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Journal Articles
- 2021
[j4]Peter Williams
, Daniel Overholt:
Design and evaluation of a digitally active drum. Pers. Ubiquitous Comput. 25(4): 783-795 (2021)- 2014
- [j3]Dan Overholt:
Advancements in violin-related human-computer interaction. Int. J. Arts Technol. 7(2/3): 185-206 (2014) - 2009
- [j2]Dan Overholt, John Thompson, Lance Putnam, Bo Bell, Jim Kleban, Bob L. Sturm, JoAnn Kuchera-Morin:
A Multimodal System for Gesture Recognition in Interactive Music Performance. Comput. Music. J. 33(4): 69-82 (2009) - [j1]John Thompson, JoAnn Kuchera-Morin, Marcos Novak, Dan Overholt, Lance Putnam, Graham Wakefield, Wesley Smith:
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world. Int. J. Hum. Comput. Stud. 67(11): 934-946 (2009)
Conference and Workshop Papers
- 2024
- [c47]Gianluca Elia, Dan Overholt:
Musicking with dynamical systems: introducing a digitally-controlled analog no-input mixer. Audio Mostly Conference 2024: 22-36 - [c46]Mark David Hosale, Alan Macy, Elizabeth Jochum, Dan Overholt:
BEAM Workshop: Biophysical Expression, Affect & Movement. MOCO 2024: 33 - 2022
- [c45]Robin Otterbein, Elizabeth Jochum, Daniel Overholt, Shaoping Bai, Alex Dalsgaard:
Dance and Movement-Led Research for Designing and Evaluating Wearable Human-Computer Interfaces. MOCO 2022: 9:1-9:9 - 2021
- [c44]Alice Eldridge, Chris Kiefer, Dan Overholt, Halldór Úlfarsson:
Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbar. NIME 2021 - 2020
- [c43]Christie Laurent, Dan Overholt:
ReVoice: a control interface for 1d transmission-line analog vowel synthesis. Audio Mostly Conference 2020: 152-159 - [c42]Chris Kiefer, Dan Overholt, Alice Eldridge:
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. NIME 2020: 343-348 - [c41]Pelle Juul Christensen, Dan Overholt, Stefania Serafin:
The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis. NIME 2020: 609-612 - 2019
- [c40]Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger:
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. NIME 2019: 278-283 - [c39]Razvan Paisa, Dan Overholt:
Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing. NIME 2019: 298-302 - [c38]Vanessa Julia Carpenter, Tomas Sokoler, Nikolaj "DZL" Møbius, Dan Overholt:
Trækvejret: A Kinetic Device Encouraging Bodily Reflection. TEI 2019: 399-406 - 2018
- [c37]Jeppe V. Larsen, Hendrik Knoche, Dan Overholt:
A Longitudinal Field Trial with a Hemiplegic Guitarist Using The Actuated Guitar. NIME 2018: 305-310 - [c36]Vanessa Julia Carpenter, Baldur Kampmann, Antonio Stella, Martin Maunsbach, Martin Minovski, Nikolaj Ville-France, Dan Overholt:
MusicFabrik: a playable, portable speaker. NordiCHI 2018: 701-705 - 2017
- [c35]Vanessa Julia Carpenter, Dan Overholt:
Designing For Meaningfulness: A Case Study Of A Pregnancy Wearable For Men. Conference on Designing Interactive Systems (Companion Volume) 2017: 95-100 - [c34]Peter Williams, Daniel Overholt:
Beads extended actuated digital shaker. NIME 2017: 13-18 - [c33]Peter Williams, Dan Overholt:
Pitch fork: a novel tactile digital musical instrument. NIME 2017: 62-64 - [c32]Esben W. Knudsen, Malte L. Hølledig, Mads Juel Nielsen, Rikke K. Petersen, Sebastian Bach-Nielsen, Bogdan-Constantin Zanescu, Dan Overholt, Hendrik Purwins, Kim Helweg:
Audio-visual feedback for self-monitoring posture in ballet training. NIME 2017: 71-76 - [c31]Kristians Konovalovs, Jelizaveta Zovnercuka, Ali Adjorlu, Daniel Overholt:
A wearable foot-mounted / instrument-mounted effect controller: design and evaluation. NIME 2017: 354-357 - 2016
- [c30]Alex Baldwin, Troels Hammer, Edvinas Pechiulis, Peter Williams, Dan Overholt, Stefania Serafin:
Tromba Moderna: A Digitally Augmented Medieval Instrument. NIME 2016: 14-19 - [c29]Jeppe Veirum Larsen, Dan Overholt, Thomas B. Moeslund:
The Prospects of Musical Instruments For People with Physical Disabilities. NIME 2016: 327-331 - 2015
