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ORCIDNIME 2006: Paris, France
- Norbert Schnell, Frédéric Bevilacqua, Michael J. Lyons, Atau Tanaka:
New Interfaces for Musical Expression, NIME-06, Proceedings, Paris, France, June 4-8, 2006. IRCAM - Centre Pompidou in collaboration with Sorbonne University 2006, ISBN 2-84426-314-3
Paper Session 1: Mobile and Public
- Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka:
Mobile Music Technology: Report on an Emerging Community. 22-25 - Atau Tanaka, Petra Gemeinboeck:
A Framework for Spatial Interaction in Locative Media. 26-30 - Michael Rohs, Georg Essl, Martin Roth:
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. 31-36 - Greg Schiemer, Mark Havryliv:
Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4. 37-42 - David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig:
Interactive Public Sound Art: a case study. 43-48
Poster Session 1: Sensors, Interfaces, and Mapping
- Ge Wang, Ananya Misra, Perry R. Cook:
Building Collaborative Graphical interFaces in the Audicle. 49-52 - Pedro Rebelo, Alain Renaud:
The Frequencyliator - Distributing Structures for Networked Laptop Improvisation. 53-56 - Martin Näf, Daniel Collicott:
A VR Interface for Collaborative 3D Audio Performance. 57-60 - Günter Geiger:
Using the Touch Screen as a Controller for Portable Computer Music Instruments. 61-64 - Jukka Holm, Juha Arrasvuori, Kai Havukainen:
Using MIDI to Modify Video Game Content. 65-70 - Takuro Mizuta Lippit:
Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression. 71-74 - Spencer Kiser:
spinCycle: a Color-Tracking Turntable Sequencer. 75-76 - Jason Lee:
The Chopping Board: Real-time Sample Editor. 77-78 - Staas de Jong:
A Tactile Closed-Loop Device for Musical Interaction. 70-80 - Peter D. Bennett:
PETECUBE: a Multimodal Feedback Interface. 81-84 - Denis Lebel, Joseph W. Malloch
:
The G-Spring Controller. 85-88 - Damien Lock, Greg Schiemer:
Orbophone: a new interface for radiating sound and image. 89-92 - Sukandar Kartadinata:
the gluion, advantages of an FPGA-based sensor interface. 93-96 - Adrian Freed, Rimas Avizienis, Matthew Wright:
Beyond 0-5V: Expanding Sensor Integration Architectures. 97-100 - Colin G. Johnson, Alex Gounaropoulos:
Timbre interfaces using adjectives and adverbs. 101-102 - D. Andrew Stewart:
SonicJumper composer. 103-105 - Hans-Christoph Steiner:
Towards a catalog and software library of mapping methods. 106-109 - Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa:
LINE: Interactive Sound and Light Installation. 110-113
Paper Session 2: Networked and Collaborative
- Nick Bryan-Kinns, Patrick G. T. Healey:
Decay in Collaborative Music Making. 114-117 - Michael Gurevich:
JamSpace: Designing A Collaborative Networked Music Space for Novices. 118-123 - R. Benjamin Knapp, Perry R. Cook:
Creating a Network of Integral Music Controllers.. 124-128 - Matthew Burtner:
Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces. 129-133 - Ryan Aylward, Joseph A. Paradiso:
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance. 134-139
Paper Session 3: Real and Virtual, Spatial and Graphical
- Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer:
The ZKM Klangdom. 140-143 - Michael Wozniewski, Zack Settel, Jeremy R. Cooperstock:
A framework for immersive spatial audio performance. 144-149 - Alexandre R. J. François, Elaine Chew:
An Architectural Framework for Interactive Music Systems. 150-155 - Christian Jacquemin, Serge de Laubier:
Transmodal Feedback as a New Perspective for Audio-visual Effects. 156-161 - Thor Magnusson:
Screen-Based Musical Interfaces as Semiotic Machines. 162-167 - Mark Zadel, Gary P. Scavone:
Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. 168-171 - Yu Nishibori, Toshio Iwai:
Tenori-on. 172-175
Poster Session 2: Gesture Controlled Audio Systems
- Alexander Refsum Jensenius, Tellef Kvifte, Rolf Inge Godøy:
Towards a Gesture Description Interchange Format. 176-179 - Marcelo M. Wanderley, David Birnbaum, Joseph W. Malloch, Elliot Sinyor, Julien Boissinot:
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. 180-183 - Smilen Dimitrov, Stefania Serafin:
A simple practical approach to a wireless data acquisition board. 184-187 - Kjetil Falkenberg Hansen, Roberto Bresin:
Mapping strategies in DJ scratching. 188-191 - Loïc Kessous, Julien Castet, Daniel Arfib:
'GXtar', an interface using guitar techniques. 192-195 - Anne-Marie Burns, Marcelo M. Wanderley:
Visual Methods for the Retrieval of Guitarist Fingering. 196-199 - Erwin Schoonderwaldt, Nicolas H. Rasamimanana, Frédéric Bevilacqua:
Combining accelerometer and video camera: Reconstruction of bow velocity profiles. 200-203 - Nicolas Leroy, Emmanuel Fléty, Frédéric Bevilacqua:
Reflective Optical Pickup For Violin. 204-207
Poster Session 3: Tables and Screens
- Sergi Jordà, Marcos Alonso:
Mary had a little scoreTable* or the reacTable* goes melodic. 208-211 - Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa:
Sound Rose: Creating Music and Images with a Touch Table. 212-215 - Philip L. Davidson, Jefferson Y. Han:
Synthesis and Control on Large Scale Multi-Touch Sensing Displays. 216-219
Paper Session 4: Instrument Design
- Tellef Kvifte, Alexander Refsum Jensenius:
Towards a Coherent Terminology and Model of Instrument Description and Design. 220-225 - Mark T. Marshall, Marcelo M. Wanderley:
Vibrotactile Feedback in Digital Musical Instruments. 226-229 - Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil:
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. 230-233 - John Bowers, Nicolas Villar:
Creating Ad Hoc Instruments with Pin&Play&Perform. 234-239 - Stefania Serafin, Amalia de Götzen, Niels Böttcher, Steven Gelineck:
Synthesis and control of everyday sound reconstructing Russolo's Intonarumori. 240-245
Paper Session 5: Brain, Hands, and Expression
- Gil Weinberg, Travis Thatcher:
Interactive Sonification of Neural Activity. 246-249 - Jacques Remus:
Non haptic control of music by video analysis of hand movements: 14 years of experience with the "Caméra Musicale". 250-253 - Jan O. Borchers, Aristotelis Hadjakos, Max Mühlhäuser:
MICON: A Music Stand for Interactive Conducting. 254-259 - Eric Lee, Ingo Grüll, Henning Kiel, Jan O. Borchers:
conga: A Framework for Adaptive Conducting Gesture Analysis. 260-265 - Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval:
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis. 266-271 - Bob Pritchard, Sidney S. Fels:
GRASSP: Gesturally-Realized Audio, Speech and Song Performance. 272-271 - Christopher Dobrian, Daniel Koppelman:
The 'E' in NIME: Musical Expression with New Computer Interfaces. 277-282
Poster Session 4: Instruments, Performances, and Installations
- John Richards:
32kg: Performance Systems for a Post-Digital Age. 283-287 - Serge de Laubier, Vincent Goudard:
Meta-Instrument 3: a look over 17 years of practice. 288-291 - Suguru Goto:
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics. 292-295 - David Hindman:
Modal Kombat: Competition and Choreography in Synesthetic Musical Performance. 296-299 - Paul D. Lehrman, Eric Singer:
A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots. 300-303 - Serge Lemouton, Marco Stroppa, Benny Sluchin:
Using the augmented trombone in "I will not kiss your f.ing flag". 304-307 - Sébastien Schiesser, Caroline Traube:
On making and playing an electronically-augmented saxophone. 308-313 - Tamara Smyth:
Handheld Acoustic Filter Bank for Musical Control. 314-317 - J. J. Nixdorf, David Gerhard:
Real-Time Sound Source Spatialization as used in Challenging Bodies: Implementation and Performance. 318-321 - Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro:
Mapping with planning agents in the Max/MSP environment: the GO/Max language. 322-325 - Alain Bonardi, Isis Truck, Herman Akdag:
Towards a Virtual Assistant for Performers and Stage Directors. 326-329 - Yoichi Nagashima:
Students' projects of interactive media-installations in SUAC. 330-333 - Morten Breinbjerg, Ole Caprani, Rasmus B. Lunding, Line Kramhøft:
An Acousmatic Composition Environment. 334-337 - Robert Hamilton:
Bioinformatic Feedback: performer bio-data as a driver for real-time composition. 338-341 - Jonathan Pak:
The Light Matrix: An Interface for musical expression and performance. 342-345 - Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi:
GAINER: A reconfigurable I/O module and software libraries for education. 346-351
Paper Session 6:
- Kirsty A. Beilharz, Joanne Jakovich, Sam Ferguson:
Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument. 352-357 - Neal Farwell:
Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse. 358-363 - Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva:
The Augmented Djembe Drum - Sculpting Rhythms. 364-369 - Stuart Favilla, Joanne Cannon:
Children of Grainger: Leather Instruments for Free Music. 370-375 - William Hsu:
Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment. 376-379 - Keith Hamel:
Integrated Interactive Music Performance Environment. 380-383 - Sam Ferguson:
Learning Musical Instrument Skills Through Interactive Sonification. 384-389
Special Paper Session: Digital Interfaces for the Violin Family
- Cornelius Poepel, Dan Overholt:
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. 390-395 - Diana Young, Patrick Nunn, Artem Vassiliev:
Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music. 396-401 - Frédéric Bevilacqua, Nicolas H. Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet:
The augmented violin project: research, composition and performance report. 402-406 - Mari Kimura, Jean-Claude Risset:
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura. 407-408 - Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel:
Augmenting the Cello. 409-413
Keynotes and Panel Discussion
- George Lewis:
Living with Creative Machines: A Composer Reflects. 414 - William W. Gaver:
Listening to the World: Information and Aesthetics. 414 - Michel Waisvisz:
Manager or Musician? - About virtuosity in live electronic music. 415
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