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ORCID15th CMMR 2021
- Mitsuko Aramaki
, Keiji Hirata, Tetsuro Kitahara, Richard Kronland-Martinet, Sølvi Ystad:
Music in the AI Era - 15th International Symposium, CMMR 2021, Virtual Event, November 15-19, 2021, Revised Selected Papers. Lecture Notes in Computer Science 13770, Springer 2023, ISBN 978-3-031-35381-9
Music Technology in the IA Era
- Shuji Hashimoto:
KANSEI Informatics and Music Technology in AI Era. 3-8 - Tadahiro Taniguchi:
On Parallelism in Music and Language: A Perspective from Symbol Emergence Systems Based on Probabilistic Generative Models. 9-25 - Jeremy Hyrkas:
WaVAEtable Synthesis. 26-31 - Michael Taenzer, Stylianos I. Mimilakis, Jakob Abeßer:
Deep Learning-Based Music Instrument Recognition: Exploring Learned Feature Representations. 32-46 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Time-Span Tree Leveled by Duration of Time-Span. 47-58 - Niklas Bohm, Christian M. Fischer, Manuel Richardt:
Evaluating AI as an Assisting Tool to Create Electronic Dance Music. 59-65
Interactive Systems for Music
- Misato Watanabe, Yosuke Onoue, Aiko Uemura, Tetsuro Kitahara:
Suiview: A Web-Based Application that Enables Users to Practice Wind Instrument Performance. 69-75 - Marcio Albano H. Ferreira, Tiago Fernandes Tavares:
Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld Triangle. 76-93 - Rory Hoy, Doug Van Nort:
Networked and Collaborative Musical Play Amongst Humans and Virtual Biological Agents in Locus Diffuse. 94-110 - Iannis Zannos, Haruka Hirayama:
Towards an Aesthetic of Hybrid Performance Practice - Incorporating Motion Tracking, Gestural and Telematic Techniques in Audiovisual Performance. 111-121 - Sérgio Freire, José Henrique Padovani, Caio Campos:
Development of Audio Descriptors Inspired by Schaefferian Criteria: A Set of Tools for Interactive Exploration of Percussive Sounds. 122-138 - Martin Fouilleul, Jean Bresson, Jean-Louis Giavitto:
A Polytemporal Model for Musical Scheduling. 139-162 - Benjamin Lavastre, Marcelo M. Wanderley:
Interaction Strategies in Composition for Karlax and Acoustic Instruments. 163-179
Music Information Retrieval and Modeling
- Vjosa Preniqi, Kyriaki Kalimeri, Charalampos Saitis:
Modelling Moral Traits with Music Listening Preferences and Demographics. 183-194 - Maurício do Vale Madeira da Costa, Florian Zwißler, Philip Schwarzbauer, Michael Oehler:
Classification of 1950 to 1960 Electronic Music Using the VGGish Neural Network and Random Forest. 195-201 - Christian Kehling, Estefanía Cano:
Knowledge Transfer from Neural Networks for Speech Music Classification. 202-213 - Lekshmi Chandrika Reghunath, Rajeev Rajan:
Predominant Instrument Recognition in Polyphonic Music Using Convolutional Recurrent Neural Networks. 214-227 - Thomas Nuttall, Genís Plaja-Roglans, Lara Pearson, Xavier Serra:
The Matrix Profile for Motif Discovery in Audio - An Example Application in Carnatic Music. 228-237 - Kaede Noto, Yoshinari Takegawa, Keiji Hirata:
A Rule-Based Method for Implementing Implication-Realization Model. 238-250
Music and Performance Analysis
- Masaki Matsubara, Rina Kagawa, Takeshi Hirano, Isao Tsuji:
CROCUS: Dataset of Critique Documents of Musical Performance. 253-266 - Micael Antunes da Silva, Guilherme Feulo do Espirito Santo, Jônatas Manzolli, Marcelo Queiroz:
A Psychoacoustic-Based Methodology for Sound Mass Music Analysis. 267-281 - Filippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Rodà, Geraint A. Wiggins:
Musical Structure Analysis and Generation Through Abstraction Trees. 282-300 - Jyoti Narang, Marius Miron, Xavier Lizarraga-Seijas, Xavier Serra:
Analysis of Musical Dynamics in Vocal Performances. 301-311 - Paulo C. Chagas, Cássia Carrascoza Bomfim:
With Love: Electroacoustic, Audiovisual, and Telematic Music. 312-330
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