default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID43rd ICMC 2017: Shanghai, China
- Proceedings of the 2017 International Computer Music Conference, ICMC 2017, Shanghai, China, October 16-20, 2017. Michigan Publishing 2017
- Paul Rhys:
Granular Synthesis as Fractal Micropolyphony. - Brian Heim, Donya Quick:
Recursive Generation of Rhythmic Structures with PTGGs. - Can Ince, Mert Toka:
Siren: Hierarchical Composition Interface. - Yu Hong, Chuck-Jee Chau, Andrew Horner:
Mode and Register Categorizations for Predicting Mood in Classical Piano Music2. - Xiuyan Ni, Weicheng Ma, Zhaoheng Ni, Robert M. Haralick:
A Sep2Tree Model for Recognizing Synthetic Bach Chorales. - Donya Quick, Clayton T. Morrison:
Composition by Conversation. - Coleman Yu, Raymond Chi-Wing Wong:
A Melody Composer for both Tonal and Non-Tonal Languages. - Dominique Fober, Yann Orlarey, Stéphane Letz:
INScore Time Model. - Jean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier:
Extending dataflows with temporal graphs. - Jean-Louis Giavitto, José Echeveste, Arshia Cont, Philippe Cuvillier:
Time, Timelines and Temporal Scopes in the Antescofo DLS v1.0. - Jingyin He, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Investigating Guqin Left Hand Modulation Techniques. - Julien Vincenot:
LISP in Max: Exploratory Computer-Aided Composition in Real-Time. - Hiroki Nishino:
Update-caching Technique for Unit-generator-based Sound Synthesis. - Romain Michon, Sara R. Martin, Julius O. Smith III:
MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language - Application to Bell Modeling. - Roger B. Dannenberg:
Time-Flow Concepts and Architectures For Music and Media Synchronization. - Jiayue Cecilia Wu, Julius O. Smith III, Yijun Zhou, Matthew James Wright:
Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart". - Jian Yang, Ying Huang, William Everett:
Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La Traviata. - Gascia Ouzounian, Christopher Haworth, Peter D. Bennett:
Speculative Designs: Towards a Social Music. - Marko Ciciliani:
Token of Enunciation in Multimedia Performance. - Germán Toro Pérez, Lucas Bennett:
Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance. - Miriam Akkermann:
"This hardware is now obsolete." Marc-André Dalbavie's Diadèmes. - Shiori Terasaki, Yoshinari Takegawa, Keiji Hirata:
Proposal of Score-Following Reflecting Gaze Information on Cost of DP matching. - Marimo Kumaki, Yoshinari Takegawa, Keiji Hirata:
Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin Beginner. - Christine Steinmeier, Dominic Becking:
Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST Plugins. - Carlos Guedes:
Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications. - Victor Zappi, Andrew Allen, Sidney S. Fels:
The Hyper Drumhead: Making Music with a Massive Real-time Physical Model. - James Bradbury:
Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational System. - Pierre Alexandre Tremblay:
Tuning to Trust: System Calibration as Creative Enabler. - Diemo Schwarz, Grégoire Lorieux, Emmanuelle Lizère, Ariadna Alsina Tarrès, Frédéric Bevilacqua:
A Topo-Phonic Table for Tangible Sonic Interaction. - Oliver Hancock:
Musical control of Granular Textures generated by Iterated Function Systems. - Timothy S. Tan, PerMagnus Lindborg:
Sonic Explorations of Gumowski-Mira Maps. - Stuart James:
A Novel approach to Timbre Morphology: Audio-rate control of Additive Synthesis. - PerMagnus Lindborg:
Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake data. - Shu-Cheng Allen Wu:
SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and Improvisation. - Artemi-Maria Gioti:
Machine Listening in Interactive Music Systems: Current State and Future Directions. - Pierre Donat-Bouillud, Jean-Louis Giavitto:
Typing heterogeneous dataflow graphs for static buffering and scheduling. - Jérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag:
DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. - Emma Frid:
Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings. - Ö. Cem Çakmak, Rob Hamilton:
Musical Sonification of Super High Frequency Lighting. - Rob Hamilton, Curtis Bahn:
Interactive Music and Media at Rensselaer: Studio Report 2017. - Mara Helmuth, Michael Lukaszuk, Marissa DiPronio:
The CCM Center for Computer Music 2017. - Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia:
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. - Jordan Hochenbaum, Spencer Salazar, Rodrigo Sena:
Chuck-Racks: Text-Based Music Programming for the Digital Audio Workstation. - Pierre Talbot, Carlos Agón, Philippe Esling:
Interactive computer-aided composition with constraints. - Alex Harker:
FrameLib: Audio DSP using Frames of Arbitrary Length and Timing. - Ronald K. Mo, Richard Hau Yue So, Andrew Horner:
