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2020 – today
- 2023
[c29]Matthias Nowakowski, Axel Berndt, Aristotelis Hadjakos:
Forschungsperspektiven zur Interaktion mit Musiknotation. DHd 2023: 146- 2022
- [c28]Cornelius Pöpel, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Sebastian Trump
, Norbert Schnell, Lars Engeln, Egbert Jürgens:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2022 - 2021
- [c27]Axel Berndt:
The Music Performance Markup Format and Ecosystem. ISMIR 2021: 50-57 - 2020
- [c26]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, Joachim Veit:
Inside Beethoven!: a musical installation for a new listening perspective. Audio Mostly Conference 2020: 245-248
2010 – 2019
- 2019
- [c25]Cornelius Pöpel, Sebastian Trump, Holger Reckter, Aristotelis Hadjakos, Axel Berndt, Norbert Schnell:
Innovative Computerbasierte Musikinterfaces (ICMI). MuC (Workshopband) 2019 - 2018
- [c24]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. Audio Mostly Conference 2018: 18:1-18:7 - 2017
- [j1]Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. Comput. Music. J. 41(4) (2017) - [c23]Joshua Peschke, Axel Berndt:
The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. Audio Mostly Conference 2017: 15:1-15:6 - [c22]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, Alexander Leemhuis:
Ambidice: an ambient music interface for tabletop role-playing games. NIME 2017: 241-244 - 2016
- [c21]Benjamin W. Bohl, Axel Berndt, Björn Senft:
Formate als Sackgassen: Handlungsempfehlungen. DHd 2016 - [c20]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Hand Gestures in Music Production. ICMC 2016 - [c19]Simon Waloschek, Axel Berndt, Benjamin W. Bohl, Aristotelis Hadjakos:
Interactive Scores in Classical Music Production. ISMIR 2016: 668-673 - 2015
- [c18]Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
TouchNoise: A New Multitouch Interface for Creative Work with Noise. Audio Mostly Conference 2015: 4:1-4:8 - [c17]Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Gedanken zur Nutzung von Handgesten in der Musikproduktion. MuC (Workshopband) 2015: 325-330 - 2014
- [c16]Felix Schönfeld, Axel Berndt, Tilo Hähnel, Martin Pfleiderer, Rainer Groh:
Vocalmetrics: an interactive software for visualization and classification of music. Audio Mostly Conference 2014: 4:1-4:8 - [c15]Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
TouchNoise: A Particle-based Multitouch Noise Modulation Interface. NIME 2014: 323-326 - 2013
- [c14]Robert Harald Lorenz, Axel Berndt, Rainer Groh:
Designing auditory pointers. Audio Mostly Conference 2013: 6:1-6:6 - [c13]Mirko de Almeida Madeira Clemente, Axel Berndt, Hannes Leitner, Mandy Keck, Ricardo Gaertner, Rainer Groh:
New Perspectives on Interactivity in Project Management Tools. HCI (29) 2013: 484-488 - 2012
- [c12]Axel Berndt, Raimund Dachselt, Rainer Groh:
A survey of variation techniques for repetitive games music. Audio Mostly Conference 2012: 61-67 - [c11]Axel Berndt:
Variance in repetitive Games Music. ICMC 2012 - 2011
- [b1]Axel Berndt:
Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Otto von Guericke University Magdeburg, Dr. Hut 2011, ISBN 978-3-8439-0123-9 - [c10]Tilo Hähnel, Axel Berndt:
Eighth-notes performances: kinds of inégalité. Audio Mostly Conference 2011: 75-81 - [c9]Axel Berndt:
Musical Tempo Curves. ICMC 2011 - [c8]Tilo Hähnel, Axel Berndt:
Studying Interdependencies in Music Performance: An Interactive Tool. NIME 2011: 48-51 - 2010
- [c7]Axel Berndt, Tilo Hähnel:
Modelling musical dynamics. Audio Mostly Conference 2010: 18 - [c6]Axel Berndt:
Decentralizing Music, Its Performance, And Processing. ICMC 2010 - [c5]Tilo Hähnel, Axel Berndt:
Expressive Articulation for Synthetic Music Performances. NIME 2010: 277-282
2000 – 2009
- 2009
- [c4]Axel Berndt:
Musical Nonlinearity in Interactive Narrative Environments. ICMC 2009 - 2008
- [c3]Axel Berndt, Knut Hartmann:
The Functions of Music in Interactive Media. ICIDS 2008: 126-131 - [c2]Axel Berndt, Holger Theisel:
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. ICIDS 2008: 132-143 - 2003
- [c1]Wallace Chigona, Knut Hartmann, Axel Berndt, Sebastian Mirschel, Thomas Strothotte:
Navigation Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features. SimVis 2003: 129-138
Coauthor Index
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