 International Computer Music Conference, ICMC 1984, Paris, France, October 19-23, 1984. Michigan Publishing 1984
- Paul Berg:
A Procedural Control Language for a Digital Signal Processor. - Roger B. Dannenberg, Paul McAvinney:
A Functional Approach to Real-Time Control. - Miller S. Puckette:
The M Orchestra Language. - Robert Rowe:
Recur: Composition and Synthesis. - Franco Azzolini, Sylviane Sapir:
Score and/or Gesture: the System RTI4I for Real-Time Control of the Digital Processor 4I. - Aldo Borgonovo, Goffredo Haus:
Musical Sound Synthesis by Means of Two-Variable Functions: Experimental Criteria and Results. - André Riotte:
Un Modele Informatique pour la Transformation Continue de Sons Inharmoniques. - John Wawrzynek, Carver Mead, Tzu-Mu Lin, Hsui-Lin Liu, Lounette M. Dyer:
A VLSI Approach to Sound Synthesis. - Mark Dolson:
Refinements in Phase-Vocoder-Based Modification of Music. - Gian Antonio Mian, Graziano Tisato:
Sound Structuring Techniques Utilizing Parameters Derived from a Voice Analysis/Synthesis System. - Jan Zera, Jan Gauffin, Johan Sundberg:
Synthesis of Selected VCV-Syllables in Singing. - Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds.
- Giovanni De Poli:
Frequency Dependent Waveshaping. - Julius O. Smith III:
An Allpass Approach to Digital Phasing and Flanging. - Gary S. Kendall, William L. Martens:
Simulating the Cues of Spatial Hearing in Natural Environments. - Emmanuel Favreau, Andrew Gerzso, Patrick Potacsek:
Programmation du Processeur Numerique Temps Reel, 4X. - John P. Stautner:
Musical Recording, Editing, and Production Using the Compusonics DSP-2000. - Kemal Ebcioglu:
An Expert System for Schenkerian Synthesis of Chorales in the Style of J. S. Bach. - Stephen McAdams, Serge Gladkoff, Jean-Pierre Keller:
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools. - Kaija Saariaho:
Shaping A Compositional Network with Computer. - Wayne Slawson:
Operations on Timbre: Perspectives and Problems. - Barry Traux:
Models of Interactive Composition with the DMX-1000 Digital Signal Processor. - Dorothy Gross:
An Intelligent Ear-Training Lesson. - David A. Jaffe:
Ensemble Timing in Computer Music. - Roger B. Dannenberg:
An On-Line Algorithm for Real-Time Accompaniment. - Barry Vercoe:
The Synthetic Performer in The Context of Live Performance. - Pierre-Alain Jaffrennou, Pierre Jaubert, Ludovic Champenois:
SINFONIE: Numerical Process Command with Gestual Input Control. - Gayle Young:
Hugh Le Caine's 1948 Sackbut Synthesizer: Performance Mode of Electronic Instruments. - Richard C. Teitelbaum:
The Digital Piano and the Patch Control Language System. - Douglas J. Collinge:
MOXIE: A Language for Computer Music Performance. - Lars Frydén, Johan Sundberg:
Performance Rules for Melodies. Origin, Functions, Purposes. - Manfred Clynes:
Secrets of Life in Music: Musicality Realised by Computer. - Alexander R. Brinkman:
A Data Structure for Computer Analysis of Musical Scores. - Shawn L. Decker, Gary S. Kendall:
A Modular Approach to Sound Synthesis Software. - Lounette M. Dyer:
Toward A Device Independent Representation of Music. - Marco Minciacchi, Diego Minciacchi:
Music Editing and Graphics (MEG 1.00): A Personal Computer Based Operative System for Editing and Printing Musical Scores. - Yann Orlarey:
MLOGO: Un Langage de Programmation Orienté Composition Musicale. - Przemyslaw Prusinkiewicz:
Time Management in Interactive Score Editing. - Roger B. Dannenberg, Paul McAvinney, Marilyn T. Thomas:
Carnegie-Mellon University Studio Report. - Giovanni B. Debiasi, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Centro Di Sonologia Computazionale C. S. C. University of Padova. - Lindoro Del Duca, Francesco Galante, Michelangelo Lupone, Giorgio Nottoli, Nicola Sani:
Società Di Informatica Musicale. - Josef Gerbrich, Rudolf Ruzicka, Jirí Stehlík:
The Computer Musical Compositions in Czechoslovakia. - Tristram Cary:
Quarts in Pint Pots.
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