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2020 – today
- 2024
[c30]Axel Hultman
, Maurizio Goina, Roberto Bresin:
Interactive sonification helps make sense of the negative environmental impact of vessel traffic in the Baltic Sea. Audio Mostly Conference 2024: 209-217- 2023
- [j22]Tim Ziemer, Sara Lenzi, Niklas Rönnberg, Thomas Hermann, Roberto Bresin:
Introduction to the special issue on design and perception of interactive sonification. J. Multimodal User Interfaces 17(4): 213-214 (2023) - [j21]Adrian Benigno Latupeirissa, Roberto Bresin:
PepperOSC: enabling interactive sonification of a robot's expressive movement. J. Multimodal User Interfaces 17(4): 231-239 (2023) - [j20]Adrian Benigno Latupeirissa, Roberto Bresin:
Correction to: PepperOSC: enabling interactive sonification of a robot's expressive movement. J. Multimodal User Interfaces 17(4): 241 (2023) - [j19]Bastian Orthmann, Iolanda Leite, Roberto Bresin, Ilaria Torre:
Sounding Robots: Design and Evaluation of Auditory Displays for Unintentional Human-robot Interaction. ACM Trans. Hum. Robot Interact. 12(4): 49:1-49:26 (2023) - [j18]Adrian Benigno Latupeirissa, Claudio Panariello, Roberto Bresin:
Probing Aesthetics Strategies for Robot Sound: Complexity and Materiality in Movement Sonification. ACM Trans. Hum. Robot Interact. 12(4): 52:1-52:22 (2023) - [c29]Ayesha Kajol Rafi, Akshata Murdeshwar, Adrian Benigno Latupeirissa, Roberto Bresin:
Investigating the Role of Robot Voices and Sounds in Shaping Perceived Intentions. HAI 2023: 425-427 - [c28]Sahba Zojaji, Adrian Benigno Latupeirissa, Iolanda Leite, Roberto Bresin, Christopher Peters:
Persuasive Polite Robots in Free-Standing Conversational Groups. IROS 2023: 4006-4013 - [c27]Brian J. Zhang, Bastian Orthmann, Ilaria Torre, Roberto Bresin, Jason Fick, Iolanda Leite, Naomi T. Fitter:
Hearing it Out: Guiding Robot Sound Design through Design Thinking. RO-MAN 2023: 2064-2071 - 2022
- [j17]Emma Frid, Roberto Bresin:
Perceptual Evaluation of Blended Sonification of Mechanical Robot Sounds Produced by Emotionally Expressive Gestures: Augmenting Consequential Sounds to Improve Non-verbal Robot Communication. Int. J. Soc. Robotics 14(2): 357-372 (2022) - 2020
- [j16]Roberto Bresin, Maurizio Mancini, Ludvig Elblaus, Emma Frid:
Sonification of the self vs. sonification of the other: Differences in the sonification of performed vs. observed simple hand movements. Int. J. Hum. Comput. Stud. 144: 102500 (2020)
2010 – 2019
- 2019
- [j15]Jiajun Yang, Thomas Hermann, Roberto Bresin:
Introduction to the special issue on interactive sonification. J. Multimodal User Interfaces 13(3): 151-153 (2019) - [j14]Emma Frid, Ludvig Elblaus, Roberto Bresin:
Interactive sonification of a fluid dance movement: an exploratory study. J. Multimodal User Interfaces 13(3): 181-189 (2019) - [j13]Emma Frid, Jonas Moll, Roberto Bresin, Eva-Lotta Sallnäs Pysander:
Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task. J. Multimodal User Interfaces 13(4): 279-290 (2019) - [j12]Emma Frid, Jonas Moll, Roberto Bresin, Eva-Lotta Sallnäs Pysander:
Correction to: Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task. J. Multimodal User Interfaces 13(4): 291 (2019) - [c26]Emma Frid, Hans Lindetorp, Kjetil Falkenberg Hansen, Ludvig Elblaus, Roberto Bresin:
