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ORCID29th ICMC 2003: Singapore
- Proceedings of the 2003 International Computer Music Conference, ICMC 2003, Singapore, September 29 - October 4, 2003. Michigan Publishing 2003
- Yoichi Nagashima:
Combined Force Display System of EMG Sensor for Interactive Performance. - Yoichi Nagashima, Takahiro Hara, Toshihiro Kimura, Yu Nishibori:
GDS (Global Delayed Session) Music - new improvisational music with network latency. - David G. Malham:
Cutting the cord - In-circuit programmable microprocessors and RF data links free the performer from cables. - Nick Collins:
A Microtonal Tempo Canon Generator After Nancarrow and Jaffe. - Leigh Landy, Simon Atkinson:
Introducing the ElectroAcoustic Resource Site (EARS). - Simon Schubiger-Banz, Stefan Müller:
Soundium2: An Interactive Multimedia Playground. - Joseph A. Sarlo:
GrIPD: A Graphical Interface Editing Tool and Run-time Environment for Pure Data. - Nick Collins, Fredrik Olofsson:
A Protocol for Audiovisual Cutting. - Moreno Andreatta, Carlos Agón:
Implementing algebraic methods in OpenMusic. - Jörg Stelkens:
peerSynth: A P2P Multi-User Software Synthesizer with new techniques for integrating latency in real time collaboration. - Shahrokh Yadegari:
A General Filter Design Language with Real-time Parameter Control in Pd, Max/MSP, and jMax. - Yuka Obu, Tomoyuki Kato, Tatsuhiro Yonekura:
M.A.S.: A Protocol for a Musical Session in a Sound Field where Synchronization between Musical Notes is not guaranteed. - Hans Timmermans, Jan Ijzermans, Rens Machielse, Gerard van Wolferen:
Education on Music and Technology, A Programme for a Professional Education. - Ryan H. Torchia, Cort Lippe:
Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. - Brian Belet:
Compositional and Programming Issues Within Lyra, a Fully Interactive Performance Environment For Violin and Kyma System. - Cheuk-Wai Wun, Andrew Horner, Lydia Ayers:
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones. - Guerino Mazzola, Stefan Müller:
Constraint-based Shaping of Gestural Performance. - Bert Schiettecatte, Axel Nackaerts, Bart De Moor:
Real-Time Acoustics Simulation using Mesh-Tracing. - Axel Nackaerts, Bert Schiettecatte, Bart De Moor:
Non-linear guitar body models. - Stefan Göller, Gérard Milmeister:
Composition on Distributed RUBATO by Affine Transformations and Deformations of Musical Structures. - Clifford So, Andrew Horner, Lydia Ayers:
Wavetable Matching of Pitched Inharmonic Instrument Tones. - John ffitch, Richard W. Dobson:
MTRC-Dream: Music in a Mathematical Environment. - Wim D'haes, Xavier Rodet:
Discrete Cepstrum Coefficients as Perceptual Features. - Christopher Raphael:
Orchestral Musical Accompaniment from Synthesized Audio. - Christopher Ariza:
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music. - Angelo Fraietta:
The Smart Controller - shifting performance boundaries. - Tristan McAuley, Philip Hingston:
Algorithmic Composition in Contrasting Music Styles. - Andrew Horner, James W. Beauchamp:
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra. - David Hirst:
Developing Analysis Criteria Based on Denis Smalley's Timbre Theories. - Michael Spicer, B. T. G. Tan, Chew Lim Tan:
The Learning Agent Based Interactive Performance System. - Mika Kuuskankare, Mikael Laurson:
ENP-Expressions, Score-BPF as a Case Study. - Guillaume Potard, Stephen Ingham:
Encoding 3D sound scenes and music in XML. - Mikael Laurson, Mika Kuuskankare:
Some Box Design Issues in PWGL. - Michael Clarke, Xavier Rodet:
Real-time FOF and FOG synthesis in MSP and its integration with PSOLA. - Marije A. J. Baalman:
Application of Wave Field Synthesis in the composition of electronic music. - Christopher J. Keyes:
Implementation of an 8-Channel Real-Time Spontaneous-Input Time Expander/Compressor. - Rodney Berry, Naoto Hikawa, Mao Makino, Makoto Tadenuma, Masami Suzuki:
The Music Table. - Chikashi Miyama, Takayuki Rai, Shu Matsuda, Daichi Ando:
Introduction of DIPS Programming Technique. - Tuomas Virtanen:
Sound Source Separation Using Sparse Coding with Temporal Continuity Objective. - Aline K. Honingh:
Measures of Consonances in a Goodness-of-fit Model for Equal-tempered Scales. - Stephen W. Hainsworth, Malcolm D. Macleod:
Onset Detection in Musical Audio Signals. - Roger B. Dannenberg, Thomas P. Neuendorffer:
Sound Synthesis from Real-Time Video Images. - Rafael Ramírez:
Learning Sets of Musical Rules. - Álvaro Barbosa, Martin Kaltenbrunner, Günter Geiger:
Interface Decoupled Applications for Geographically Displaced Collaboration in Music. - Michael Alcorn, Chris Corrigan:
Sonic Arts Research Centre (SARC). - Ryoho Kobayashi:
Sound Clustering Synthesis Using Spectral Data. - Roger B. Dannenberg, Ning Hu:
Polyphonic Audio Matching for Score Following and Intelligent Audio Editors. - Günter Geiger:
PDa: Real Time Signal Processing and Sound Generation on Handheld Devices. - Ge Wang, Perry R. Cook:
ChucK: A Concurrent, On-the-fly, Audio Programming Language. - David Psenicka:
SPORCH: An Algorithm for Orchestration Based on Spectral Analyses of Recorded Sounds. - Emir Kapanci, Avi Pfeffer:
Learning Style-Specific Rhythmic Structures. - Greg Schiemer, Ball Alves, Stephen James Taylor, Mark Havryliv:
Pocket gamelan: developing the instrumentarium for an extended harmonic universe. - Stephen Travis Pope, Chandrasekhar Ramakrishnan:
The CREATE Signal Library ("Sizzle"): Design, Issues, and Applications. - Stephen Travis Pope, Chandrasekhar Ramakrishnan:
Recent Developments in Siren: Modeling, Control, and Interaction for Large-scale Distributed Music Software. - Stephen Travis Pope, JoAnn Kuchera-Morin, Curtis Roads, Ioannis Zannos:
CREATE 2003 Studio Report. - Fumiko Watanabe, Rumi Hiraga, Issei Fujishiro:
BRASS: Visualizing Scores for Assisting Music Learning. - Georg Hajdu:
Quintet.net - A Quintet on the Internet. - Johanna Devaney:
An Algorithmic Approach to Composing for Flexible Intonation Ensembles. - Guy E. Garnett, Timothy Johnson, Kyongmee Choi:
Mapping Sound Synthesis in a Virtual Score. - Masashi Unoki, Masaaki Kubo, Masato Akagi:
A model for selective segregation of a target instrument sound from the mixed sound of various instruments. - Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
After the first year of Rencon. - Takafumi Kikichi, Naotoshi Osaka, Fumitada Itakura:
Sho-So-In: New Synthesis Method for Addition of Articulations Based on a Sho-type Physical Model. - Kevin Dahan, Guy J. Brown, Barry Eaglestone:
New Strategies for Computer-Assisted Composition Software: A Perspective. - Marc Cardle, Stephen Brooks, Peter Robinson:
Audio and User Directed Sound Synthesis. - Axel Röbel:
Transient detection and preservation in the phase vocoder. - Johanna Devaney:
Reasonable Influences: The Advantages and Obstacles encountered with Commercial Software Packages used in Introductory Undergraduate Electronic Music Courses. - Yohei Sakuraba, Hiroshi G. Okuno:
Note Recognition of Polyphonic Music by Using Timbre Similarity and Direction Proximity. - Arie Livshin, Geoffroy Peeters, Xavier Rodet:
Studies and Improvements in Automatic Classification of Musical Sound Samples. - Masatoshi Hamanaka, Masataka Goto, Hideki Asoh, Nobuyuki Otsu:
A Learning-Based Quantization: Unsupervised Estimation of the Model Parameters. - Chu-Yun Chen, Jocelyne Kiss
:
Setting up of a self-organised multi-agent system for the creation of sound and visual virtual environments within the framework of a collective interactivity. - Pedro Kröger:
From the concept of sections to events in Csound. - Andreas Mahling:
The Gestures of Flowing: Using PureData as a Backbone for Interactive Sculpture Animation, Video and Sound. - Momilani Ramstrum, Serge Lemouton:
Realtime Performance Strategies for the Electronic Opera K. - Olivier Lartillot:
Perception-Based Musical Pattern Discovery. - Benoit Meudic:
Musical pattern extraction in polyphonic context. - Geoffroy Peeters, Xavier Rodet:
Signal-based Music Structure Discovery for Music Audio Summary Generation. - Christopher Burns:
Emergent Behavior from Idiosyncratic Feedback Networks. - Todd Winkler:
Movement-Activated Sound and Video Processing for Multimedia Dance/Theatre. - Özgür Izmirli, Robert Seward, Noel Zahler:
Melodic Pattern Anchoring for Score Following Using Score Analysis. - Lydia Ayers:
Synthesizing Trills for the Chinese Dizi. - Michael Gurevich, Bill Verplank, Scott Wilson:
Physical Interaction Design for Music. - Carlos Guedes:
Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach. - David Topper, Matthew Burtner, Stefania Serafin:
Spatio-Operational Spectral (S.O.S) Synthesis. - Lin Hsin Hsin:
Rudiments Mapping - An Axiomatic Approach to Music Composition. - Diemo Schwarz:
New Developments in Data-Driven Concatenative Sound Synthesis. - Kristine H. Burns:
Music Technology at Florida International University. - Ken Pohlmann, Colby Leider:
Music Engineering at the University of Miami. - Lonce Wyse:
A Sound Modeling and Synthesis System Designed for Maximum Usability. - Adam T. Lindsay, Alan P. Parkes:
Paradiddle: a code-free meta-GUI for musical performance with Pure Data.
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