- [c28]Steven Gelineck, Dan Overholt:
Haptic and Visual feedback in 3D Audio Mixing Interfaces. Audio Mostly Conference 2015: 14:1-14:6 - [c27]Francesco Grani, Dan Overholt, Cumhur Erkut, Steven Gelineck, Georgios Triantafyllidis, Rolf Nordahl, Stefania Serafin:
Spatial Sound and Multimodal Interaction in Immersive Environments. Audio Mostly Conference 2015: 17:1-17:5 - 2014
- [c26]Stefania Serafin, Sofia Dahl, Amalia de Götzen, Cumhur Erkut, Dan Overholt, Hendrik Purwins, Bob L. Sturm:
Sound and Music Computing at Aalborg University in Copenhagen. ICMC 2014 - [c25]Jeppe V. Larsen, Dan Overholt, Thomas B. Moeslund:
The Actuated guitar: Implementation and user test on children with Hemiplegia. NIME 2014: 60-65 - [c24]Dan Overholt, Steven Gelineck:
Design & Evaluation of an Accessible Hybrid Violin Platform. NIME 2014: 122-125 - [c23]Dan Overholt, Nikolaj "DZL" Møbius:
Embedded audio without beeps: synthesis and sound effects from cheap to steep. TEI 2014: 361-364 - 2013
- [c22]Francesco Grani, Stefania Serafin, Amalia de Götzen, Dan Overholt, Spencer Topel:
Investigating the relationship between pressure force and acoustic waveform in footstep sounds. DSP 2013: 1-5 - [c21]Steven Gelineck, Dan Overholt, Morten Büchert, Jesper Andersen:
Towards an Interface for Music Mixing based on Smart Tangibles and Multitouch. NIME 2013: 180-185 - 2012
- [c20]Dan Overholt:
Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces. NIME 2012 - [c19]Jim Tørresen, Øyvind N. Hauback, Dan Overholt, Alexander Refsum Jensenius:
Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32. NIME 2012 - 2011
- [c18]Dan Overholt:
Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space. ArtsIT 2011: 80-89 - [c17]Dan Overholt:
The Overtone Fiddle: an Actuated Acoustic Instrument. NIME 2011: 30-33 - 2009
- [c16]Anne-Marie Skriver Hansen, Dan Overholt, Winslow Burleson, Camilla Nørgaard Jensen, Byron Lahey, Kasia Muldner:
Pendaphonics: an engaging tangible pendulum-based sonic interaction experience. IDC 2009: 286-288 - [c15]Dan Overholt:
"The Fingers" - A Tribute to "The Hands". ICMC 2009 - [c14]Dan Overholt, Byron Lahey, Anne-Marie Skriver Hansen, Winslow Burleson, Camilla Nørgaard Jensen:
Pendaphonics. NIME 2009: 339 - [c13]Anne-Marie Skriver Hansen, Dan Overholt, Winslow Burleson, Camilla Nørgaard Jensen:
Pendaphonics: a tangible pendulum-based sonic interaction experience. TEI 2009: 153-160 - 2008
- [c12]Matthew A. Turk, Tobias Höllerer, Stefan Müller Arisona, JoAnn Kuchera-Morin, Christopher Coffin, Rama Hoetzlein, Lance Putnam, Dan Overholt:
Creative Collaborative Exploration in Multiple Environments. AAAI Spring Symposium: Creative Intelligent Systems 2008: 102-109 - 2007
- [c11]John Thompson, Dan Overholt:
Sonofusion: Development of a Multimedia Composition for Overtone Violin. ICMC 2007 - [c10]Bo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, JoAnn Kuchera-Morin:
The Multimodal Music Stand. NIME 2007: 62-65 - 2006
- [c9]Dan Overholt:
Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs. ICMC 2006 - [c8]Cornelius Poepel, Dan Overholt:
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. NIME 2006: 390-395 - 2005
- [c7]Dan Overholt:
The Overtone Violin: a New Computer Music Instrument. ICMC 2005 - [c6]Dan Overholt:
The Overtone Violin. NIME 2005: 34-37 - 2004
- [c5]Dan Overholt:
The Sonic Scanner and the Graphonic Interface. ICMC 2004 - 2003
- [c4]Winslow Burleson, Paul Nemirovsky, Dan Overholt:
Hydrogen wishes. SIGGRAPH 2003 - 2002
- [c3]Dan Overholt:
New Mappings for the MATRIX Interface. ICMC 2002 - 2001
- [c2]Dan Overholt:
The MATRIX: A New Musical Instrument for Interactive Performance. ICMC 2001 - [c1]Dan Overholt:
The MATRIX: A Novel Controller for Musical Expression. NIME 2001: 38-41
Informal and Other Publications
- 2020
- [i1]Dan Overholt:
The MATRIX: A Novel Controller for Musical Expression. CoRR abs/2010.01577 (2020)
Coauthor Index
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