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Iannis Zannos
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2020 – today
- 2022
- [c12]Georgios Diapoulis, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt:
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. NIME 2022 - 2021
- [c11]Iannis Zannos, Haruka Hirayama:
Towards an Aesthetic of Hybrid Performance Practice - Incorporating Motion Tracking, Gestural and Telematic Techniques in Audiovisual Performance. CMMR 2021: 111-121
2010 – 2019
- 2017
- [c10]Stratos Kountouras, Ioannis Zannos:
Gestus: teaching soundscape composition and performance with a tangible interface. NIME 2017: 336-341 - 2015
- [c9]Yiannis Colakides, Iannis Zannos, Yiannis Christides:
Two Worlds: A Hybrid Local-Remote Interactive Sound Installation. Hybrid City 2015: 324-326 - [c8]Ioannis Zannos, Loukas Basoukos, Evan Light:
The Secret School: An installation on Migration involving the public through text and media contributions in a closed network. Hybrid City 2015: 375-377 - 2014
- [c7]Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Iannis Zannos:
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. ICMC 2014 - [c6]Georgios Diapoulis, Ioannis Zannos:
Tangibility and Low-Level Live Coding. ICMC 2014 - 2012
- [e1]Andreas Floros, Andreas Mniestris, Iannis Zannos, Theodoros Lotis:
Audio Mostly 2012, 7th Conference on Interaction with Sound, Corfu, Greece, September 26-28, 2012. ACM 2012, ISBN 978-1-4503-1569-2 [contents]
2000 – 2009
- 2008
- [c5]Iannis Zannos:
Multi-Platform Development of Audiovisual and Kinetic Installations. NIME 2008: 261-264 - 2003
- [c4]Stephen Travis Pope, JoAnn Kuchera-Morin, Curtis Roads, Ioannis Zannos:
CREATE 2003 Studio Report. ICMC 2003
1990 – 1999
- 1998
- [c3]Ioannis Zannos:
Designing an Audio Interaction Modeling Language: Some Basic Concepts and Techniques. ICMC 1998 - [c2]Paul Modler, Frank Hofmann, Ioannis Zannos:
Gesture recognition by neural networks and the expression of emotions. SMC 1998: 1072-1075 - 1994
- [c1]Ioannis Zannos:
Music Space: A Metaphor for Music Representation and Music Generation. ICMC 1994
Coauthor Index
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