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ORCID5. MCM 2015: London, UK
- Tom Collins, David Meredith
, Anja Volk:
Mathematics and Computation in Music - 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings. Lecture Notes in Computer Science 9110, Springer 2015, ISBN 978-3-319-20602-8
Notation and Representation
- Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson:
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting. 3-15 - Liang Chen, Rong Jin, Christopher Raphael:
Renotation from Optical Music Recognition. 16-26
Music Generation
- Jaime Arias, Myriam Desainte-Catherine, Carlos Olarte, Camilo Rueda:
Foundations for Reliable and Flexible Interactive Multimedia Scores. 29-41 - Carlos de Lemos Almada:
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation. 42-51 - Tsubasa Tanaka, Koichi Fujii:
Describing Global Musical Structures by Integer Programming on Musical Patterns. 52-63 - Raymond Whorley, Darrell Conklin:
Improved Iterative Random Walk for Four-Part Harmonization. 64-70
Patterns
- Marcelo Enrique Rodríguez-López, Anja Volk:
Location Constraints for Repetition-Based Segmentation of Melodies. 73-84 - Mathieu Giraud, Slawek Staworko:
Modeling Musical Structure with Parametric Grammars. 85-96 - Andrew J. Milne, David W. Bulger, Steffen A. Herff, William A. Sethares:
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters. 97-108 - Eita Nakamura, Shinji Takaki:
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals. 109-114 - Christopher Wm. White:
A Corpus-Sensitive Algorithm for Automated Tonal Analysis. 115-121 - Ryan Groves:
Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm. 122-127 - Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation. 128-134
Performance
- Maria Mannone, Guerino Mazzola:
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality. 137-148 - Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo, Kenneth Sörensen:
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm. 149-160 - Luwei Yang, Elaine Chew, Khalid Z. Rajab:
Logistic Modeling of Note Transitions. 161-172 - Johanna Devaney:
Evaluating Singer Consistency and Uniqueness in Vocal Performances. 173-178 - Katerina Kosta, Oscar F. Bandtlow, Elaine Chew:
A Change-Point Approach Towards Representing Musical Dynamics. 179-184
Similarity and Contrast
- Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Structural Similarity Based on Time-Span Sub-Trees. 187-192 - Robin C. Laney, Robert Samuels, Emilie Capulet:
Cross Entropy as a Measure of Musical Contrast. 193-198 - Rafael Valle, Adrian Freed:
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming. 199-204
Post-tonal Music Analysis
- Jason Yust:
Applications of DFT to the Theory of Twentieth-Century Harmony. 207-218 - Kate Sekula:
Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute. 219-230 - Alexandre Popoff:
A Statistical Approach to the Global Structure of John Cage's Number Piece Five^5. 231-236 - Brian Bemman, David Meredith:
Exact Cover Problem in Milton Babbitt's All-Partition Array. 237-242
Geometric Approaches
- Özgür Izmirli:
Constructing Geometrical Spaces from Acoustical Representations. 245-256 - Clifton Callender:
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces. 257-266 - James R. Hughes:
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading. 267-278 - Robert W. Peck:
All-Interval Structures. 279-290 - Tobias Schlemmer:
Unifying Tone System Definitions: Ordering Chromas. 291-302 - Alexandre Popoff, Moreno Andreatta, Andrée C. Ehresmann:
A Categorical Generalization of Klumpenhouwer Networks. 303-314 - Gilles Baroin, Hugues Seress:
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis - Using Polarization and Tonal Regions in a Dynamic Environment. 315-320
Deep Learning
- Stefan Lattner, Maarten Grachten, Kat Agres, Carlos Eduardo Cancino Chacón:
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines. 323-334 - Bob L. Sturm, Corey Kereliuk, Jan Larsen:
¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity. 335-346
Scales
- Emmanuel Amiot:
Can a Musical Scale Have 14 Generators? 349-360 - Marco Castrillón López, Manuel Domínguez Romero:
On the Step-Patterns of Generated Scales that are Not Well-Formed. 361-372 - Thomas Noll:
Triads as Modes within Scales as Modes. 373-384 - David Clampitt, Jennifer Shafer:
Greek Ethnic Modal Names vs. Alia Musica's Nomenclature. 385-390
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