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Publication search results
found 90 matches
- 2006
- Ryan Aylward, Joseph A. Paradiso:
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance. NIME 2006: 134-139 - Kirsty A. Beilharz, Joanne Jakovich, Sam Ferguson:
Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument. NIME 2006: 352-357 - Peter D. Bennett:
PETECUBE: a Multimodal Feedback Interface. NIME 2006: 81-84 - Frédéric Bevilacqua, Nicolas H. Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet:
The augmented violin project: research, composition and performance report. NIME 2006: 402-406 - David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig:
Interactive Public Sound Art: a case study. NIME 2006: 43-48 - Alain Bonardi, Isis Truck, Herman Akdag:
Towards a Virtual Assistant for Performers and Stage Directors. NIME 2006: 326-329 - Jan O. Borchers, Aristotelis Hadjakos, Max Mühlhäuser:
MICON: A Music Stand for Interactive Conducting. NIME 2006: 254-259 - Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro:
Mapping with planning agents in the Max/MSP environment: the GO/Max language. NIME 2006: 322-325 - John Bowers, Nicolas Villar:
Creating Ad Hoc Instruments with Pin&Play&Perform. NIME 2006: 234-239 - Morten Breinbjerg, Ole Caprani, Rasmus B. Lunding, Line Kramhøft:
An Acousmatic Composition Environment. NIME 2006: 334-337 - Nick Bryan-Kinns, Patrick G. T. Healey:
Decay in Collaborative Music Making. NIME 2006: 114-117 - Anne-Marie Burns, Marcelo M. Wanderley:
Visual Methods for the Retrieval of Guitarist Fingering. NIME 2006: 196-199 - Matthew Burtner:
Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces. NIME 2006: 129-133 - Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa:
Sound Rose: Creating Music and Images with a Touch Table. NIME 2006: 212-215 - Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval:
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis. NIME 2006: 266-271 - Philip L. Davidson, Jefferson Y. Han:
Synthesis and Control on Large Scale Multi-Touch Sensing Displays. NIME 2006: 216-219 - Smilen Dimitrov, Stefania Serafin:
A simple practical approach to a wireless data acquisition board. NIME 2006: 184-187 - Christopher Dobrian, Daniel Koppelman:
The 'E' in NIME: Musical Expression with New Computer Interfaces. NIME 2006: 277-282 - Neal Farwell:
Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse. NIME 2006: 358-363 - Stuart Favilla, Joanne Cannon:
Children of Grainger: Leather Instruments for Free Music. NIME 2006: 370-375 - Sam Ferguson:
Learning Musical Instrument Skills Through Interactive Sonification. NIME 2006: 384-389 - Alexandre R. J. François, Elaine Chew:
An Architectural Framework for Interactive Music Systems. NIME 2006: 150-155 - Adrian Freed, Rimas Avizienis, Matthew Wright:
Beyond 0-5V: Expanding Sensor Integration Architectures. NIME 2006: 97-100 - Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel:
Augmenting the Cello. NIME 2006: 409-413 - William W. Gaver:
Listening to the World: Information and Aesthetics. NIME 2006: 414 - Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka:
Mobile Music Technology: Report on an Emerging Community. NIME 2006: 22-25 - Günter Geiger:
Using the Touch Screen as a Controller for Portable Computer Music Instruments. NIME 2006: 61-64 - Suguru Goto:
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics. NIME 2006: 292-295 - Michael Gurevich:
JamSpace: Designing A Collaborative Networked Music Space for Novices. NIME 2006: 118-123 - Keith Hamel:
Integrated Interactive Music Performance Environment. NIME 2006: 380-383
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