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2010 – 2019
- 2016
[j1]Rafael Valle, Alexandre Donzé, Daniel J. Fremont
, Ilge Akkaya, Sanjit A. Seshia, Adrian Freed, David Wessel:
Specification Mining for Machine Improvisation with Formal Specifications. Comput. Entertain. 14(3): 6:1-6:20 (2016)- [c71]Jean Bresson, John MacCallum, Adrian Freed:
o.OM: structured-functional communication between computer music systems using OSC and Odot. FARM@ICFP 2016: 41-47 - [c70]Rafael Valle, Daniel J. Fremont, Ilge Akkaya, Alexandre Donzé, Adrian Freed, Sanjit A. Seshia:
Learning and Visualizing Music Specifications Using Pattern Graphs. ISMIR 2016: 192-198 - 2015
- [c69]John MacCallum, Matthew Goodheart, Adrian Freed:
Antony: A Reimagining. ICMC 2015 - [c68]John MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed:
Dynamic Message-Oriented Middleware with Open Sound Control and Odot. ICMC 2015 - [c67]Sebastian Madgwick, Thomas Mitchell, Carlos Barreto, Adrian Freed:
Simple Synchronisation for Open Sound Control. ICMC 2015 - [c66]Rafael Valle, Adrian Freed:
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming. MCM 2015: 199-204 - [c65]Adrian Freed, David Wessel:
An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors. TEI 2015: 317-320 - 2014
- [c64]Julien Biral, Nicolas D'Alessandro, Adrian Freed:
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings. ICMC 2014 - [c63]Adrian Freed, David DeFilippo, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel:
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction. ICMC 2014 - [c62]John MacCallum, Adrian Freed, David Wessel:
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments. ICMC 2014 - [c61]Thomas Mitchell, Sebastian Madgwick, Simon Rankine, Geoffrey S. Hilton, Adrian Freed, Andrew R. Nix:
Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance. NIME 2014: 251-256 - 2013
- [c60]Sha Xin Wei, Adrian Freed, Navid Navab:
Sound design as human matter interaction. CHI Extended Abstracts 2013: 2009-2018 - [c59]Jess Rowland, Adrian Freed:
Colocated surface sound interaction. CHI Extended Abstracts 2013: 3047-3050 - [c58]Adrian Freed, John MacCallum, David Wessel:
Agile Interface Development using OSC Expressions and Process Migration. NIME 2013: 347-351 - [c57]Adrian Freed, John MacCallum, Sam Mansfield:
"Old" is the New "New": a Fingerboard Case Study in Recrudescence as a NIME Development Strategy. NIME 2013: 441-445 - 2012
- [c56]Adrian Freed:
The Fingerphone: a Case Study of Sustainable Instrument Redesign. NIME 2012 - [c55]Jess Rowland, Adrian Freed:
Flexible surfaces for interactive audio. ITS 2012: 315-318 - 2011
- [c54]Adrian Freed, John MacCallum, Andrew Schmeder:
Dynamic, Instance-based, object-oriented programming in Max/MSP using open sound control message delegation. ICMC 2011 - [c53]Adrian Freed, John MacCallum, Andrew Schmeder:
Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP. NIME 2011: 308-311 - [c52]Jung-Sim Roh, Yotam Mann, Adrian Freed, David Wessel:
Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers. NIME 2011: 393-398 - 2010
- [c51]Eric Battenberg, Adrian Freed, David Wessel:
Advances In The Parallelization Of Music And Audio Applications. ICMC 2010 - [c50]Andrew Schmeder, Adrian Freed:
Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface. NIME 2010: 244-249 - [c49]Adrian Freed:
Visualizations and Interaction Strategies for Hybridization Interfaces. NIME 2010: 343-347
2000 – 2009
- 2009
- [c48]Yotam Mann, Jeff Lubow, Adrian Freed:
The Tactus: a Tangible , Rhythmic Grid Interface Using Found-Objects. NIME 2009: 86-89 - [c47]Adrian Freed, Andrew Schmeder:
Features and Future of Open Sound Control version 1.1 for NIME. NIME 2009: 116-120 - [c46]Andrew Schmeder, Adrian Freed:
A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments. NIME 2009: 121-124 - [c45]Adrian Freed:
Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure. NIME 2009: 230-235 - 2008
- [c44]Andy Schmeder, Adrian Freed:
Implementation and Applications of Open sound control Timestamps. ICMC 2008 - [c43]Adrian Freed:
Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers. NIME 2008: 107-112 - [c42]Andrew Schmeder, Adrian Freed:
uOSC: The Open Sound Control Reference Platform for Embedded Devices. NIME 2008: 175-180 - 2007
- [c41]Andrew Schmeder, Matthew Wright, Adrian Freed, Edmund Campion, David Wessel:
Cnmat Information Infrastructure. ICMC 2007 - [c40]David Wessel, Rimas Avizienis, Adrian Freed, Matthew Wright:
A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures. NIME 2007: 41-45 - 2006
- [c39]Adrian Freed, Ahm Lee, John Schott, Frances Marie Uitti, Matthew Wright, Michael Zbyszynski:
Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar. ICMC 2006 - [c38]Adrian Freed, Rimas Avizienis, Matthew Wright:
Beyond 0-5V: Expanding Sensor Integration Architectures. NIME 2006: 97-100 - [c37]Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel:
Augmenting the Cello. NIME 2006: 409-413 - 2005
- [c36]Michael Zbyszynski, Adrian Freed:
Control of VST Plug-INS using OSC. ICMC 2005 - 2003
- [c35]Matthew Wright, Adrian Freed, Ali Momeni:
OpenSound Control: State of the Art 2003. NIME 2003: 153-159 - 2001
- [c34]Matthew Wright, Adrian Freed, Ahm Lee, Tim Madden, Ali Momeni:
Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC. ICMC 2001 - 2000
- [c33]Rimas Avizienis, Adrian Freed, Takahiko Suzuki, David Wessel:
Scalable Connectivity Processor for Computer Music Performance Systems. ICMC 2000 - [c32]Amar Chaudhary, Adrian Freed, Matthew Wright:
An Open Architecture for Real-time Music Software. ICMC 2000 - [c31]Adrian Freed, Rimas Avizienis:
A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication. ICMC 2000 - [c30]Adrian Freed, Osman Isvan:
Musical Applications of New, Multi-axis Guitar String Sensors. ICMC 2000 - [c29]Matthew Wright, Amar Chaudhary, Adrian Freed, Sami Khoury, Ali Momeni, Diemo Schwarz, David Wessel:
An XML-based SDIF Stream Relationships Language. ICMC 2000
1990 – 1999
- 1999
- [c28]Todd D. Hodes, John R. Hauser, John Wawrzynek, Adrian Freed, David Wessel:
A fixed-point recursive digital oscillator for additive synthesis of audio. ICASSP 1999: 993-996 - [c27]Adrian Freed:
Spectral Line Broadening with Transform Domain Additive Synthesis. ICMC 1999 - [c26]Todd D. Hodes, Adrian Freed:
Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors. ICMC 1999 - [c25]Tristan Jehan, Adrian Freed, Richard Dudas:
Musical Applications of New Filter Extensions to Max/MSP. ICMC 1999 - [c24]Arnold Kaup, Sami Khoury, Adrian Freed, David Wessel:
Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre. ICMC 1999 - [c23]Amar Chaudhary, Adrian Freed, David Wessel:
Exploiting Parallelism in Real-Time Music and Audio Applications. ISCOPE 1999: 49-54 - 1998
- [c22]Amar Chaudhary, Adrian Freed, Sami Khoury, David Wessel:
A 3D Graphical User Interface for Resonance Modeling. ICMC 1998 - [c21]Amar Chaudhary, Adrian Freed, Lawrence A. Rowe:
OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources. ICMC 1998 - [c20]Adrian Freed, Amar Chaudhary:
Music Programming with the new Features of Standard C++. ICMC 1998 - [c19]Adrian Freed, David Wessel:
Communication of Musical Gesture using the AES/EBU Digital Audio Standard. ICMC 1998 - [c18]Matthew Wright, Amar Chaudhary, Adrian Freed, David Wessel, Xavier Rodet, Dominique Virolle, Rolf Wöhrmann, Xavier Serra:
New Applications of the Sound Description Interchange Format. ICMC 1998 - [c17]Sami Khoury, Adrian Freed, David Wessel:
Volumetric modeling of acoustic fields in CNMAT's sound spatialization theatre. IEEE Visualization 1998: 439-442 - 1997
- [c16]Adrian Freed, Amar Chaudhary, Brian Davila:
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications. ICMC 1997 - [c15]Matthew Wright, Adrian Freed:
Open SoundControl: A New Protocol for Communicating with Sound Synthesizers. ICMC 1997 - [c14]Matthew Wright, David Wessel, Adrian Freed:
New Musical Control Structures from Standard Gestural Controllers. ICMC 1997 - 1995
- [c13]Adrian Freed:
Bring Your Own Control to Additive Synthesis. ICMC 1995 - 1994
- [c12]Adrian Freed:
The Rebirth of Computer Music by Analog Signal Processing. ICMC 1994 - [c11]Adrian Freed, Mark Goldstein, Michael Goodwin, Michael Lee, Keith A. McMillen, Xavier Rodet, David Wessel, Matthew Wright:
Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes. ICMC 1994 - 1993
- [c10]Adrian Freed, Xavier Rodet, Philippe Depalle:
Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware. ICMC 1993 - 1992
- [c9]Adrian Freed:
New Tools for Rapid Prototyping of Music Sound Synthesis Algorithms and Control Strategies. ICMC 1992 - 1991
- [c8]Adrian Freed, David Wessel, David Zicarelli:
MAX Objects for Media Integration. ICMC 1991 - [c7]Michael A. Lee, Adrian Freed, David Wessel:
Real-Time Neural Network Processing of Gestural and Acoustic Signals. ICMC 1991 - 1990
- [c6]Adrian Freed, Keith Gordon:
DSP Driver Software for Performance-oriented Music Synthesis Systems. ICMC 1990
1980 – 1989
- 1989
- [c5]Jean-Baptiste Barrière, Pierre-François Baisnée, Adrian Freed, Marie-Dominique Baudot:
A Digital Signal Multiprocessor and its Musical Application. ICMC 1989 - [c4]Adrian Freed:
New Media for Musicological Research and Education - The Country Blues in HyperMedia. ICMC 1989 - [c3]David Wessel, Richard Felciano, Adrian Freed, John Wawrzynek:
The Center for New Music and Audio Technologies. ICMC 1989 - 1986
- [c2]Adrian Freed:
MacMix: Mixing with a Mouse. ICMC 1986 - 1982
- [c1]Vito Asta, Adrian Freed:
The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer. ICMC 1982
Coauthor Index
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