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2020 – today
- 2022
[j8]Aaron Einbond
, Thibaut Carpentier, Diemo Schwarz, Jean Bresson:
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics. Comput. Music. J. 46(4): 43-61 (2022)- 2021
- [c27]Martin Fouilleul, Jean Bresson, Jean-Louis Giavitto:
A Polytemporal Model for Musical Scheduling. CMMR 2021: 139-162
2010 – 2019
- 2018
- [c26]Paul Best, Jean Bresson, Diemo Schwarz:
Musical Gesture Recognition Using Machine Learning and Audio Descriptors. CBMI 2018: 1-4 - 2017
- [b2]Jean Bresson:
Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale. Pierre and Marie Curie University, Paris, France, 2017 - [c25]Jean Bresson, Michael Sperber:
FARM 2017 demo summary. FARM@ICFP 2017: 48 - [c24]Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia:
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. ICMC 2017 - [e2]Michael Sperber, Jean Bresson:
Proceedings of the 5th ACM SIGPLAN International Workshop on Functional Art, Music, Modeling, and Design, FARM@ICFP 2018, Oxford, UK, September 9, 2017. ACM 2017, ISBN 978-1-4503-5180-5 [contents] - 2016
- [c23]Jérémie Garcia, Xavier Favory, Jean Bresson:
Trajectoires: A Mobile Application for Controlling Sound Spatialization. CHI Extended Abstracts 2016: 3671-3674 - [c22]Jean Bresson, John MacCallum, Adrian Freed:
o.OM: structured-functional communication between computer music systems using OSC and Odot. FARM@ICFP 2016: 41-47 - [c21]Adrien Ycart, Florent Jacquemard, Jean Bresson, Slawek Staworko:
A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. ICMC 2016 - 2015
- [c20]Jérémie Garcia, Jean Bresson, Thibaut Carpentier:
Towards interactive authoring tools for composing spatialization. 3DUI 2015: 151-152 - [c19]Charles de Paiva Santana, Jônatas Manzolli, Jean Bresson, Moreno Andreatta:
Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models. EVA 2015 - [c18]John MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed:
Dynamic Message-Oriented Middleware with Open Sound Control and Odot. ICMC 2015 - [c17]Xavier Favory, Jérémie Garcia, Jean Bresson:
Trajectoires: a mobile application for controlling and composing sound spatialization. IHM 2015: 5:1-5:8 - [c16]Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson:
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting. MCM 2015: 3-15 - 2014
- [j7]Jean Bresson, Dominique Fober:
Éditorial. Tech. Sci. Informatiques 33(7-8): 561-562 (2014) - [j6]Jean Bresson, Jean-Louis Giavitto:
A reactive extension of the OpenMusic visual programming language. J. Vis. Lang. Comput. 25(4): 363-375 (2014) - [j5]Jean Bresson, Jean-Louis Giavitto:
Erratum to "A Reactive Extension of the OpenMusic Visual Programming Language" Journal of Visual Languages and Computing (2014) pp. 363-375. J. Vis. Lang. Comput. 25(5): 625 (2014) - [c15]Dimitri Bouche, Jean Bresson, Stéphane Letz:
Programmation and Control of Faust Sound Processing in OpenMusic. ICMC 2014 - [c14]Jérémie Garcia, Philippe Leroux, Jean Bresson:
pOM: Linking Pen Gestures to Computer-Aided Composition Processes. ICMC 2014 - [c13]Jean Bresson:
Reactive visual programs for computer-aided music composition. VL/HCC 2014: 141-144 - 2013
- [c12]Jean Bresson, Raphaël Foulon, Marco Stroppa:
Reduction as a transition controller for sound synthesis events. FARM@ICFP 2013: 1-10 - 2011
- [j4]Carlos Agón, Jean Bresson, Marco Stroppa:
OMChroma: Compositional Control of Sound Synthesis. Comput. Music. J. 35(2): 67-83 (2011) - [c11]Jean Bresson, Marlon Schumacher:
Representation and Interchange of Sound Spatialization Data for Compositional Applications. ICMC 2011 - [c10]Jean Bresson, Marco Stroppa:
The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis. ICMC 2011 - [c9]Jean Bresson, Carlos Agón, Gérard Assayag:
OpenMusic: visual programming environment for music composition, analysis and research. ACM Multimedia 2011: 743-746 - [c8]Jean Bresson, Carlos Agón:
Visual programming and music score generation with OpenMusic. VL/HCC 2011: 247-248 - [e1]Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau:
Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Lecture Notes in Computer Science 6726, Springer 2011, ISBN 978-3-642-21589-6 [contents] - 2010
- [j3]Grégoire Carpentier, Jean Bresson:
Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment. Comput. Music. J. 34(1): 10-27 (2010) - [c7]Jean Bresson:
Ml-Maquette / Musique Lab 2. ICMC 2010 - [c6]Jean Bresson, Carlos Agón:
Processing Sound And Music Description Data Using Openmusic. ICMC 2010
2000 – 2009
- 2009
- [j2]Jean Bresson, Carlos Agón, Gérard Assayag:
Visual Lisp/CLOS programming in OpenMusic. High. Order Symb. Comput. 22(1): 81-111 (2009) - [c5]Aaron Einbond, Diemo Schwarz, Jean Bresson:
Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. ICMC 2009 - 2008
- [j1]Jean Bresson, Carlos Agón:
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. Comput. Music. J. 32(4): 31-47 (2008) - [c4]Carlos Agón, Jean Bresson, Gérard Assayag:
OpenMusic: Design and Implementation Aspects of a Visual Programming Language. ELS 2008: 107-124 - 2007
- [b1]Jean Bresson:
La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. (Sound synthesis in computer-aided composition). Pierre and Marie Curie University, Paris, France, 2007 - 2005
- [c3]Jean Bresson, Marco Stroppa, Carlos Agón:
Symbolic control of sound synthesis in Computer Assisted Composition. ICMC 2005 - [c2]Vincent Puig, Fabrice Guédy, Michel Fingerhut, Fabienne Serrière, Jean Bresson, Olivier Zeller:
Musique Lab 2: a three Level Approach for Music Education at School. ICMC 2005 - 2004
- [c1]Jean Bresson, Carlos Agón:
SDIF sound description data representation and manipulation in computer assisted composition. ICMC 2004
Coauthor Index
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