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Journal Articles
- 2024
[j6]Anna-Maria Christodoulou, Olivier Lartillot, Alexander Refsum Jensenius:
Multimodal music datasets? Challenges and future goals in music processing. Int. J. Multim. Inf. Retr. 13(3): 37 (2024)- 2022
- [j5]Çagri Erdem, Benedikte Wallace, Kyrre Glette, Alexander Refsum Jensenius:
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI "Toddler". Comput. Music. J. 46(4): 26-42 (2022) - [j4]Pritty Patel-Grosz
, Patrick G. Grosz, Tejaswinee Kelkar, Alexander Refsum Jensenius:
Steps towards a Semantics of Dance. J. Semant. 39(4): 693-748 (2022) - 2014
- [j3]Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson:
How still is still? Exploring human standstill for artistic applications. Int. J. Arts Technol. 7(2/3): 207-222 (2014) - 2013
- [j2]Kristian Nymoen, Rolf Inge Godøy, Alexander Refsum Jensenius, Jim Tørresen:
Analyzing correspondence between sound objects and body motion. ACM Trans. Appl. Percept. 10(2): 9:1-9:22 (2013) - 2012
- [j1]Alexander Refsum Jensenius, Victoria Johnson:
Performing the Electric Violin in a Sonic Space. Comput. Music. J. 36(4): 28-39 (2012)
Conference and Workshop Papers
- 2023
- [c57]Seyed Mojtaba Karbasi, Alexander Refsum Jensenius, Rolf Inge Godøy, Jim Torresen:
Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob. NIME 2023 - [c56]Raul Masu, Fabio Morreale, Alexander Refsum Jensenius:
The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. NIME 2023 - 2022
- [c55]Dongho Kwak, Michael J. Krzyzaniak, Anne Danielsen, Alexander Refsum Jensenius:
A mini acoustic chamber for small-scale sound experiments. Audio Mostly Conference 2022: 143-146 - [c54]Mari Lesteberg, Alexander Refsum Jensenius:
MICRO and MACRO - Developing New Accessible Musicking Technologies. Audio Mostly Conference 2022: 147-150 - [c53]Byron Remache-Vinueza, Andrés Trujillo-León, Maria-Alena Clim, Fabián Sarmiento-Ortiz, Liliana Topón-Visarrea, Alexander Refsum Jensenius, Fernando Vidal-Verdú:
Mapping Monophonic MIDI Tracks to Vibrotactile Stimuli Using Tactile Illusions. HAID 2022: 115-124 - [c52]Çagri Erdem, Benedikte Wallace, Alexander Refsum Jensenius:
CAVI: A Coadaptive Audiovisual Instrument-Composition. NIME 2022 - 2021
- [c51]Seyed Mojtaba Karbasi, Rolf Inge Godøy, Alexander Refsum Jensenius, Jim Tørresen:
A Learning Method for Stiffness Control of a Drum Robot for Rebounding Double Strokes. ICMRE 2021: 54-58 - [c50]Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius:
NIME and the Environment: Toward a More Sustainable NIME Practice. NIME 2021 - 2020
- [c49]Agata Zelechowska, Victor E. González Sánchez, Alexander Refsum Jensenius:
Standstill to the 'beat': differences in involuntary movement responses to simple and complex rhythms. Audio Mostly Conference 2020: 107-113 - [c48]Çagri Erdem, Alexander Refsum Jensenius:
RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation. NIME 2020: 477-482 - 2019
- [c47]Artur Becker, Henrik Herrebrøden, Victor E. González Sánchez, Kristian Nymoen, Carla Maria Dal Sasso Freitas, Jim Tørresen, Alexander Refsum Jensenius:
Functional Data Analysis of Rowing Technique Using Motion Capture Data. MOCO 2019: 12:1-12:8 - [c46]Çagri Erdem, Katja Henriksen Schia, Alexander Refsum Jensenius:
Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance. NIME 2019: 186-191 - [c45]Anna Xambó, Sigurd Saue, Alexander Refsum Jensenius, Robin Støckert, Øyvind Brandtsegg:
NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. NIME 2019: 216-221 - 2018
- [c44]Victor E. González Sánchez, Agata Zelechowska, Alexander Refsum Jensenius:
Muscle activity response of the audience during an experimental music performance. Audio Mostly Conference 2018: 11:1-11:4 - [c43]Tejaswinee Kelkar, Udit Roy, Alexander Refsum Jensenius:
Evaluating a Collection of Sound-Tracing Data of Melodic Phrases. ISMIR 2018: 74-81 - [c42]Charles P. Martin, Alexander Refsum Jensenius, Jim Tørresen:
Composing an Ensemble Standstill Work for Myo and Bela. NIME 2018: 196-197 - [c41]Victor Evaristo González Sánchez, Charles P. Martin, Agata Zelechowska, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Alexander Refsum Jensenius:
Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction. NIME 2018: 324-327 - 2017
- [c40]Tejaswinee Kelkar, Alexander Refsum Jensenius:
Representation Strategies in Two-handed Melodic Sound-Tracing. MOCO 2017: 11:1-11:4 - [c39]Alexander Refsum Jensenius, Victor E. González Sánchez, Agata Zelechowska, Kari Anne Vadstensvik Bjerkestrand:
Exploring the myo controller for sonic microinteraction. NIME 2017: 442-445 - 2016
- [c38]Natasha Barrett, Alexander Refsum Jensenius:
The 'Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra. NIME 2016: 55-60 - [c37]Alexander Refsum Jensenius, Michael J. Lyons:
Trends at NIME - Reflections on Editing A NIME Reader. NIME 2016: 439-443 - 2015
- [c36]Alexander Refsum Jensenius:
Microinteraction in music/dance performance. NIME 2015: 16-19 - [c35]Kristian Nymoen, Mari Romarheim Haugen, Alexander Refsum Jensenius:
Mumyo - evaluating and exploring the myo armband for musical interaction. NIME 2015: 215-218 - 2014
- [c34]Kristian Nymoen, Arjun Chandra, Kyrre Glette, Jim Tørresen, Arve Voldsund, Alexander Refsum Jensenius:
PheroMusic: Navigating a Musical Space for Active Music Experiences. ICMC 2014 - [c33]Alexander Refsum Jensenius:
To gesture or Not? An Analysis of Terminology in NIME Proceedings 2001-2013. NIME 2014: 217-220 - 2013
- [c32]Frédéric Bevilacqua, Sidney S. Fels, Alexander Refsum Jensenius, Michael J. Lyons, Norbert Schnell, Atau Tanaka:
SIG NIME: music, technology, and human-computer interaction. CHI Extended Abstracts 2013: 2529-2532 - [c31]Alexander Refsum Jensenius:
Kinectofon: Performing with Shapes in Planes. NIME 2013: 196-197 - 2012
- [c30]Arjun Chandra, Kristian Nymoen, Arve Voldsund, Alexander Refsum Jensenius, Kyrre Glette, Jim Tørresen:
Market-Based Control in Interactive Music Environments. CMMR 2012: 439-458 - [c29]Tobias Becker, Andreas Agne, Peter R. Lewis, Rami Bahsoon, Funmilade Faniyi, Lukas Esterle, Ariane Keller, Arjun Chandra, Alexander Refsum Jensenius, Stephan C. Stilkerich:
EPiCS: Engineering Proprioception in Computing Systems. CSE 2012: 353-360 - [c28]Alexander Refsum Jensenius, Arve Voldsund:
The Music Ball Project: Concept, Design, Development, Performance. NIME 2012 - [c27]Kristian Nymoen, Arve Voldsund, Ståle Andreas Skogstad, Alexander Refsum Jensenius, Jim Tørresen:
Comparing Motion Data from an iPod Touch to a High-End Optical Infrared Marker-Based Motion Capture System. NIME 2012 - [c26]Ståle Andreas Skogstad, Kristian Nymoen, Yago de Quay, Alexander Refsum Jensenius:
Developing the Dance Jockey System for Musical Interaction with the Xsens MVN Suit. NIME 2012 - [c25]Jim Tørresen, Øyvind N. Hauback, Dan Overholt, Alexander Refsum Jensenius:
Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32. NIME 2012 - 2011
- [c24]Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand:
Exploring Micromovements with Motion Capture and Sonification. ArtsIT 2011: 100-107 - [c23]Kristian Nymoen, Jim Tørresen, Rolf Inge Godøy, Alexander Refsum Jensenius:
A Statistical Approach to Analyzing Sound Tracings. CMMR/FRSM 2011: 120-145 - [c22]Erwin Schoonderwaldt, Alexander Refsum Jensenius:
Effective and Expressive Movements in a French-Canadian fiddler's Performance. NIME 2011: 256-259 - [c21]Ståle Andreas Skogstad, Yago de Quay, Alexander Refsum Jensenius:
OSC Implementation and Evaluation of the Xsens MVN Suit. NIME 2011: 300-303 - [c20]Kristian Nymoen, Ståle Andreas Skogstad, Alexander Refsum Jensenius:
SoundSaber - A Motion Capture Instrument. NIME 2011: 312-315 - 2010
- [c19]Alexander Refsum Jensenius, Kyrre Glette, Rolf Inge Godøy, Mats Høvin, Kristian Nymoen, Ståle Andreas Skogstad, Jim Tørresen:
Fourms, University Of Oslo - Lab Report. ICMC 2010 - [c18]Alexander Refsum Jensenius, Kjell Tore Innervik, Ivar Frounberg:
Evaluating the Subjective Effects of Microphone Placement on Glass Instruments. NIME 2010: 208-211 - [c17]Kristian Nymoen, Kyrre Glette, Ståle Andreas Skogstad, Jim Tørresen, Alexander Refsum Jensenius:
Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classifier. NIME 2010: 259-262 - [c16]Ivar Frounberg, Kjell Tore Innervik, Alexander Refsum Jensenius:
Glass Instruments - From Pitch to Timbre. NIME 2010: 287-290 - [c15]Jim Tørresen, Eirik Renton, Alexander Refsum Jensenius:
Wireless Sensor Data Collection based on ZigBee Communication. NIME 2010: 368-371 - [c14]Ståle Andreas Skogstad, Alexander Refsum Jensenius, Kristian Nymoen:
Using IR Optical Marker Based Motion Capture for Exploring Musical Interaction. NIME 2010: 407-410 - 2009
- [c13]Rolf Inge Godøy, Alexander Refsum Jensenius:
Body Movement in Music Information Retrieval. ISMIR 2009: 45-50 - [c12]Kristian Nymoen, Alexander Refsum Jensenius:
A Discussion of Multidimensional Mapping in Nymophone2. NIME 2009: 94-97 - 2008
- [c11]Alexander Refsum Jensenius, Kristian Nymoen, Rolf Inge Godøy:
A Multilayered Gdif-Based setup for Studying coarticulation in the movements of Musicians. ICMC 2008 - [c10]Timothy A. Place, Trond Lossius, Alexander Refsum Jensenius, Nils Peters:
Flexible control of Composite parameters in Max/MSP. ICMC 2008 - [c9]Timothy A. Place, Trond Lossius, Alexander Refsum Jensenius, Nils Peters:
Addressing Classes by Differentiating Values and Properties in OSC. NIME 2008: 181-184 - 2007
- [c8]Alexander Refsum Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph W. Malloch, Douglas McGilvray, Diemo Schwarz, Matthew Wright:
Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data. ICMC 2007 - 2006
- [c7]Alexander Refsum Jensenius:
Using Motiongrams in the Study of Musical Gestures. ICMC 2006 - [c6]Mark T. Marshall, Nils Peters, Alexander Refsum Jensenius, Julien Boissinot, Marcelo M. Wanderley, Jonas Braasch:
On the Development of a System for Gesture Control of Spatialization. ICMC 2006 - [c5]Alexander Refsum Jensenius, Tellef Kvifte, Rolf Inge Godøy:
Towards a Gesture Description Interchange Format. NIME 2006: 176-179 - [c4]Tellef Kvifte, Alexander Refsum Jensenius:
Towards a Coherent Terminology and Model of Instrument Description and Design. NIME 2006: 220-225 - 2005
- [c3]Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley:
Building Low-Cost Music Controllers. CMMR 2005: 123-129 - [c2]Rolf Inge Godøy, Egil Haga, Alexander Refsum Jensenius:
Playing "Air Instruments": Mimicry of Sound-Producing Gestures by Novices and Experts. Gesture Workshop 2005: 256-267 - [c1]Alexander Refsum Jensenius, Rolf Inge Godøy, Marcelo M. Wanderley:
Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment. ICMC 2005
Informal and Other Publications
- 2020
- [i3]Çagri Erdem, Katja Henriksen Schia, Alexander Refsum Jensenius:
Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance. CoRR abs/2010.03779 (2020) - [i2]Alexander Refsum Jensenius, Michael J. Lyons:
Trends at NIME - Reflections on Editing "A NIME Reader". CoRR abs/2010.10803 (2020) - [i1]Charles Patrick Martin, Alexander Refsum Jensenius, Jim Tørresen:
Composing an Ensemble Standstill Work for Myo and Bela. CoRR abs/2012.02404 (2020)
Coauthor Index
aka: Jim Torresen
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last updated on 2024-12-10 21:44 CET by the dblp team
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