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ORCID3. MCM 2011: Paris, France
- Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau:
Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Lecture Notes in Computer Science 6726, Springer 2011, ISBN 978-3-642-21589-6
Long Papers
- Mathieu Bergeron, Darrell Conklin:
Subsumption of Vertical Viewpoint Patterns. 1-12 - Louis Bigo, Jean-Louis Giavitto
, Antoine Spicher:
Building Topological Spaces for Musical Objects. 13-28 - Clément Canonne, Nicolas B. Garnier:
A Model for Collective Free Improvisation. 29-41 - Norman Carey:
On a Class of Locally Symmetric Sequences: The Right Infinite Word Λθ. 42-55 - David Clampitt:
Sensitive Interval Property for Scales as Words in the Free Group F2. 56-68 - Thomas M. Fiore, Thomas Noll:
Commuting Groups and the Topos of Triads. 69-83 - Julian L. Hook:
Spelled Heptachords. 84-97 - Karst de Jong, Thomas Noll:
Fundamental Passacaglia: Harmonic Functions and the Modes of the Musical Tetractys. 98-114 - Edward W. Large:
Musical Tonality, Neural Resonance and Hebbian Learning. 115-125 - José Oliveira Martins:
Interval Cycles, Affinity Spaces, and Transpositional Networks. 126-139 - Agustín Martorell, Emilia Gómez:
Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty over Time. 140-150 - Guerino Mazzola, Florian Thalmann:
Musical Composition and Gestural Diagrams. 151-164 - David Meredith:
Tonal Scales and Minimal Simple Pitch Class Cycles. 165-179 - Andrew J. Milne, Martin Carlé, William A. Sethares, Thomas Noll, Simon Holland:
Scratching the Scale Labyrinth. 180-195 - Robert W. Peck:
Nth Roots of Pitch-Class Inversion. 196-206 - Richard Plotkin:
Cardinality Transformations in Diatonic Space. 207-219 - Alexandre Popoff:
Indeterminate Music and Probability Spaces: The Case of John Cage's Number Pieces. 220-229 - Ian Quinn, Panayotis Mavromatis:
Voice-Leading Prototypes and Harmonic Function in Two Chorale Corpora. 230-240 - Isaac Schankler, Jordan B. L. Smith, Alexandre R. J. François, Elaine Chew:
Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations. 241-254 - Benny Sluchin, Mikhail Malt:
Open Form and Two Combinatorial Musical Models: The Cases of Domaines and Duel. 255-269 - Nicholas Stylianou:
Exploding the Monochord: An Intuitive Spatial Representation of Microtonal Relational Structures. 270-284 - Tito M. Tonietti:
Music between Hearing and Counting (A Historical Case Chosen within Continuous Long-Lasting Conflicts). 285-296 - Dmitri Tymoczko:
Mazzola's Model of Fuxian Counterpoint. 297-310 - Marek Zabka:
Introduction to Scale Theory over Words in Two Dimensions. 311-325
Short Papers (Poster Sessions)
- Gilles Baroin:
The Planet-4D Model: An Original Hypersymmetric Music Space Based on Graph Theory. 326-329 - Chantal Buteau, Christina Anagnostopoulou:
Motivic Topologies: Mathematical and Computational Modelling in Music Analysis. 330-333 - Thomas Hedges, Martin Rohrmeier:
Exploring Rameau and Beyond: A Corpus Study of Root Progression Theories. 334-337 - Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka:
Melodic Morphing Algorithm in Formalism. 338-341 - Jocelyn Ho:
From 2D to 3D: Using Geometry and Group Theory to Model Motivic Structure in Musical Composition. 342-345 - Aline K. Honingh, Rens Bod:
Clustering and Classification of Music by Interval Categories. 346-349 - Franck Jedrzejewski:
Plactic Classification of Modes. 350-353 - Maximos A. Kaliakatsos-Papakostas, Michael G. Epitropakis, Michael N. Vrahatis:
Feature Extraction Using Pitch Class Profile Information Entropy. 354-357 - Fani Kosona, Leontios J. Hadjileontiadis:
Catastrophe Theory: An Enhanced Structural and Ontological Space in Music Composition. 358-361 - Mika Kuuskankare:
Enriched Score Access for Computer Assisted Composition in PWGL. 362-365 - Richard Parncutt, Fabio Kaiser, Craig Sapp:
Historical Development of Tonal Syntax: Counting Pitch-Class Sets in 13th-16th Century Polyphonic Vocal Music. 366-369 - Atte Tenkanen:
Surveying Musical Form through Melodic-Motivic Similarities. 370-373
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