default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDNIME 2006: Paris, France
- Norbert Schnell, Frédéric Bevilacqua, Michael J. Lyons, Atau Tanaka:
New Interfaces for Musical Expression, NIME-06, Proceedings, Paris, France, June 4-8, 2006. IRCAM - Centre Pompidou in collaboration with Sorbonne University 2006, ISBN 2-84426-314-3
Paper Session 1: Mobile and Public
- Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka:
Mobile Music Technology: Report on an Emerging Community. 22-25 - Atau Tanaka, Petra Gemeinboeck:
A Framework for Spatial Interaction in Locative Media. 26-30 - Michael Rohs, Georg Essl, Martin Roth:
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. 31-36 - Greg Schiemer, Mark Havryliv:
Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4. 37-42 - David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig:
Interactive Public Sound Art: a case study. 43-48
Poster Session 1: Sensors, Interfaces, and Mapping
- Ge Wang, Ananya Misra, Perry R. Cook:
Building Collaborative Graphical interFaces in the Audicle. 49-52 - Pedro Rebelo, Alain Renaud:
The Frequencyliator - Distributing Structures for Networked Laptop Improvisation. 53-56 - Martin Näf, Daniel Collicott:
A VR Interface for Collaborative 3D Audio Performance. 57-60 - Günter Geiger:
Using the Touch Screen as a Controller for Portable Computer Music Instruments. 61-64 - Jukka Holm, Juha Arrasvuori, Kai Havukainen:
Using MIDI to Modify Video Game Content. 65-70 - Takuro Mizuta Lippit:
Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression. 71-74 - Spencer Kiser:
spinCycle: a Color-Tracking Turntable Sequencer. 75-76 - Jason Lee:
The Chopping Board: Real-time Sample Editor. 77-78 - Staas de Jong:
A Tactile Closed-Loop Device for Musical Interaction. 70-80 - Peter D. Bennett:
PETECUBE: a Multimodal Feedback Interface. 81-84 - Denis Lebel, Joseph W. Malloch
:
The G-Spring Controller. 85-88 - Damien Lock, Greg Schiemer:
Orbophone: a new interface for radiating sound and image. 89-92 - Sukandar Kartadinata:
the gluion, advantages of an FPGA-based sensor interface. 93-96 - Adrian Freed, Rimas Avizienis, Matthew Wright:
Beyond 0-5V: Expanding Sensor Integration Architectures. 97-100 - Colin G. Johnson, Alex Gounaropoulos:
Timbre interfaces using adjectives and adverbs. 101-102 - D. Andrew Stewart:
SonicJumper composer. 103-105 - Hans-Christoph Steiner:
Towards a catalog and software library of mapping methods. 106-109 - Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa:
LINE: Interactive Sound and Light Installation. 110-113
Paper Session 2: Networked and Collaborative
- Nick Bryan-Kinns, Patrick G. T. Healey:
Decay in Collaborative Music Making. 114-117 - Michael Gurevich:
JamSpace: Designing A Collaborative Networked Music Space for Novices. 118-123 - R. Benjamin Knapp, Perry R. Cook:
Creating a Network of Integral Music Controllers.. 124-128 - Matthew Burtner:
Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces. 129-133 - Ryan Aylward, Joseph A. Paradiso:
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance. 134-139
Paper Session 3: Real and Virtual, Spatial and Graphical
- Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer:
The ZKM Klangdom. 140-143 - Michael Wozniewski, Zack Settel, Jeremy R. Cooperstock:
A framework for immersive spatial audio performance. 144-149 - Alexandre R. J. François, Elaine Chew:
An Architectural Framework for Interactive Music Systems. 150-155 - Christian Jacquemin, Serge de Laubier:
Transmodal Feedback as a New Perspective for Audio-visual Effects. 156-161 - Thor Magnusson:
Screen-Based Musical Interfaces as Semiotic Machines. 162-167 - Mark Zadel, Gary P. Scavone:
Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. 168-171 - Yu Nishibori, Toshio Iwai:
Tenori-on. 172-175
Poster Session 2: Gesture Controlled Audio Systems
- Alexander Refsum Jensenius, Tellef Kvifte, Rolf Inge Godøy:
Towards a Gesture Description Interchange Format. 176-179 - Marcelo M. Wanderley, David Birnbaum, Joseph W. Malloch, Elliot Sinyor, Julien Boissinot:
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. 180-183 - Smilen Dimitrov, Stefania Serafin:
A simple practical approach to a wireless data acquisition board. 184-187 - Kjetil Falkenberg Hansen, Roberto Bresin:
Mapping strategies in DJ scratching. 188-191 - Loïc Kessous, Julien Castet, Daniel Arfib:
'GXtar', an interface using guitar techniques. 192-195 - Anne-Marie Burns, Marcelo M. Wanderley:
Visual Methods for the Retrieval of Guitarist Fingering. 196-199 - Erwin Schoonderwaldt, Nicolas H. Rasamimanana, Frédéric Bevilacqua:
Combining accelerometer and video camera: Reconstruction of bow velocity profiles. 200-203 - Nicolas Leroy, Emmanuel Fléty, Frédéric Bevilacqua:
Reflective Optical Pickup For Violin. 204-207
Poster Session 3: Tables and Screens
- Sergi Jordà, Marcos Alonso:
Mary had a little scoreTable* or the reacTable* goes melodic. 208-211 - Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa:
Sound Rose: Creating Music and Images with a Touch Table. 212-215 - Philip L. Davidson, Jefferson Y. Han:
