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2010 – 2019
- 2017
[c28]Jean-Louis Giavitto, José Echeveste, Arshia Cont, Philippe Cuvillier:
Time, Timelines and Temporal Scopes in the Antescofo DLS v1.0. ICMC 2017- 2016
- [c27]Pierre Donat-Bouillud, Jean-Louis Giavitto, Arshia Cont, Nicolas Schmidt, Yann Orlarey:
Embedding native audio-processing in a score following system with quasi sample accuracy. ICMC 2016 - 2015
- [c26]Alberto Bietti, Francis R. Bach, Arshia Cont:
An online EM algorithm in hidden (semi-)Markov models for audio segmentation and clustering. ICASSP 2015: 1881-1885 - [c25]Rong Gong, Philippe Cuvillier, Nicolas Obin, Arshia Cont:
Real-time audio-to-score alignment of singing voice based on melody and lyric information. INTERSPEECH 2015: 3312-3316 - [c24]Eita Nakamura, Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama:
Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score Following. ISMIR 2015: 392-398 - [c23]Grigore Burloiu, Arshia Cont:
Visualizing Timed, Hierarchical Code Structures in AscoGraph. IV 2015: 157-162 - 2014
- [c22]Thomas Coffy, Arshia Cont, Jean-Louis Giavitto:
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music. ICMC 2014 - [c21]Philippe Cuvillier, Arshia Cont:
Coherent time modeling of Semi-Markov models with application to real-time audio-to-score alignment. MLSP 2014: 1-6 - 2013
- [b2]Arshia Cont:
Real-time Programming and Processing of Music Signals. (Traitement et programmation temps-réel des signaux musicaux). Pierre and Marie Curie University, Paris, France, 2013 - [j5]José Echeveste, Arshia Cont
, Jean-Louis Giavitto, Florent Jacquemard:
Operational semantics of a domain specific language for real time musician-computer interaction. Discret. Event Dyn. Syst. 23(4): 343-383 (2013) - [j4]Arnaud Dessein, Arshia Cont:
An Information-Geometric Approach to Real-Time Audio Segmentation. IEEE Signal Process. Lett. 20(4): 331-334 (2013) - [c20]Arnaud Dessein, Arshia Cont:
Online Change Detection in Exponential Families with Unknown Parameters. GSI 2013: 633-640 - [c19]Benjamin Cauchi, Mathieu Lagrange, Nicolas Misdariis, Arshia Cont:
Saliency-based modeling of acoustic scenes using sparse non-negative matrix factorization. WIAMIS 2013: 1-4 - 2012
- [j3]Arshia Cont:
Modélisation anticipative des systèmes musicaux. Reconnaissance, génération, synchronisation et programmation synchrone temps réel en informatique musicale. Tech. Sci. Informatiques 31(3): 311-335 (2012) - [c18]Arshia Cont, José Echeveste, Jean-Louis Giavitto, Florent Jacquemard:
Correct Automatic Accompaniment Despite Machine listening or Human errors in Antescofo. ICMC 2012 - 2011
- [j2]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
On the Information Geometry of Audio Streams With Applications to Similarity Computing. IEEE Trans. Speech Audio Process. 19(4): 837-846 (2011) - [c17]Nicola Montecchio, Arshia Cont:
A unified approach to real time audio-to-score and audio-to-audio alignment using sequential Montecarlo inference techniques. ICASSP 2011: 193-196 - [c16]Nicola Montecchio, Arshia Cont:
Accelerating The Mixing Phase In Studio Recording Productions By Automatic Audio Alignment. ISMIR 2011: 627-632 - [c15]Shlomo Dubnov, Gérard Assayag, Arshia Cont:
Audio Oracle Analysis of Musical Information Rate. ICSC 2011: 567-571 - 2010
- [j1]Arshia Cont:
A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment. IEEE Trans. Pattern Anal. Mach. Intell. 32(6): 974-987 (2010) - [c14]Arshia Cont, Andrew Gerzso:
The 'C' Of IRCAM: Coordinating Musical Research At IRCAM. ICMC 2010 - [c13]Arnaud Dessein, Arshia Cont, Guillaume Lemaitre:
Real-time Polyphonic Music Transcription with Non-negative Matrix Factorization and Beta-divergence. ISMIR 2010: 489-494 - [p1]Gérard Assayag, Georges Bloch, Arshia Cont, Shlomo Dubnov:
Interaction with Machine Improvisation. The Structure of Style 2010: 219-245
2000 – 2009
- 2008
- [b1]Arshia Cont:
Modeling musical anticipation: From the time of music to the music of time. (Modélisation de l'anticipation musicale: Du temps de la musique vers la musique du temps). Pierre and Marie Curie University, Paris, France, 2008 - [c12]Arshia Cont:
Antescofo: Anticipatory Synchronization and control of Interactive parameters in Computer Music. ICMC 2008 - 2007
- [c11]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
Guidage: a Fast audio Query Guided assemblage. ICMC 2007 - [c10]Shlomo Dubnov, Gérard Assayag, Arshia Cont:
Audio Oracle: a New Algorithm for Fast Learning of audio Structures. ICMC 2007 - [c9]Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael:
Evaluation of Real-Time Audio-to-Score Alignment. ISMIR 2007: 315-316 - 2006
- [c8]Arshia Cont:
Realtime Audio to Score Alignment for Polyphonic Music Instruments, using Sparse Non-Negative Constraints and Hierarchical HMMS. ICASSP (5) 2006: 245-248 - [c7]Arshia Cont:
Realtime Multiple Pitch Observation using Sparse Non-negative Constraints. ISMIR 2006: 206-211 - [c6]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning. SAB ABiALS 2006: 285-306 - 2005
- [c5]Arshia Cont, Diemo Schwarz, Norbert Schnell:
Training Ircam's score follower [audio to musical score alignment system]. ICASSP (3) 2005: 253-256 - [c4]Diemo Schwarz, Arshia Cont, Norbert Schnell:
From Boulez to ballads: Training IRCAM's Score follower. ICMC 2005 - 2004
- [c3]Arshia Cont, Diemo Schwarz, Norbert Schnell:
Training IRCAM's Score Follower. AAAI Technical Report (7) 2004: 31-36 - [c2]Arshia Cont, Thierry Coduys, Cyrille Henry:
Real-time Gesture Mapping in Pd Environment using Neural Networks. NIME 2004: 39-42 - [c1]Thierry Coduys, Cyrille Henry, Arshia Cont:
TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. NIME 2004: 205-206
Coauthor Index
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