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics? - Chenyu Zheng:
From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern Transformation. - Anders Friberg, Ragnar Schön, Anders Elowsson, Kahyun Choi, J. Stephen Downie:
Cross-cultural aspects of perceptual features in K-Pop: A pilot study comparing Chinese and Swedish listeners. - Kevin Schlei, Rebecca Yoshikane:
Aural Simulation of Tactile Defensiveness. - Sihwa Park, Woohun Joo:
FormSound: A Particle Formation-Based Audiovisual Interface. - Danyi Liu, Edwin van der Heide:
Interaction Models for Real-time Participatory Musical Performance using Mobile Devices. - S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson:
Hands where we can see them! Investigating the impact of gesture size on audience perception. - Marie Carmen González Inostroza, Alvaro Sylleros, Rodrigo F. Cádiz:
Understanding Interaction in Musical Multi-Touch Surfaces. - Ru Wen, Zheng Xie, Kai Chen, Ruoxuan Guo, Kuan Xu, Wenmin Huang, Jiyuan Tian, Jiang Wu:
Music Style Analysis among Haydn, Mozart, and Beethoven: an Unsupervised Machine Learning Approach. - Jason Long, Neill Skelly, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback Systems. - Balandino Di Donato
, James Dooley, Jason Hockman, Jamie Bullock, Simon Hall:
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. - Ishwarya Ananthabhotla, Joseph A. Paradiso:
VisualSoundtrack: An Approach to Style Transfer in the Context of Soundtrack Prototyping. - Cheng Lee:
Multimedia Performance Installation with Virtual Reality. - Insook Choi:
Interactive Composition and Performance Framework with Evolutionary Computing. - Oliver Hickman, Tae Hong Park:
Expansion Through the Machine: A Composition for Harmonica and Wearable. - Pedro Louzeiro:
Mediating a Comprovisation Performance: the Comprovisador's Control Interface. - Hirano Saburo, Ochi Akiko:
Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer Music. - Gwendal Le Vaillant, Guillaume Villée, Thierry Dutoit:
Portable C++ Framework for Low-Latency Musical Touch Interaction with Geometrical Shapes. - Masa Ogata, Masataka Goto:
Keyboard Interface with Shape-Distortion Expression for Interactive Performance. - Siddharth Narayanan, Ivica Ico Bukvic:
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform. - Koka Nikoladze:
Performing a Performer: human performers instead of electric sound generators. - Bridget Johnson, Ajay Kapur:
Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motion. - Juraj Kojs, Alex Lough:
Performance-Installation: Four Projects. - Diana Siwiak, Dale A. Carnegie, Jim W. Murphy, Ajay Kapur:
MetaFlute: A Wearable Interface for Gesture Detection. - Yu Hong, Chuck-Jee Chau, Andrew Horner:
A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition. - Jiajun Yang, Thomas Hermann:
SoZen - Improving Productivity with a Soundscape Generating Zen Garden. - Hsiao-Yen Wang, Jin-Huang Huang, Yu-Chung Tseng:
A New Method for Objective Measurement of Perceived Audio Quality. - Bing Yen Chang, Andrew Horner:
A Real-Time Music Emotion Modulation System for Soundtracks. - Ronald K. Mo, Andrew Horner:
The Effects of Convolution Reverberation on the Emotional Characteristics. - Marc Estibeiro:
The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic Context. - Kjartan Ólafsson:
CalmusWaves: Where Dancers Compose Music in Real-Time. - Alexander Sigman:
fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied Electronics. - Jonas Jurkunas:
The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and Pulse. - Shing-Kwei Tzeng, Chih-Fang Huang:
Folk Song Notation Transcription Using Spectrogram - A Case Study of Yao Ethnic Group Folk Song from Guangxi Ling-Yun, Southwest China. - Anders Bach Pedersen:
Human Excess: Aesthetics of Post-Internet Electronic Music. - Hanlin Hu, David Gerhard:
Appropriate Isomorphic Layout Determination Using 3-D Helix Lattices. - Marko Ciciliani:
A Method for Subjective Analysis of Audiovisual Works. - Nathan Villicaña-Shaw, Spencer Salazar, Ajay Kapur:
The Machine Lab: A Modern Classroom to Teach Mechatronic Music. - Felipe Otondo:
Exploring sonic landscapes through the use of spatial and temporal sampling techniques. - Ken Paoli:
Macrostructure and Transition in an Algorithmic Composition Environment. - Juan Pablo Yépez, Jordan Hochenbaum, Spencer Salazar, Ajay Kapur:
Redesigning Music Education Through Laptop Ensembles. - K. Michael Fox, Jeremy Stewart, Rob Hamilton:
madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification. - Max Neupert:
Exploring concatenative synthesis units in VR.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-02-20 19:49 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