Synthesis and Control on Large Scale Multi-Touch Sensing Displays. 216-219
Paper Session 4: Instrument Design
- Tellef Kvifte, Alexander Refsum Jensenius:
Towards a Coherent Terminology and Model of Instrument Description and Design. 220-225 - Mark T. Marshall, Marcelo M. Wanderley:
Vibrotactile Feedback in Digital Musical Instruments. 226-229 - Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil:
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. 230-233 - John Bowers, Nicolas Villar:
Creating Ad Hoc Instruments with Pin&Play&Perform. 234-239 - Stefania Serafin, Amalia de Götzen, Niels Böttcher, Steven Gelineck:
Synthesis and control of everyday sound reconstructing Russolo's Intonarumori. 240-245
Paper Session 5: Brain, Hands, and Expression
- Gil Weinberg, Travis Thatcher:
Interactive Sonification of Neural Activity. 246-249 - Jacques Remus:
Non haptic control of music by video analysis of hand movements: 14 years of experience with the "Caméra Musicale". 250-253 - Jan O. Borchers, Aristotelis Hadjakos, Max Mühlhäuser:
MICON: A Music Stand for Interactive Conducting. 254-259 - Eric Lee, Ingo Grüll, Henning Kiel, Jan O. Borchers:
conga: A Framework for Adaptive Conducting Gesture Analysis. 260-265 - Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval:
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis. 266-271 - Bob Pritchard, Sidney S. Fels:
GRASSP: Gesturally-Realized Audio, Speech and Song Performance. 272-271 - Christopher Dobrian, Daniel Koppelman:
The 'E' in NIME: Musical Expression with New Computer Interfaces. 277-282
Poster Session 4: Instruments, Performances, and Installations
- John Richards:
32kg: Performance Systems for a Post-Digital Age. 283-287 - Serge de Laubier, Vincent Goudard:
Meta-Instrument 3: a look over 17 years of practice. 288-291 - Suguru Goto:
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics. 292-295 - David Hindman:
Modal Kombat: Competition and Choreography in Synesthetic Musical Performance. 296-299 - Paul D. Lehrman, Eric Singer:
A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots. 300-303 - Serge Lemouton, Marco Stroppa, Benny Sluchin:
Using the augmented trombone in "I will not kiss your f.ing flag". 304-307 - Sébastien Schiesser, Caroline Traube:
On making and playing an electronically-augmented saxophone. 308-313 - Tamara Smyth:
Handheld Acoustic Filter Bank for Musical Control. 314-317 - J. J. Nixdorf, David Gerhard:
Real-Time Sound Source Spatialization as used in Challenging Bodies: Implementation and Performance. 318-321 - Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro:
Mapping with planning agents in the Max/MSP environment: the GO/Max language. 322-325 - Alain Bonardi, Isis Truck, Herman Akdag:
Towards a Virtual Assistant for Performers and Stage Directors. 326-329 - Yoichi Nagashima:
Students' projects of interactive media-installations in SUAC. 330-333 - Morten Breinbjerg, Ole Caprani, Rasmus B. Lunding, Line Kramhøft:
An Acousmatic Composition Environment. 334-337 - Robert Hamilton:
Bioinformatic Feedback: performer bio-data as a driver for real-time composition. 338-341 - Jonathan Pak:
The Light Matrix: An Interface for musical expression and performance. 342-345 - Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi:
GAINER: A reconfigurable I/O module and software libraries for education. 346-351
Paper Session 6:
- Kirsty A. Beilharz, Joanne Jakovich, Sam Ferguson:
Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument. 352-357 - Neal Farwell:
Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse. 358-363 - Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva:
The Augmented Djembe Drum - Sculpting Rhythms. 364-369 - Stuart Favilla, Joanne Cannon:
Children of Grainger: Leather Instruments for Free Music. 370-375 - William Hsu:
Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment. 376-379 - Keith Hamel:
Integrated Interactive Music Performance Environment. 380-383 - Sam Ferguson:
Learning Musical Instrument Skills Through Interactive Sonification. 384-389
Special Paper Session: Digital Interfaces for the Violin Family
- Cornelius Poepel, Dan Overholt:
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. 390-395 - Diana Young, Patrick Nunn, Artem Vassiliev:
Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music. 396-401 - Frédéric Bevilacqua, Nicolas H. Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet:
The augmented violin project: research, composition and performance report. 402-406 - Mari Kimura, Jean-Claude Risset:
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura. 407-408 - Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel:
Augmenting the Cello. 409-413
Keynotes and Panel Discussion
- George Lewis:
Living with Creative Machines: A Composer Reflects. 414 - William W. Gaver:
Listening to the World: Information and Aesthetics. 414 - Michel Waisvisz:
Manager or Musician? - About virtuosity in live electronic music. 415
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-11-21 20:34 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
