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2020 – today
- 2024
[c24]Chris Kiefer
:
The Nalima: A Multistable Membrane Instrument with Integrated Excitation. TEI 2024: 100:1-100:3- 2022
- [c23]Rui Guo, Ivor Simpson, Chris Kiefer, Thor Magnusson, Dorien Herremans:
MusIAC: An Extensible Generative Framework for Music Infilling Applications with Multi-level Control. EvoMUSART 2022: 341-356 - [c22]Thor Magnusson, Chris Kiefer, Halldór Úlfarsson:
Reflexions upon Feedback. NIME 2022 - [i3]Rui Guo, Ivor Simpson, Chris Kiefer, Thor Magnusson, Dorien Herremans:
MusIAC: An extensible generative framework for Music Infilling Applications with multi-level Control. CoRR abs/2202.05528 (2022) - 2021
- [c21]Francisco Bernardo, Chris Kiefer, Thor Magnusson:
Assessing the Support for Creativity of a Playground for Live Coding Machine Learning. ICEC 2021: 449-456 - [c20]Alice Eldridge, Chris Kiefer, Dan Overholt, Halldór Úlfarsson:
Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbar. NIME 2021 - 2020
- [c19]Chris Kiefer, Dan Overholt, Alice Eldridge:
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. NIME 2020: 343-348 - [i2]Rui Guo, Ivor Simpson, Thor Magnusson, Chris Kiefer, Dorien Herremans:
A variational autoencoder for music generation controlled by tonal tension. CoRR abs/2010.06230 (2020)
2010 – 2019
- 2019
- [j1]Chris Kiefer:
Sample-level sound synthesis with recurrent neural networks and conceptors. PeerJ Comput. Sci. 5: e205 (2019) - 2018
- [c18]Alice Eldridge, Chris Kiefer:
Toward a Synthetic Acoustic Ecology: Sonically Situated, Evolutionary Agent Based Models of the Acoustic Niche Hypothesis. ALIFE 2018: 296-303 - [c17]Chris Kiefer, Cecile Chevalier:
Towards New Modes of Collective Musical Expression through Audio Augmented Reality. NIME 2018: 25-28 - [i1]Chris Kiefer:
Sample-level sound synthesis with recurrent neural networks and conceptors. PeerJ Prepr. 6: e27361 (2018) - 2017
- [c16]Alice Eldridge, Chris Kiefer:
Self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. NIME 2017: 25-29 - 2016
- [c15]Ben Roberts, Alban Webb, Liam Berriman, Sharon Webb, James Baker, M. Beatrice Fazi, Andrew Robertson, Ben Jackson, Jack Pay, Simon Wibberley, Chris Kiefer:
Sussex Humanities Lab - Emotion, Automation and Sonic Socialities. DH 2016: 874-876 - [c14]Sharon Webb, Chris Kiefer, Ben Jackson, Alice Eldridge, James Baker:
Music Information Retrieval Algorithms for Oral History Collections. DH 2016: 948-949 - 2015
- [c13]Chris Kiefer, Matthew Yee-King, Mark d'Inverno:
Revealing and interpreting crowd stories in online social environments. AInF@IJCAI 2015: 47-52 - 2014
- [c12]Chris Kiefer:
Musical Instrument Mapping Design with Echo State Networks. NIME 2014: 293-298 - 2013
- [c11]Mick Grierson, Chris Kiefer:
NoiseBear: a wireless malleable multiparametric controller for use in assistive technology contexts. CHI Extended Abstracts 2013: 2923-2926 - [c10]Mick Grierson, Chris Kiefer:
NoiseBear: A Malleable Wireless Controller Designed In Participation with Disabled Children. NIME 2013: 413-416 - 2012
- [b1]Chris Kiefer:
Multiparametric interfaces for fine-grained control of digital music. University of Sussex, UK, 2012 - 2011
- [c9]Mick Grierson, Chris Kiefer:
Better brain interfacing for the masses: progress in event-related potential detection using commercial brain computer interfaces. CHI Extended Abstracts 2011: 1681-1686 - [c8]Mike Grierson, Chris Kiefer:
Maximillian: An easy to use, cross platform C++ Toolkit for interactive audio and synthesis applications. ICMC 2011 - [c7]Mike Grierson, Chris Kiefer, Matthew Yee-King:
Progress Report on the EAVI BCI Toolkit for Music: Musical Applications of Algorithms for use with consumer brain computer interfaces. ICMC 2011 - 2010
- [c6]Chris Kiefer:
A Malleable Interface for Sonic Exploration. NIME 2010: 291-296 - [c5]Nick Collins, Chris Kiefer, Zeeshan Patoli, Martin White:
Musical Exoskeletons: Experiments with a Motion Capture Suit. NIME 2010: 455-458 - [c4]Chris Kiefer:
Input devices and mapping techniques for the intuitive control of composition and editing for digital music. TEI 2010: 311-312
2000 – 2009
- 2009
- [c3]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
Phalanger: Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach. NIME 2009: 246-249 - 2008
- [c2]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
Evaluating the Wiimote as a Musical controller. ICMC 2008 - [c1]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
HCI Methodology For Evaluating Musical Controllers: A Case Study. NIME 2008: 87-90
Coauthor Index
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