Sound Forest: Evaluation of an Accessible Multisensory Music Installation. CHI 2019: 677 - 2016
- [c25]Aneesha Singh, Ana Tajadura-Jiménez, Nadia Bianchi-Berthouze, Nicolai Marquardt, Monica Tentori, Roberto Bresin, Dana Kulic:
Mind the Gap: A SIG on Bridging the Gap in Research on Body Sensing, Body Perception and Multisensory Feedback. CHI Extended Abstracts 2016: 1092-1095 - 2015
- [j11]Ludvig Elblaus, Vasiliki Tsaknaki, Vincent Lewandowski, Roberto Bresin, Sungjae Hwang, John Song, Junghyeon Gim, Carla F. Griggio, Germán Leiva, Mario Romero, David Sweeney, Tim Regan, John Helmes, Vasillis Vlachokyriakos, Siân E. Lindley, Alex S. Taylor:
Demo hour. Interactions 22(5): 6-9 (2015) - [j10]Luca Turchet, Roberto Bresin:
Effects of Interactive Sonification on Emotionally Expressive Walking Styles. IEEE Trans. Affect. Comput. 6(2): 152-164 (2015) - [c24]Ludvig Elblaus, Vasiliki Tsaknaki, Vincent Lewandowski, Roberto Bresin:
Nebula: An Interactive Garment Designed for Functional Aesthetics. CHI Extended Abstracts 2015: 275-278 - 2014
- [c23]Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin:
Modes of Sonic Interaction in Circus: Three Proofs of Concept. ICMC 2014 - 2013
- [p2]Marco Fabiani, Anders Friberg, Roberto Bresin:
Systems for Interactive Control of Computer Generated Music Performance. Guide to Computing for Expressive Music Performance 2013: 49-73 - [p1]Roberto Bresin, Anders Friberg:
Evaluation of Computer Systems for Expressive Music Performance. Guide to Computing for Expressive Music Performance 2013: 181-203 - 2012
- [j9]Roberto Bresin, Thomas Hermann, Andy Hunt:
Interactive sonification. J. Multimodal User Interfaces 5(3-4): 85-86 (2012) - [j8]Giovanna Varni, Gaël Dubus, Sami Oksanen, Gualtiero Volpe, Marco Fabiani, Roberto Bresin, Jari Kleimola, Vesa Välimäki, Antonio Camurri:
Interactive sonification of synchronisation of motoric behaviour in social active listening to music with mobile devices. J. Multimodal User Interfaces 5(3-4): 157-173 (2012) - [j7]Marco Fabiani, Roberto Bresin, Gaël Dubus:
Interactive sonification of expressive hand gestures on a handheld device. J. Multimodal User Interfaces 6(1-2): 49-57 (2012) - 2011
- [c22]Marco Fabiani, Gaël Dubus, Roberto Bresin:
MoodifierLive: Interactive and Collaborative Expressive Music Performance on Mobile Devices. NIME 2011: 116-119 - 2010
- [j6]Kjetil Falkenberg Hansen, Roberto Bresin:
The Skipproof Virtual Turntable for High-Level Control of Scratching. Comput. Music. J. 34(2): 39-50 (2010) - [j5]Birgitta Burger, Roberto Bresin:
Communication of musical expression by means of mobile robot gestures. J. Multimodal User Interfaces 3(1-2): 109-118 (2010)
2000 – 2009
- 2009
- [j4]Yon Visell, Federico Fontana, Bruno L. Giordano, Rolf Nordahl, Stefania Serafin, Roberto Bresin:
Sound design and perception in walking interactions. Int. J. Hum. Comput. Stud. 67(11): 947-959 (2009) - [c21]Antonio Camurri, Gualtiero Volpe, Hugues Vinet, Roberto Bresin, Marco Fabiani, Gaël Dubus, Esteban Maestre, Jordi Llop, Jari Kleimola, Sami Oksanen:
User-Centric Context-Aware Mobile Applications for Embodied Music Listening. UCMedia 2009: 21-30 - 2008
