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ORCIDComputer Music Journal, Volume 46
Volume 46, Numbers 1-2, 2022
- Douglas Keislar:
About This Issue. 1
- Rodrigo F. Cádiz, Federico Schumacher:
Sound Anthology: Content. 1
- Rodrigo F. Cádiz, Federico Schumacher:
Editors' Notes. 5-7
- Ricardo Dal Farra:
Part of Computer Music History... (Trust Me, Latin America Has Always Been There!). 8-24 - André Rabello-Mestre
, Felipe Otondo:
Listening to the Anthropocene: A Queda do Céu. 25-39 - Juan Mariano Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Joaquín Rizza, Pablo Ernesto Riera:
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters. 40-57 - Mario Alberto Duarte-García, Emma Wilde:
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico. 58-71 - Guillermo Eisner:
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico. 72-81 - Rosalia Soria-Luz:
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans. 82-93 - Felipe de Almeida Ribeiro, Ricardo de Oliveira Thomasi:
Mapping Out the Origins of Electroacoustic Music Studios in Brazil. 94-107 - Flo Menezes:
The Studio PANaroma and Electroacoustic Music in Brazil. 108-119
- Ross Feller:
James Dashow: Soundings in Pure Duration, Volume 2. 120-122
- Rodrigo F. Cádiz, Federico Schumacher:
Sound Anthology: Program Notes. 136-140
Volume 46, Number 3, Fall 2022
- Douglas Keislar:
About This Issue. 1
- Mattias Sköld:
Computer-Aided Composition Using a Sound-Based Notation. 7-25
- John Sullivan, Marcelo M. Wanderley, Catherine Guastavino:
From Fiction to Function: Imagining New Instruments through Design Workshops. 26-47
- Lauren McCall, Jason Freeman, Tom McKlin, Taneisha Lee, Michael Horn, Brian Magerko:
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music. 48-66
- Mickaël Zehren, Marco Alunno, Paolo Bientinesi:
Automatic Detection of Cue Points for the Emulation of DJ Mixing. 67-82
- Ross Feller:
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings. 83-86 - Ross Feller:
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman. 86-88
Volume 46, Number 4, Winter 2022
- Douglas Keislar:
About This Issue. 1
- Ken Déguernel, Bob L. T. Sturm, Artemi-Maria Gioti, Georgina Born, Oded Ben-Tal, Joëlle Léandre, Aaron Einbond, Iván Paz, Nao Tokui:
Sound Anthology: Content. 1
- Ken Déguernel, Bob L. T. Sturm, Artemi-Maria Gioti, Georgina Born:
Editors' Notes. 5-6
- Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg:
Cocreative Interaction: Somax2 and the REACH Project. 7-25 - Çagri Erdem, Benedikte Wallace, Kyrre Glette, Alexander Refsum Jensenius:
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI "Toddler". 26-42 - Aaron Einbond, Thibaut Carpentier, Diemo Schwarz, Jean Bresson:
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics. 43-61 - Artemi-Maria Gioti, Aaron Einbond, Georgina Born:
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning. 62-80 - Iván Paz, Shelly Knotts:
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes. 81-96
- Ken Déguernel, Bob L. T. Sturm, Artemi-Maria Gioti, Georgina Born:
Sound and Video Anthology: Program Notes. 112-116
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