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ORCIDEmilios Cambouropoulos
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2020 – today
- 2024
[c25]Maximos A. Kaliakatsos-Papakostas
, Asteris I. Zacharakis, Konstantinos Velenis, Emilios Cambouropoulos:
Rebetiko Singer Identification: Fine-tuning and explaining deep pretrained transformer models. Audio Mostly Conference 2024: 285-291- 2023
- [c24]Konstantinos Velenis, Maximos A. Kaliakatsos-Papakostas, Leandros Pasias, Emilios Cambouropoulos:
Visualisations of Jazz Standards Derived from Transformer-based Multi-task Learning. PCI 2023: 79-87 - 2021
- [c23]Konstantinos Giannos, Emilios Cambouropoulos:
Symbolic Encoding of Simultaneities: Re-designing the General Chord Type Representation. DLfM 2021: 67-74 - [c22]Emilios Cambouropoulos:
Symbolic Representation and Processing of Musical Structure: Stream Segments, Pitch Interval Patterns, General Chord Types. HCI (33) 2021: 201-212
2010 – 2019
- 2019
- [j4]Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Conceptual blending of high-level features and data-driven salience computation in melodic generation. Cogn. Syst. Res. 58: 55-70 (2019) - 2018
- [p2]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Emilios Cambouropoulos:
Conceptual Blending in Melodic Harmonisation: Development and Empirical Evaluation in the Case of the CHAMELEON System. Concept Invention 2018: 241-274 - 2016
- [c21]Maximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos:
An Argument-based Creative Assistant for Harmonic Blending. ICCC 2016: 330-337 - [c20]Maximos A. Kaliakatsos-Papakostas, Dimos Makris, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Learning and Blending Harmonies in the Context of a Melodic Harmonisation Assistant. AIAI 2016: 520-527 - [c19]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Modelling Cadence Perception Via Musical Parameter Tuning to Perceptual Data. AIAI 2016: 552-561 - [p1]Emilios Cambouropoulos:
The Harmonic Musical Surface and Two Novel Chord Representation Schemes. Computational Music Analysis 2016: 31-56 - [i1]Maximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos:
An Argument-based Creative Assistant for Harmonic Blending. CoRR abs/1603.01770 (2016) - 2015
- [c18]Marcelo Queiroz, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Obtaining General Chord Types from Chroma Vectors. Audio Mostly Conference 2015: 25:1-25:6 - [c17]Manfred Eppe, Roberto Confalonieri, Ewen Maclean, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos, W. Marco Schorlemmer, Mihai Codescu, Kai-Uwe Kühnberger:
Computational Invention of Cadences and Chord Progressions by Conceptual Chord-Blending. IJCAI 2015: 2445-2451 - [c16]Asterios I. Zacharakis, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation. ISMIR 2015: 141-147 - [c15]Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Probabilistic Modular Bass Voice Leading in Melodic Harmonisation. ISMIR 2015: 323-329 - [c14]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories. ISMIR 2015: 427-433 - [c13]Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation. MCM 2015: 128-134 - [c12]Emilios Cambouropoulos:
The Shape of Music - The Music of Shape. SHAPES 2015: 19-21 - 2014
- [c11]Marco Schorlemmer, Alan Smaill, Kai-Uwe Kühnberger, Oliver Kutz, Simon Colton, Emilios Cambouropoulos, Alison Pease:
COINVENT: Towards a Computational Concept Invention Theory. ICCC 2014: 288-296 - [c10]Emilios Cambouropoulos, Maximos A. Kaliakatsos-Papakostas, Costas Tsougras:
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation. ICMC 2014 - [c9]Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Probabilistic harmonization with fixed intermediate chord constraints. ICMC 2014 - 2013
- [c8]Mathieu Giraud, Ken Déguernel, Emilios Cambouropoulos:
Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching. CMMR 2013: 298-312 - 2012
- [c7]Carl Barton, Emilios Cambouropoulos, Costas S. Iliopoulos, Zsuzsanna Lipták:
Melodic String Matching via Interval Consolidation and Fragmentation. AIAI (2) 2012: 460-469
2000 – 2009
- 2008
- [c6]Dimitrios Rafailidis, Alexandros Nanopoulos, Yannis Manolopoulos, Emilios Cambouropoulos:
Detection of Stream Segments in Symbolic Musical Data. ISMIR 2008: 83-88 - 2007
- [j3]Emilios Cambouropoulos, Maxime Crochemore, Costas S. Iliopoulos, Manal Mohamed, Marie-France Sagot:
All maximal-pairs in step-leap representation of melodic sequence. Inf. Sci. 177(9): 1954-1962 (2007) - [c5]Ioannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Emilios Cambouropoulos:
VISA: The Voice Integration/Segregation Algorithm. ISMIR 2007: 445-448 - 2005
- [c4]Emilios Cambouropoulos, Maxime Crochemore, Costas S. Iliopoulos, Manal Mohamed, Marie-France Sagot:
A Pattern Extraction Algorithm for Abstract Melodic Representations that Allow Partial Overlapping of Intervallic Categories. ISMIR 2005: 167-174 - 2002
- [j2]Emilios Cambouropoulos, Maxime Crochemore, Costas S. Iliopoulos, Laurent Mouchard, Yoan J. Pinzón:
Algorithms for Computing Approximate Repetitions in Musical Sequences. Int. J. Comput. Math. 79(11): 1135-1148 (2002) - 2001
- [j1]Emilios Cambouropoulos, Tim Crawford, Costas S. Iliopoulos:
Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects. Comput. Humanit. 35(1): 9-21 (2001) - [c3]Emilios Cambouropoulos:
The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing. ICMC 2001 - 2000
- [c2]Simon Dixon, Emilios Cambouropoulos:
Beat Tracking with Musical Knowledge. ECAI 2000: 626-630
1990 – 1999
- 1996
- [c1]Emilios Cambouropoulos:
Musical Rhythm: A Formal Model for Determining Local Boundaries, Accents and Metre in a Melodic Surface. Joint International Conference on Cognitive and Systematic Musicology 1996: 277-293
Coauthor Index
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