- [c20]Davide Rocchesso, Stefania Serafin, Frauke Behrendt, Nicola Bernardini, Roberto Bresin, Gerhard Eckel, Karmen Franinovic, Thomas Hermann, Sandra Pauletto, Patrick Susini, Yon Visell:
Sonic interaction design: sound, information and experience. CHI Extended Abstracts 2008: 3969-3972 - 2007
- [j3]Maurizio Mancini, Roberto Bresin, Catherine Pelachaud:
A Virtual Head Driven by Music Expressivity. IEEE Trans. Speech Audio Process. 15(6): 1833-1841 (2007) - [c19]Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe:
User-Centered Control of Audio and Visual Expressive Feedback by Full-Body Movements. ACII 2007: 501-510 - [c18]Anna DeWitt, Roberto Bresin:
Sound Design for Affective Interaction. ACII 2007: 523-533 - [c17]Birgitta Burger, Roberto Bresin:
Displaying Expression in Musical Performance by Means of a Mobile Robot. ACII 2007: 753-754 - [c16]Davide Rocchesso, Roberto Bresin:
Emerging Sounds for Disappearing Computers. The Disappearing Computer 2007: 233-254 - [c15]Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe:
Expressive Control of Music and Visual Media by Full-Body Movement. NIME 2007: 390-391 - 2006
- [c14]Madelene Lindström, Anna Ståhl, Kristina Höök, Petra Sundström, Jarmo Laaksolahti, Marco Combetto, Alex S. Taylor, Roberto Bresin:
Affective diary: designing for bodily expressiveness and self-reflection. CHI Extended Abstracts 2006: 1037-1042 - [c13]Kjetil Falkenberg Hansen, Roberto Bresin:
Mapping strategies in DJ scratching. NIME 2006: 188-191 - 2005
- [c12]Maurizio Mancini, Roberto Bresin, Catherine Pelachaud:
From Acoustic Cues to an Expressive Agent. Gesture Workshop 2005: 280-291 - [c11]Roberto Bresin:
What is the Color of that Music Performance? ICMC 2005 - 2004
- [c10]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
Rencon 2004: Turing Test for Musical Expression. NIME 2004: 120-123 - 2003
- [j2]Davide Rocchesso, Roberto Bresin, Mikael Fernström:
Sounding Objects. IEEE Multim. 10(2): 42-52 (2003) - [c9]Kjetil Falkenberg Hansen, Roberto Bresin:
Analysis of a Genuine Scratch Performance. Gesture Workshop 2003: 519-528 - [c8]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
After the first year of Rencon. ICMC 2003 - 2002
- [c7]Anders Friberg, Erwin Schoonderwaldt, Patrik Juslin, Roberto Bresin:
Automatic Real-Time Extraction of Musical Expression. ICMC 2002 - 2001
- [c6]Roberto Bresin:
Articulation Rules For Automatic Music Performance. ICMC 2001 - 2000
- [j1]Roberto Bresin, Anders Friberg:
Emotional Coloring of Computer-Controlled Music Performances. Comput. Music. J. 24(4): 44-63 (2000) - [c5]Roberto Bresin, Anders Friberg:
Rule-Based Emotional Coloring of Music Performance. ICMC 2000 - [c4]Roberto Bresin, Anders Friberg:
Software Tools for Musical Expression. ICMC 2000
1990 – 1999
- 1994
- [c3]Roberto Bresin, Giovanni De Poli, Giovanni U. Battel, Alvise Vidolin:
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance. ICMC 1994 - [c2]Roberto Bresin, Alessandro Vedovetto:
Neural Networks for Musical Tones Compression, Control and Synthesis. ICMC 1994 - 1992
- [c1]Roberto Bresin, Giovanni De Poli, Alvise Vidolin:
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. ICMC 1992
Coauthor Index
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last updated on 2024-12-03 21:21 CET by the dblp team
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