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ORCIDAntonio Origlia
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2020 – today
- 2024
[j11]Loredana Schettino
, Antonio Origlia, Francesco Cutugno:
Though this be hesitant, yet there is method in 't: Effects of disfluency patterns in neural speech synthesis for cultural heritage presentations. Comput. Speech Lang. 85: 101585 (2024)- [j10]Vincenzo Norman Vitale, Francesco Cutugno, Antonio Origlia, Gianpaolo Coro:
Exploring emergent syllables in end-to-end automatic speech recognizers through model explainability technique. Neural Comput. Appl. 36(12): 6875-6901 (2024) - [j9]Martina Di Bratto, Antonio Origlia, Maria Di Maro, Sabrina Mennella:
Linguistics-based dialogue simulations to evaluate argumentative conversational recommender systems. User Model. User Adapt. Interact. 34(5): 1581-1611 (2024) - [c53]Tsvi Kuflik, Berardina Nadja De Carolis, Cristina Gena, Antonio Origlia, Julia Sheidin:
Advanced Visual Interfaces and Interactions in Cultural Heritage (AVICH 2024). AVI 2024: 116:1-116:3 - [c52]Antonio Origlia, Maria Di Maro:
Designing a Theoretically Motivated Animation System for Environment Aware Virtual Humans. AVICH@AVI 2024 - [e5]Berardina Nadja De Carolis, Cristina Gena, Tsvi Kuflik, Antonio Origlia, Julia Sheidin:
Proceedings of the Workshop on Advanced Visual Interfaces and Interactions in Cultural Heritage (AVICH 2024) co-located with 17th ACM Conference on Advanced Visual Interfaces (AVI 2024), Arenzano (Genoa), Italy, June 4, 2024. CEUR Workshop Proceedings 3798, CEUR-WS.org 2024 [contents] - 2023
- [j8]Antonio Origlia, Sergio Di Martino, Ermanno Battista:
Rail anomalies detection: A comparative analysis of three self-supervised models on real data. Comput. Ind. 148: 103909 (2023) - [j7]Antonio Origlia, Maria Laura Chiacchio, Marco Grazioso, Francesco Cutugno:
Increasing visitors attention with introductory portal technology to complex cultural sites. Int. J. Hum. Comput. Stud. 180: 103135 (2023) - 2022
- [c51]Angeliki Antoniou, Berardina De Carolis, Tsvi Kuflik, Antonio Origlia, George Raptis, Cristina Gena:
AVI-CH 2022: Workshop on Advanced Visual Interfaces and Interactions in Cultural Heritage. AVI 2022: 83:1-83:3 - [c50]Antonio Origlia, Marco Grazioso, Maria Laura Chiacchio, Francesco Cutugno:
3D Avatars and Semantic Models Annotations for Introductory Cultural Heritage Presentations. AVI²CH 2022 - [c49]Antonio Origlia, Martina Di Bratto, Maria Di Maro, Sabrina Mennella:
A Multi-source Graph Representation of the Movie Domain for Recommendation Dialogues Analysis. LREC 2022: 1297-1306 - [c48]Antonio Origlia, Martina Di Bratto, Maria Di Maro, Sabrina Mennella:
Developing Embodied Conversational Agents in the Unreal Engine: The FANTASIA Plugin. ACM Multimedia 2022: 6950-6951 - [c47]Antonio Origlia, Sergio Di Martino:
On the Impact of Location-related Terms in Neural Embeddings for Content Similarity Measures in Cultural Heritage Recommender Systems. W2GIS 2022: 108-120 - [e4]Angeliki Antoniou, Berardina De Carolis, Tsvi Kuflik, Antonio Origlia, George E. Raptis, Cristina Gena:
Proceedings of the AVI²CH Workshop on Advanced Visual Interfaces and Interactions in Cultural Heritage co-located with 2022 International Conference on Advanced Visual Interfaces (AVI 2022), Rome, Italy, June 6, 2022. CEUR Workshop Proceedings 3243, CEUR-WS.org 2022 [contents] - [i1]Alessandra Rossi, Maria Di Maro, Antonio Origlia, Agostino Palmiero, Silvia Rossi:
A ROS Architecture for Personalised HRI with a Bartender Social Robot. CoRR abs/2203.06631 (2022) - 2021
- [j6]Gianpaolo Coro, Fabio Valerio Massoli, Antonio Origlia, Francesco Cutugno:
Psycho-acoustics inspired automatic speech recognition. Comput. Electr. Eng. 93: 107238 (2021) - [j5]Antonio Origlia, Silvia Rossi, Sergio Di Martino, Francesco Cutugno, Maria Laura Chiacchio:
Multiple-source Data Collection and Processing into a Graph Database Supporting Cultural Heritage Applications. ACM Journal on Computing and Cultural Heritage 14(4): 55:1-55:27 (2021) - [c46]Martina Di Bratto, Maria Di Maro, Antonio Origlia, Francesco Cutugno:
Dialogue Analysis with Graph Databases: Characterising Domain Items Usage for Movie Recommendations. CLiC-it 2021 - [c45]Alessandra Rossi, Mariacarla Staffa, Antonio Origlia, Maria Di Maro, Silvia Rossi:
BRILLO: A Robotic Architecture for Personalised Long-lasting Interactions in a Bartending Domain. HRI (Companion) 2021: 426-429 - 2020
- [j4]Fabian Bock, Sergio Di Martino, Antonio Origlia:
Smart Parking: Using a Crowd of Taxis to Sense On-Street Parking Space Availability. IEEE Trans. Intell. Transp. Syst. 21(2): 496-508 (2020) - [c44]Angeliki Antoniou, Berardina De Carolis, George Raptis, Cristina Gena, Tsvi Kuflik, Alan J. Dix, Antonio Origlia, George Lepouras:
AVI2CH 2020: Workshop on Advanced Visual Interfaces and Interactions in Cultural Heritage. AVI 2020: 106:1-106:2 - [c43]Andrea Amelio Ravelli, Antonio Origlia, Felice Dell'Orletta:
Exploring Attention in a Multimodal Corpus of Guided Tours. CLiC-it 2020 - [c42]Vincenzo Norman Vitale, Marco Olivieri, Antonio Origlia, Niccolò Pretto, Antonio Rodà, Francesco Cutugno:
Acoustic Experiences for Cultural Heritage Sites: A Pilot Experiment on Spontaneous Visitors' Interest. HCI (35) 2020: 300-311 - [e3]Angeliki Antoniou, Berardina De Carolis, Alan J. Dix, Cristina Gena, Tsvi Kuflik, George Lepouras, Antonio Origlia, George E. Raptis:
Proceedings of the AVI²CH Workshop on Advanced Visual Interfaces and Interactions in Cultural Heritage co-located with 2020 International Conference on Advanced Visual Interfaces (AVI 2020), Island of Ischia, Italy, September 29, 2020. CEUR Workshop Proceedings 2687, CEUR-WS.org 2020 [contents]
2010 – 2019
- 2019
- [j3]Antonio Origlia, Francesco Cutugno, Antonio Rodà, Piero Cosi, Claudio Zmarich:
FANTASIA: a framework for advanced natural tools and applications in social, interactive approaches. Multim. Tools Appl. 78(10): 13613-13648 (2019) - [c41]Maria Di Maro, Antonio Origlia, Francesco Cutugno:
Learning Between the Lines: Interactive Learning Modules Within Corpus Design. IWSDS 2019: 321-329 - [c40]Antonio Origlia, Sergio Di Martino, Yuri Attanasio:
On-Line Filtering of On-Street Parking Data to Improve Availability Predictions. MT-ITS 2019: 1-7 - [c39]Antonio Origlia, Renata Savy, Violetta Cataldo, Loredana Schettino, Alessandro Ansani, Isora Sessa, Alessandra Chiera, Isabella Poggi:
Human, All Too Human: Towards a Disfluent Virtual Tourist Guide. UMAP (Adjunct Publication) 2019: 393-399 - [c38]Fabio Aurelio D'Asaro, Antonio Origlia, Silvia Rossi:
Towards a Logic-Based Approach for Multi-Modal Fusion and Decision Making during Motor Rehabilitation Sessions. WOA 2019: 8-13 - 2018
- [c37]Berardina Nadja De Carolis, Cristina Gena, Tsvi Kuflik, Antonio Origlia, George E. Raptis:
AVI-CH 2018: Advanced Visual Interfaces for Cultural Heritage. AVI 2018: 6:1-6:3 - [c36]Valeria Cera, Antonio Origlia, Francesco Cutugno, Massimiliano Campi:
Semantically Annotated 3D Material Supporting the Design of Natural User Interfaces for Architectural Heritage. AVI*CH 2018 - [c35]Antonio Origlia, Renata Savy, Isabella Poggi, Francesco Cutugno, Iolanda Alfano, Francesca D'Errico, Laura Vincze, Violetta Cataldo:
An Audiovisual Corpus of Guided Tours in Cultural Sites: Data Collection protocols in the CHROME Project. AVI*CH 2018 - [c34]Francesco Cutugno, Maria Di Maro, Sara Falcone, Marco Guerini, Bernardo Magnini, Antonio Origlia:
Overview of the EVALITA 2018 Evaluation of Italian DIALogue Systems (IDIAL) Task. EVALITA@CLiC-it 2018 - [c33]Maria Di Maro, Antonio Origlia, Francesco Cutugno:
Overview of the EVALITA 2018 Spoken Utterances Guiding Chef's Assistant Robots (SUGAR) Task. EVALITA@CLiC-it 2018 - [c32]Antonio Origlia, Federico Altieri, Giorgia Buscato, Alice Morotti, Claudio Zmarich, Antonio Rodà, Piero Cosi:
Evaluating a multi-avatar game for speech therapy applications. GOODTECHS 2018: 190-195 - [c31]Marco Grazioso, Valeria Cera, Maria Di Maro, Antonio Origlia, Francesco Cutugno:
From Linguistic Linked Open Data to Multimodal Natural Interaction: A Case Study. IV 2018: 315-320 - [e2]Berardina Nadja De Carolis, Cristina Gena, Tsvi Kuflik, Antonio Origlia, George E. Raptis:
Proceedings of the AVI-CH 2018 Workshop on Advanced Visual Interfaces for Cultural Heritage co-located with 2018 International Conference on Advanced Visual Interfaces (AVI 2018), Castiglione della Pescaia, Italy, May 29, 2018. CEUR Workshop Proceedings 2091, CEUR-WS.org 2018 [contents] - 2017
- [c30]Antonio Origlia, Maria Laura Chiacchio:
Route of the Ελευθερία: a Design Exercise for Museum-Centric Entertainment Systems. AI*CH@AI*IA 2017: 25-32 - [c29]Dario Di Mauro, Juan Carlos Augusto, Antonio Origlia, Francesco Cutugno:
A Framework for Distributed Interaction in Intelligent Environments. AmI 2017: 136-151 - [c28]Antonio Origlia, Piero Cosi, Antonio Rodà, Claudio Zmarich:
A Dialogue-based Software Architecture for Gamified Discrimination Tests. GHITALY@CHItaly 2017 - [c27]Antonio Origlia, Dario Di Mauro, Maria Laura Chiacchio, Francesco Cutugno:
Establishing a Theoretical Background for a Museum-centric Entertainment System. GHITALY@CHItaly 2017 - [c26]Dario Di Mauro, Antonio Origlia, Francesco Cutugno:
Distributed Processes for Spoken Questions and Commands Understanding. CLiC-it 2017 - [c25]Autilia Vitiello, Giovanni Acampora, Francesco Cutugno, Petra Wagner, Antonio Origlia:
An adaptive neuro-fuzzy inference system for the qualitative study of perceptual prominence in linguistics. FUZZ-IEEE 2017: 1-6 - [c24]Fabian Bock, Sergio Di Martino, Antonio Origlia:
A 2-Step Approach to Improve Data-driven Parking Availability Predictions. IWCTS@SIGSPATIAL 2017: 13-18 - [c23]Maria Di Maro, Marco Valentino, Anna Riccio, Antonio Origlia:
Graph Databases for Designing High-Performance Speech Recognition Grammars. IWCS(2) 2017 - [e1]Francesco Mele, Antonio Origlia, Antonio Sorgente:
Proceedings of the 11th International Workshop on Artificial Intelligence for Cultural Heritage co-located with the 16th International Conference of the Italian Association for Artificial Intelligence (AI*IA 2017), Bari, Italy, November 14, 2017. CEUR Workshop Proceedings 2034, CEUR-WS.org 2017 [contents] - 2016
- [c22]Antonio Origlia, Maria Laura Chiacchio, Dario Di Mauro, Francesco Cutugno:
Why so Serious? Raising Curiosity Towards Cultural Heritage with Playful Games. AI*CH@AI*IA 2016: 18-25 - [c21]Antonio Origlia, Enrico Leone, Antonio Sorgente, Paolo Vanacore, Maria Parascandolo, Francesco Mele, Francesco Cutugno:
Designing Interactive Experiences to Explore Artwork Collections: a Multimedia Dialogue System Supporting Visits in Museum Exhibits. AI*CH@AI*IA 2016: 26-33 - [c20]Antonio Sorgente, Paolo Vanacore, Antonio Origlia, Enrico Leone, Francesco Cutugno, Francesco Mele:
Multimedia Responses in Natural Language Dialogues. AVI*CH 2016: 15-18 - [c19]Antonio Origlia, Antonio Rossi, Maria Laura Chiacchio, Francesco Cutugno:
Cultural Heritage Presentations with a Humanoid Robot Using Implicit Feedback. AVI*CH 2016: 19-22 - [c18]Dario Di Mauro, Davide Maria Calandra, Antonio Origlia, Francesco Cutugno:
PaSt: Human Tracking and Gestures Recognition for Flexible Virtual Environments Management. AVR (2) 2016: 331-347 - [c17]Antonio Origlia, Francesco Cutugno:
Combining Energy and Cross-Entropy Analysis for Nuclear Segments Detection. INTERSPEECH 2016: 2958-2962 - 2015
- [c16]Petra Wagner, Antonio Origlia, Cinzia Avesani, George Christodoulides, Francesco Cutugno, Mariapaola D'Imperio, David Escudero Mancebo, Barbara Gili Fivela, Anne Lacheret, Bogdan Ludusan, Helena Moniz, Ailbhe Ní Chasaide, Oliver Niebuhr, Lucie Rousier-Vercruyssen, Anne-Catherine Simon, Juraj Simko, Fabio Tesser, Martti Vainio:
Different parts of the same elephant: A roadmap to disentangle and connect different perspectives on prosodic prominence. ICPhS 2015 - [c15]Alessandra Rossi, Mariacarla Staffa, Antonio Origlia, Silvia Rossi:
An analysis of perceptual cues in robot group selection tasks. RO-MAN 2015: 588-593 - [c14]Bogdan Ludusan, Antonio Origlia, Emmanuel Dupoux:
Rhythm-Based Syllabic Stress Learning Without Labelled Data. SLSP 2015: 185-196 - 2014
- [j2]Antonio Origlia, Francesco Cutugno, Vincenzo Galatà:
Continuous emotion recognition with phonetic syllables. Speech Commun. 57: 155-169 (2014) - [c13]Antonio Origlia, Vincenzo Galatà, Francesco Cutugno:
Introducing context in syllable based emotion tracking. CogInfoCom 2014: 337-342 - 2013
- [j1]Antonio Origlia, Giovanni Abete, Francesco Cutugno:
A dynamic tonal perception model for optimal pitch stylization. Comput. Speech Lang. 27(1): 190-208 (2013) - [c12]Davide Maria Calandra, Antonio Caso, Francesco Cutugno, Antonio Origlia, Silvia Rossi:
CoWME: a general framework to evaluate cognitive workload during multimodal interaction. ICMI 2013: 111-118 - 2012
- [c11]Francesco Cutugno, Antonio Origlia, Roberto Rinaldi:
Multimodal Interaction with Emotional Feedback. PAI 2012: 27-34 - [c10]Francesco Cutugno, Enrico Leone, Bogdan Ludusan, Antonio Origlia:
Investigating syllabic prominence with Conditional Random Fields and Latent-Dynamic Conditional Random Fields. INTERSPEECH 2012: 2402-2405 - [c9]Antonio Origlia, Iolanda Alfano:
Prosomarker: a prosodic analysis tool based on optimal pitch stylization and automatic syllabi fication. LREC 2012: 997-1002 - [c8]Francesco Cutugno, Vincenza Anna Leano, Antonio Origlia:
W-PhAMT: A web tool for phonetic multilevel timeline visualization. LREC 2012: 4127-4131 - [c7]Gelareh Mohammadi, Antonio Origlia, Maurizio Filippone, Alessandro Vinciarelli:
From speech to personality: mapping voice quality and intonation into personality differences. ACM Multimedia 2012: 789-792 - [c6]Salvatore Iengo, Antonio Origlia, Mariacarla Staffa, Alberto Finzi:
Attentional and emotional regulation in human-robot interaction. RO-MAN 2012: 1135-1140 - 2011
- [c5]Alessandro Vinciarelli, Hugues Salamin, Anna Polychroniou, Gelareh Mohammadi, Antonio Origlia:
From Nonverbal Cues to Perception: Personality and Social Attractiveness. COST 2102 Training School 2011: 60-72 - [c4]Francesco Cutugno, Antonio Origlia, Dino Seppi:
EVALITA 2011: Forced Alignment Task. EVALITA 2011: 305-311 - [c3]Antonio Origlia, Giovanni Abete, Francesco Cutugno, Iolanda Alfano, Renata Savy, Bogdan Ludusan:
A Divide et impera Algorithm for Optimal Pitch Stylization. INTERSPEECH 2011: 1993-1996 - [c2]Bogdan Ludusan, Antonio Origlia, Francesco Cutugno:
On the Use of the Rhythmogram for Automatic Syllabic Prominence Detection. INTERSPEECH 2011: 2413-2416
2000 – 2009
- 2007
- [c1]Antonio Calabrese, Carlo Coppola, Salvatore Masecchia, Francesco Mele, Antonio Origlia, Antonio Sorgente, Oliviero Talamo:
Towards a Formal Approach to Generative Design: An Assistant System for the Creation of Artefact Models. BVAI 2007: 468-479
Coauthor Index
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last updated on 2024-12-12 21:56 CET by the dblp team
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