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ORCIDComputer Music Journal, Volume 33
Volume 33, Number 1, Spring 2009
- Eduardo Reck Miranda
, Larry Bull, François Gueguen, Ivan S. Uroukov:
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks. 9-18
- Mikael Laurson, Mika Kuuskankare, Vesa Norilo:
An Overview of PWGL, a Visual Programming Environment for Music. 19-31 - François Rose, James E. Hetrick:
Enhancing Orchestration Technique via Spectrally Based Linear Algebra Methods. 32-41
- Katy C. Noland, Mark B. Sandler:
Influences of Signal Processing, Tone Profiles, and Chord Progressions on a Model for Estimating the Musical Key from Audio. 42-56
- Freya Bailes, Roger T. Dean:
When Is Noise Speech? A Survey in Sonic Ambiguity. 57-67 - Amalia de Götzen:
Rondà da Passeggio. 68-70 - Karen Sunabacka:
Electroacoustic Music Studies Network 2008: Musique concrète - 60 Years Later. 70-73 - Tae Hong Park, James Harley:
Toronto Electroacoustic Symposium. 73-74 - Iroro Orife:
Tae Hong Park: Introduction to Digital Signal Processing: Computer Musically Speaking. 74-76 - Ian Whalley:
Ken Greenebaum and Ronen Barzel (Editors): Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio. 76-78 - Ross Feller:
Various: Music from SEAMUS, Volume 17. 78-80 - Andrew Fletcher:
Dennis Miller: Seven Animations. 80-81
Volume 33, Number 2, Summer 2009
- Yiorgos Vassilandonakis:
An Interview with Trevor Wishart. 8-23
- Vincenzo Lombardo, Andrea Valle, John P. Fitch, Kees Tazelaar, Stefan Weinzierl, Wojciech Borczyk:
A Virtual-Reality Reconstruction of Poème Électronique Based on Philological Research. 24-47
- Christopher Ariza:
The Interrogator as Critic: The Turing Test and the Evaluation of Generative Music Systems. 48-70
- William A. Sethares, Andrew J. Milne, Stefan Tiedje, Anthony Prechtl, James Plamondon:
Spectral Tools for Dynamic Tonality and Audio Morphing. 71-84 - Jyri Pakarinen, David T. Yeh:
A Review of Digital Techniques for Modeling Vacuum-Tube Guitar Amplifiers. 85-100 - Jeremy C. Baguyos:
Seoul International Computer Music Festival 2008. 101-103 - James Harley:
Évelyne Gayou: GRM - Le Groupe de Recherches Musicales: Cinquante ans d'histoire. 103-105 - Ross Feller:
Drew Krause: Powder. 105-107 - Jeffrey Treviño:
Zbigniew Karkowski/Atsuko Nojiri: Continuity. 107-108
Volume 33, Number 3, Fall 2009
- Elizabeth Hellmuth Margulis, Andrew P. Beatty:
Erratum: Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool. 3
- Tae Hong Park:
Editor's Notes. 4
- Tae Hong Park:
An Interview with Max Mathews. 9-22 - Jon Appleton:
My Friend Max. 23-25 - Jean-Claude Risset:
Max Mathews's Influence on (My) Music. 26-34 - John Chowning:
Wave Studies: Sailing an Ocean with Max and Marjorie Mathews. 35-40 - Hubert Howe:
My Experiences with Max Mathews in the Early Days of Computer Music. 41-44
- Dimitrios Tzimeas, Eleni E. Mangina:
Dynamic Techniques for Genetic Algorithm-Based Music Systems. 45-60 - Frode Holm:
NAMM 2009. 61-64 - Michael Robert Barnhart:
Nick Collins and Julio d'Escriván, Editors: The Cambridge Companion to Electronic Music. 64-65 - Ian Whalley:
Charles O. Nussbaum: The Musical Representation: Meaning, Ontology, and Emotion. 65-68 - Michael Boyd:
Matthew Ostrowski: vertebra. 68-69 - Patricia L. Dirks:
Frances White: Centre Bridge: Electroacoustic Works. 69-70
Volume 33, Number 4, Winter 2009
- Christopher Jette:
Decompartmental: Conversing with Clarence Barlow. 10-22
- Esteban Maestre, Rafael Ramírez, Stefan Kersten, Xavier Serra:
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. 23-42 - Stefan Bilbao:
Direct Simulation of Reed Wind Instruments. 43-55
- François Pachet:
Description-Based Design of Melodies. 56-68
- Dan Overholt, John Thompson, Lance Putnam, Bo Bell, Jim Kleban, Bob L. Sturm, JoAnn Kuchera-Morin:
A Multimodal System for Gesture Recognition in Interactive Music Performance. 69-82 - Osvaldo Budón:
Eleanor Stubley, Editor: Compositional Crossroads: Music, McGill, Montreal. 83-87 - Laurie Radford:
Eric Chasalow: Left to His Own Devices. 87-88 - Laurie Radford:
Meta Duo: Korea-Sax. 88-89 - Matthew McCabe:
Dan Trueman: Machine Language. 90 - Ian Whalley:
Electronic Music, Vol. III, Música Viva Competition Prize Winners 2004 - 2005 - 2006: Adrian Moore, Joshua Goldman, Panayiotis Kokoras, Pedro Almeida, Santiago Díez Fischer, Ingrid Obled, Manuella Blackburn, Thomas Peter. 91-92 - Martin Eckart:
Percussa AudioCubes Sensors/Controllers. 93-95
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