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ORCIDAristotelis Hadjakos
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2020 – today
- 2023
[c39]Matthias Nowakowski, Axel Berndt, Aristotelis Hadjakos:
Forschungsperspektiven zur Interaktion mit Musiknotation. DHd 2023: 146- 2022
- [c38]Matthias Nowakowski, Elena Schilke, Aristotelis Hadjakos:
Interactive Notation for LMS: Progress Report and Pilot Study. MuC (Workshopband) 2022 - [c37]Cornelius Pöpel
, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Sebastian Trump, Norbert Schnell, Lars Engeln, Egbert Jürgens:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2022 - 2020
- [c36]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, Joachim Veit:
Inside Beethoven!: a musical installation for a new listening perspective. Audio Mostly Conference 2020: 245-248
2010 – 2019
- 2019
- [c35]Simon Waloschek, Aristotelis Hadjakos, Alexander Pacha:
Identification and Cross-Document Alignment of Measures in Music Score Images. ISMIR 2019: 137-143 - [c34]Aristotelis Hadjakos, Simon Waloschek, Alexander Leemhuis:
Detecting Hands from Piano MIDI Data. MuC (Workshopband) 2019 - [c33]Cornelius Pöpel, Sebastian Trump, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Norbert Schnell:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2019 - [c32]Alexander Leemhuis, Simon Waloschek, Aristotelis Hadjakos:
Bacher than Bach? On Musicologically Informed AI-Based Bach Chorale Harmonization. PKDD/ECML Workshops (2) 2019: 462-469 - 2018
- [c31]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. Audio Mostly Conference 2018: 18:1-18:7 - [c30]Simon Waloschek, Aristotelis Hadjakos:
Driftin' Down the Scale: Dynamic Time Warping in the Presence of Pitch Drift and Transpositions. ISMIR 2018: 630-636 - 2017
- [j1]Aristotelis Hadjakos, Joachim Iffland, Reinhard Keil, Andreas Oberhoff, Joachim Veit:
Challenges for Annotation Concepts in Music. Int. J. Humanit. Arts Comput. 11(2): 255-275 (2017) - [c29]Aristotelis Hadjakos:
Künstliche Neuronale Netze in computerbasierten Musikinterfaces. MuC (Workshopband) 2017 - [c28]Holger Reckter, Cornelius Pöpel, Aristotelis Hadjakos, Paulo Ferreira-Lopes:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2017 - [c27]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, Alexander Leemhuis:
Ambidice: an ambient music interface for tabletop role-playing games. NIME 2017: 241-244 - 2016
- [c26]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Hand Gestures in Music Production. ICMC 2016 - [c25]Simon Waloschek, Axel Berndt, Benjamin W. Bohl, Aristotelis Hadjakos:
Interactive Scores in Classical Music Production. ISMIR 2016: 668-673 - 2015
- [c24]Aristotelis Hadjakos, Heizo Schulze, André Düchting, Christian Metzger, Marc Ottensmann, Friederike Riechmann, Anna-Maria Schneider, Michael Trappmann:
Learning Visual Programming by Creating a Walkable Interactive Installation. Audio Mostly Conference 2015: 19:1-19:8 - [c23]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Gedanken zur Nutzung von Handgesten in der Musikproduktion. MuC (Workshopband) 2015: 325-330 - [c22]Simon Waloschek, Aristotelis Hadjakos:
Sensors on stage: conquering the requirements of artistic experiments and live performances. NIME 2015: 351-354 - 2014
- [c21]Aristotelis Hadjakos, Steffen Bock, Fabien Lévy:
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research. ICMC 2014 - [c20]Aristotelis Hadjakos, Simon Waloschek:
SPINE: A TUI Toolkit and Physical Computing Hybrid. NIME 2014: 625-628 - [c19]Roman Lissermann, Jochen Huber, Aristotelis Hadjakos, Suranga Nanayakkara, Max Mühlhäuser:
EarPut: augmenting ear-worn devices for ear-based interaction. OZCHI 2014: 300-307 - 2013
- [c18]Roman Lissermann, Jochen Huber, Aristotelis Hadjakos, Max Mühlhäuser:
EarPut: augmenting behind-the-ear devices for ear-based interaction. CHI Extended Abstracts 2013: 1323-1328 - [c17]Axel Schulz, Aristotelis Hadjakos, Heiko Paulheim, Johannes Nachtwey, Max Mühlhäuser:
A Multi-Indicator Approach for Geolocalization of Tweets. ICWSM 2013 - [c16]Aristotelis Hadjakos, Tobias Grosshauser:
Motion and Synchronization Analysis of Musical Ensembles with the Kinect. NIME 2013: 106-110 - 2012
- [c15]Marcus Staender, Aristotelis Hadjakos, Daniel Schreiber:
Adaptive workflows in smart environments: combining imperative and declarative models. UbiComp 2012: 1171-1174 - [c14]Marcus Ständer, Aristotelis Hadjakos, Niklas Lochschmidt, Christian Klos, Bastian Renner, Max Mühlhäuser:
A Smart Kitchen Infrastructure. ISM 2012: 96-99 - [c13]Daniel Schreiber, Max Mühlhäuser, Aristotelis Hadjakos, Erwin Aitenbichler:
Configurable Middleware for Multimedia Collaboration Applications. ISM 2012: 332-339 - [c12]Michael Bjorn Winkler, Kai Michael Höver, Aristotelis Hadjakos, Max Mühlhäuser:
Automatic Camera Control for Tracking a Presenter during a Talk. ISM 2012: 471-476 - 2011
- [b1]Aristotelis Hadjakos:
Sensor-based feedback for piano pedagogy. Darmstadt University of Technology, Germany, 2011, pp. 1-158 - [c11]Fernando Lyardet, Aristotelis Hadjakos, Diego Wong Szeto:
InSitu: An Approach for Dynamic Context Labeling Based on Product Usage and Sound Analysis. Activity Context Representation 2011 - 2010
- [c10]Aristotelis Hadjakos, Max Mühlhäuser:
Analysis of Piano Playing Movements Spanning Multiple Touches. NIME 2010: 335-338
2000 – 2009
- 2009
- [c9]Aristotelis Hadjakos:
Feinevaluierung des Probabilistischen Arm Modells zur Analyse von Klavierspielbewegungen. MuC (Workshopband) 2009: 159-162 - [c8]Aristotelis Hadjakos, Jürgen Steimle:
Stiftbasierte Musikalische Interaktion. MuC (Workshopband) 2009: 191-192 - [c7]Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser:
Probabilistic Model of Pianists' Arm Touch Movements. NIME 2009: 7-12 - [c6]Andreas Höfer, Aristotelis Hadjakos, Max Mühlhäuser:
Gyroscope-Based Conducting Gesture Recognition. NIME 2009: 175-176 - [c5]Erwin Aitenbichler, Fernando Lyardet, Aristotelis Hadjakos, Max Mühlhäuser:
Fine-Grained Evaluation of Local Positioning Systems for Specific Target Applications. UIC 2009: 236-250 - 2008
- [c4]Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser:
Parameter Controlled Remote Performance (Pcrp): Playing Together Despite High delay. ICMC 2008 - [c3]Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser:
Zu einer Automatischen Erkennung von Spielbewegungen am Klavier. MuC (Workshopband) 2008: 97-99 - [c2]Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser:
The Elbow Piano: Sonification of Piano Playing Movements. NIME 2008: 285-288 - 2006
- [c1]Jan O. Borchers, Aristotelis Hadjakos, Max Mühlhäuser:
MICON: A Music Stand for Interactive Conducting. NIME 2006: 254-259
Coauthor Index
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