default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDPhilippe Pasquier
Person information
- affiliation: Simon Fraser University, School of Interactive Arts and Technology, British Columbia, Canada
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
showing all ?? records
Books and Theses
- 2005
[b1]Philippe Pasquier:
Aspects cognitifs des dialogues entre agents artificiels : l'approche par la cohérence cognitive. (Cognitive Aspects of Agent Communication: The Cognitive Coherence Approach). Laval University, Québec City, Quebec, Canada, 2005
Journal Articles
- 2024
- [j24]Arshia Sobhan
, Philippe Pasquier, Adam R. Tindale:
Unveiling New Artistic Dimensions in Calligraphic Arabic Script with Generative Adversarial Networks. Proc. ACM Comput. Graph. Interact. Tech. 7(4): 61:1-61:12 (2024) - [j23]Cale Plut, Philippe Pasquier, Jeff Ens, Renaud Bougueng:
PreGLAM: A Predictive Gameplay-Based Layered Affect Model. IEEE Trans. Games 16(3): 497-508 (2024) - 2023
- [j22]Arron Ferguson, Carlos Castellanos, Philippe Pasquier:
Digital music interventions for stress with bio-sensing: a survey. Frontiers Comput. Sci. 5 (2023) - 2022
- [j21]Cale Plut, Philippe Pasquier, Jeff Ens, Renaud Bougueng Tchemeube:
The IsoVAT Corpus: Parameterization of Musical Features for Affective Composition. Trans. Int. Soc. Music. Inf. Retr. 5(1): 173-189 (2022) - 2021
- [j20]Kivanç Tatar, Daniel Bisig, Philippe Pasquier:
Latent Timbre Synthesis. Neural Comput. Appl. 33(1): 67-84 (2021) - 2020
- [j19]Cale Plut, Philippe Pasquier:
Generative music in video games: State of the art, challenges, and prospects. Entertain. Comput. 33: 100337 (2020) - 2016
- [j18]Oliver Bown, Arne Eigenfeldt, Philippe Pasquier, Shlomo Dubnov:
Special Issue on Musical Metacreation, Part I. Comput. Entertain. 14(2): 1:1-1:2 (2016) - [j17]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Shlomo Dubnov:
An Introduction to Musical Metacreation. Comput. Entertain. 14(2): 2:1-2:14 (2016) - [j16]Oliver Bown, Arne Eigenfeldt, Philippe Pasquier, Shlomo Dubnov:
Special Issue on Musical Metacreation, Part II. Comput. Entertain. 14(3): 1:1-1:3 (2016) - [j15]Uros Krcadinac, Jelena Jovanovic, Vladan Devedzic, Philippe Pasquier:
Textual Affect Communication and Evocation Using Abstract Generative Visuals. IEEE Trans. Hum. Mach. Syst. 46(3): 370-379 (2016) - 2015
- [j14]Tiffany Barnes, Oliver Bown, Michael Buro, Michael Cook, Arne Eigenfeldt, Héctor Muñoz-Avila, Santiago Ontañón, Philippe Pasquier, Noriko Tomuro, Robert Michael Young, Alexander Zook:
Reports of the Workshops Held at the Tenth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment. AI Mag. 36(1): 99-102 (2015) - [j13]Laura Lee Coles, Philippe Pasquier:
Digital eco-art: transformative possibilities. Digit. Creativity 26(1): 3-15 (2015) - [j12]Philippe Pasquier:
Stochastic interpretation of thermal response test with TRT-SInterp. Comput. Geosci. 75: 73-87 (2015) - [j11]Thecla Schiphorst, Philippe Pasquier:
movingstories, Simon Fraser University. Interactions 22(1): 16-19 (2015) - 2014
- [j10]Antonios Liapis, Michael Cook, Adam M. Smith, Gillian Smith, Alexander Zook, Mei Si, Marc Cavazza, Philippe Pasquier:
Workshops Held at the Ninth Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE): A Report. AI Mag. 35(2): 65-68 (2014) - 2013
- [j9]Oliver Bown, Arne Eigenfeldt, Rania A. Hodhod, Philippe Pasquier, Reid Swanson, Stephen G. Ware, Jichen Zhu:
Reports on the 2012 AIIDE Workshops. AI Mag. 34(1): 90-92 (2013) - [j8]Uros Krcadinac, Philippe Pasquier, Jelena Jovanovic, Vladan Devedzic:
Synesketch: An Open Source Library for Sentence-Based Emotion Recognition. IEEE Trans. Affect. Comput. 4(3): 312-325 (2013) - 2011
- [j7]Philippe Pasquier, Ramon Hollands, Iyad Rahwan, Frank Dignum, Liz Sonenberg:
An empirical study of interest-based negotiation. Auton. Agents Multi Agent Syst. 22(2): 249-288 (2011) - [j6]Nathan Sorenson, Philippe Pasquier, Steve DiPaola:
A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels. IEEE Trans. Comput. Intell. AI Games 3(3): 229-244 (2011) - [j5]Noor Shaker, Julian Togelius, Georgios N. Yannakakis, Ben George Weber, Tomoyuki Shimizu, Tomonori Hashiyama, Nathan Sorenson, Philippe Pasquier, Peter A. Mawhorter, Glen Takahashi, Gillian Smith, Robin Baumgarten:
The 2010 Mario AI Championship: Level Generation Track. IEEE Trans. Comput. Intell. AI Games 3(4): 332-347 (2011) - 2009
- [j4]Iyad Rahwan, Philippe Pasquier, Liz Sonenberg, Frank Dignum:
A formal analysis of interest-based negotiation. Ann. Math. Artif. Intell. 55(3-4): 253-276 (2009) - 2007
- [j3]Roberto A. Flores, Philippe Pasquier, Brahim Chaib-draa:
Conversational semantics sustained by commitments. Auton. Agents Multi Agent Syst. 14(2): 165-186 (2007) - 2006
- [j2]Brahim Chaib-draa, Marc-André Labrie, Mathieu Bergeron, Philippe Pasquier:
DIAGAL: An Agent Communication Language Based on Dialogue Games and Sustained by Social Commitments. Auton. Agents Multi Agent Syst. 13(1): 61-95 (2006) - 2005
- [j1]Philippe Pasquier, Brahim Chaib-draa:
Agent communication pragmatics: the cognitive coherence approach. Cogn. Syst. Res. 6(4): 364-395 (2005)
Conference and Workshop Papers
- 2024
- [c117]Ahmed M. Abuzuraiq, Philippe Pasquier:
Towards Personalizing Generative AI with Small Data for Co-Creation in the Visual Arts. IUI Workshops 2024 - [c116]Tommy Davis, Kasey Pocius, Vincent Cusson, Maxwell Gentili-Morin, Philippe Pasquier:
Embodied eTube Gestures and Agency. MOCO 2024: 22 - 2023
- [c115]Dimiter Zlatkov, Jeff Ens, Philippe Pasquier:
Searching for Human Bias Against AI-Composed Music. EvoMUSART@EvoStar 2023: 308-323 - [c114]Renaud Bougueng Tchemeube, Jeffrey Ens, Cale Plut, Philippe Pasquier, Maryam Safi, Yvan Grabit, Jean-Baptiste Rolland:
Evaluating Human-AI Interaction via Usability, User Experience and Acceptance Measures for MMM-C: A Creative AI System for Music Composition. IJCAI 2023: 5769-5778 - [c113]Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier:
eTud, be: case studies in playing with musical agents. NIME 2023 - 2022
- [c112]Renaud Bougueng Tchemeube, Jeffrey John Ens, Philippe Pasquier:
Calliope: A Co-creative Interface for Multi-Track Music Generation. Creativity & Cognition 2022: 608-611 - [c111]Cale Plut, Philippe Pasquier, Jeff Ens, Renaud Bougueng Tchemeube:
PreGLAM-MMM: Application and evaluation of affective adaptive generative music in video games. FDG 2022: 1:1-1:11 - [c110]Renaud Bougueng Tchemeube, Jeff Ens, Philippe Pasquier:
Calliope: An Online Generative Music System for Symbolic MultiTrack Composition. ICCC 2022: 251-255 - 2021
- [c109]Jeffrey Ens, Philippe Pasquier:
Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical Data. ISMIR 2021: 182-188 - [c108]Notto J. W. Thelle, Philippe Pasquier:
Spire Muse: A Virtual Musical Partner for Creative Brainstorming. NIME 2021 - [c107]Mahsoo Salimi, Philippe Pasquier:
Liminal Tones: Swarm Aesthetics and Materiality in Sound Art. ICSI (1) 2021: 46-57 - 2020
- [c106]Ekaterina R. Stepanova, John Desnoyers-Stewart, Philippe Pasquier, Bernhard E. Riecke:
JeL: Breathing Together to Connect with Others and Nature. Conference on Designing Interactive Systems 2020: 641-654 - [c105]Victor Cheung, Alissa Nicole Antle, Shubhra Sarker, Min Fan, Jianyu Fan, Philippe Pasquier:
Techniques for augmented-tangibles on mobile devices for early childhood learning. IDC 2020: 589-601 - [c104]Mirjana Prpa, Sarah Fdili Alaoui, Thecla Schiphorst, Philippe Pasquier:
Articulating Experience: Reflections from Experts Applying Micro-Phenomenology to Design Research in HCI. CHI 2020: 1-14 - [c103]Mirjana Prpa, Ekaterina R. Stepanova, Thecla Schiphorst, Bernhard E. Riecke, Philippe Pasquier:
Inhaling and Exhaling: How Technologies Can Perceptually Extend our Breath Awareness. CHI 2020: 1-15 - [c102]Jianyu Fan, Yi-Hsuan Yang, Kui Dong, Philippe Pasquier:
A Comparative Study of Western and Chinese Classical Music Based on Soundscape Models. ICASSP 2020: 521-525 - [c101]Jianyu Fan, Eric Nichols, Daniel Tompkins, Ana Elisa Méndez Méndez, Benjamin Elizalde, Philippe Pasquier:
Multi-Label Sound Event Retrieval Using A Deep Learning-Based Siamese Structure With A Pairwise Presence Matrix. ICASSP 2020: 3482-3486 - 2019
- [c100]John Desnoyers-Stewart, Ekaterina R. Stepanova, Philippe Pasquier, Bernhard E. Riecke:
JeL: Connecting Through Breath in Virtual Reality. CHI Extended Abstracts 2019 - [c99]Min Fan, Jianyu Fan, Alissa Nicole Antle, Sheng Jin, Dongxu Yin, Philippe Pasquier:
Character Alive: A Tangible Reading and Writing System for Chinese Children At-risk for Dyslexia. CHI Extended Abstracts 2019 - [c98]Ahmed M. Abuzuraiq, Aaron Ferguson, Philippe Pasquier:
Taksim: A Constrained Graph Partitioning Framework for Procedural Content Generation. CoG 2019: 1-8 - [c97]Cale Plut, Philippe Pasquier:
Music Matters: An empirical study on the effects of adaptive music on experienced and perceived player affect. CoG 2019: 1-8 - [c96]Jeffrey Ens, Philippe Pasquier:
Quantifying Musical Style: Ranking Symbolic Music based on Similarity to a Style. ISMIR 2019: 870-877 - [c95]Jeffrey Ens, Mika Hämäläinen, Jack Rueter, Philippe Pasquier:
Morphosyntactic Disambiguation in an Endangered Language Setting. NODALIDA 2019: 345-349 - 2018
- [c94]Mirjana Prpa, Kivanç Tatar, Jules Françoise, Bernhard E. Riecke, Thecla Schiphorst, Philippe Pasquier:
Attending to Breath: Exploring How the Cues in a Virtual Environment Guide the Attention to Breath and Shape the Quality of Experience to Support Mindfulness. Conference on Designing Interactive Systems 2018: 71-84 - [c93]Min Fan, Jianyu Fan, Sheng Jin, Alissa Nicole Antle, Philippe Pasquier:
EmoStory: A Game-based System Supporting Children's Emotional Development. CHI Extended Abstracts 2018 - [c92]Mirjana Prpa, Thecla Schiphorst, Kivanç Tatar, Philippe Pasquier:
Respire: a Breath Away from the Experience in Virtual Environment. CHI Extended Abstracts 2018 - [c91]Kivanç Tatar, Philippe Pasquier, Remy Siu:
REVIVE: An Audio-visual Performance with Musical and Visual AI Agents. CHI Extended Abstracts 2018 - [c90]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier:
Automatic Prediction of Cybersickness for Virtual Reality Games. GEM 2018: 1-9 - [c89]Jeffrey Ens, Philippe Pasquier:
CAEMSI : A Cross-Domain Analytic Evaluation Methodology for Style Imitation. ICCC 2018: 64-71 - [c88]Jeffrey Ens, Philippe Pasquier:
MIDI Database and Representation Manager for Deep Learning. ICCC 2018: 304 - [c87]Ewelina Bakala, Yaying Zhang, Philippe Pasquier:
MAVi: A Movement Aesthetic Visualization Tool for dance video making and prototyping. MOCO 2018: 11:1-11:5 - [c86]William Li, Omid Alemi, Jianyu Fan, Philippe Pasquier:
Ranking-Based Affect Estimation of Motion Capture Data in the Valence-Arousal Space. MOCO 2018: 18:1-18:8 - 2017
- [c85]Jianyu Fan, Miles Thorogood, Philippe Pasquier:
Emo-soundscapes: A dataset for soundscape emotion recognition. ACII 2017: 196-201 - [c84]Mathew Gingold, Thecla Schiphorst, Philippe Pasquier:
Never Alone: A Video Agents Based Generative Audio-Visual Installation. CHI Extended Abstracts 2017: 1425-1430 - [c83]Jim Bizzocchi, Arne Eigenfeldt, Philippe Pasquier, Jianyu Fan, Le Fang:
Berlin Remix. EVA 2017 - [c82]Jianyu Fan, Philippe Pasquier, Luciane Maria Fadel, Jim Bizzocchi:
ViVid: A Video Feature Visualization Engine. HCI (20) 2017: 42-53 - [c81]Mirjana Prpa, Kivanç Tatar, Bernhard E. Riecke, Philippe Pasquier:
The Pulse Breath Water System: Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality. HCI (10) 2017: 153-172 - [c80]Jeffrey Ens, Bernhard E. Riecke, Philippe Pasquier:
The Significance of the Low Complexity Dimension in Music Similarity Judgements. ISMIR 2017: 31-38 - [c79]Jianyu Fan, Kivanç Tatar, Miles Thorogood, Philippe Pasquier:
Ranking-Based Emotion Recognition for Experimental Music. ISMIR 2017: 368-375 - [c78]Omid Alemi, Philippe Pasquier:
WalkNet: A Neural-Network-Based Interactive Walking Controller. IVA 2017: 15-24 - 2016
- [c77]Jianyu Fan, William Li, Jim Bizzocchi, Justine Bizzocchi, Philippe Pasquier:
DJ-MVP: An Automatic Music Video Producer. ACE 2016: 14:1-14:8 - [c76]Philippe Pasquier, Adam Burnett, James B. Maxwell:
Investigating Listener Bias Against Musical Metacreativity. ICCC 2016: 42-51 - [c75]Kristin Carlson, Philippe Pasquier, Herbert H. Tsang, Jordon Phillips, Thecla Schiphorst, Tom Calvert:
CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for Choreography. ICCC 2016: 380-387 - [c74]Carl Malmstrom, Yaying Zhang, Philippe Pasquier, Thecla Schiphorst, Lyn Bartram:
MoComp: A Tool for Comparative Visualization between Takes of Motion Capture Data. MOCO 2016: 11:1-11:8 - [c73]William Li, Lyn Bartram, Philippe Pasquier:
Techniques and Approaches in Static Visualization of Motion Capture Data. MOCO 2016: 14:1-14:8 - [c72]William Li, Philippe Pasquier:
Automatic Affect Classification of Human Motion Capture Sequences in the Valence-Arousal Model. MOCO 2016: 15:1-15:8 - [c71]Ulysses Bernardet, Dhruv Adhia, Norman Jaffe, Johnty Wang, Michael Nixon, Omid Alemi, Jordon Phillips, Steve DiPaola, Philippe Pasquier, Thecla Schiphorst:
m+m: A novel Middleware for Distributed, Movement based Interactive Multimedia Systems. MOCO 2016: 21:1-21:9 - 2015
- [c70]Omid Alemi, William Li, Philippe Pasquier:
Affect-expressive movement generation with factored conditional Restricted Boltzmann Machines. ACII 2015: 442-448 - [c69]Jianyu Fan, Miles Thorogood, Bernhard E. Riecke, Philippe Pasquier:
Automatic Recognition of Eventfulness and Pleasantness of Soundscape. Audio Mostly Conference 2015: 12:1-12:6 - [c68]Miles Thorogood, Jianyu Fan, Philippe Pasquier:
BF-Classifier: Background/Foreground Classification and Segmentation of Soundscape Recordings. Audio Mostly Conference 2015: 32:1-32:6 - [c67]Shannon Cuykendall, Michael J. Junokas, Mohammad Amanzadeh, David K. Tcheng, Yawen Wang, Thecla Schiphorst, Guy E. Garnett, Philippe Pasquier:
Hearing movement: how taiko can inform automatic recognition of expressive movement qualities. MOCO 2015: 140-147 - 2014
- [c66]Philippe Pasquier:
Organizers. MUME@AIIDE 2014 - [c65]Philippe Pasquier, Arne Eigenfeldt, Oliver Roland Bown:
Preface. MUME@AIIDE 2014 - [c64]Diego Silang Maranan, Sarah Fdili Alaoui, Thecla Schiphorst, Philippe Pasquier, Pattarawut Subyen, Lyn Bartram:
Designing for movement: evaluating computational models using LMA effort qualities. CHI 2014: 991-1000 - [c63]Matthieu Macret, Philippe Pasquier:
Automatic design of sound synthesizers as pure data patches using coevolutionary mixed-typed cartesian genetic programming. GECCO 2014: 309-316 - [c62]Omid Alemi, Philippe Pasquier, Chris Shaw:
Mova: Interactive Movement Analytics Platform. MOCO 2014: 37 - 2013
- [c61]Christopher Anderson, Arne Eigenfeldt, Philippe Pasquier:
The Generative Electronic Dance Music Algorithmic System (GEDMAS). MUME@AIIDE 2013 - [c60]Oliver Roland Bown, Arne Eigenfeldt, Aengus Martin, Benjamin Carey, Philippe Pasquier:
The Musical Metacreation Weekend: Challenges Arising from the Live Presentation of Musically Metacreative Systems. MUME@AIIDE 2013 - [c59]Arne Eigenfeldt, Oliver Bown, Philippe Pasquier, Aengus Martin:
Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend. MUME@AIIDE 2013 - [c58]Philippe Pasquier:
Organizers. MUME@AIIDE 2013 - [c57]Benjamin D. R. Bogart, Philippe Pasquier, Steven J. Barnes:
An integrative theory of visual mentation and spontaneous creativity. Creativity & Cognition 2013: 264-273 - [c56]Benjamin David Robert Bogart, Philippe Pasquier:
Dreaming machine #3 (prototype 2). Creativity & Cognition 2013: 408-409 - [c55]Pattarawut Subyen, Thecla Schiphorst, Philippe Pasquier:
EMVIZ (flow): An Artistic Tool for Visualising Movement Quality. EVA 2013 - [c54]Arne Eigenfeldt, Philippe Pasquier:
Evolving structures for electronic dance music. GECCO 2013: 319-326 - [c53]Miles Thorogood, Philippe Pasquier:
Computationally Created Soundscapes with Audio Metaphor. ICCC 2013: 1-7 - [c52]Arne Eigenfeldt, Philippe Pasquier:
Considering Vertical and Horizontal Context in Corpus-based Generative Electronic Dance Music. ICCC 2013: 72-78 - [c51]Nicolas Gonzalez Thomas, Philippe Pasquier, Arne Eigenfeldt, James B. Maxwell:
A Methodology for the Comparison of Melodic Generation Models Using Meta-Melo. ISMIR 2013: 561-566 - [c50]Miles Thorogood, Philippe Pasquier:
Impress: A Machine Learning Approach to Soundscape Affect Classification for a Music Performance Environment. NIME 2013: 256-260 - 2012
- [c49]Philippe Pasquier:
Organizing Committee. MUME@AIIDE 2012 - [c48]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Preface. MUME@AIIDE 2012 - [c47]Arne Eigenfeldt, Philippe Pasquier:
Populations of Populations: Composing with Multiple Evolutionary Algorithms. EvoMUSART 2012: 72-83 - [c46]Adam Burnett, Evon Khor, Philippe Pasquier, Arne Eigenfeldt:
Validation of Harmonic Progression Generator Using Classical Music. ICCC 2012: 126-133 - [c45]Arne Eigenfeldt, Philippe Pasquier, Adam Burnett:
Evaluating Musical Metacreation. ICCC 2012: 140-144 - [c44]James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier:
Manuscore: Music Notation-Based Computer Assisted Composition. ICMC 2012 - [c43]Matthieu Macret, Alissa Nicole Antle, Philippe Pasquier:
Can a paper-based sketching interface improve the gamer experience in strategy computer games? IHCI 2012: 1-6 - 2011
- [c42]Justin Love, Philippe Pasquier, B. Wyvill, Steve Gibson, George Tzanetakis:
Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. CAe 2011: 47-54 - [c41]Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram:
EMVIZ: The Poetics of Movement Quality Visualization. CAe 2011: 121-128 - [c40]Arne Eigenfeldt, Philippe Pasquier:
A Sonic Eco-System of Self-Organising Musical Agents. EvoApplications (2) 2011: 283-292 - [c39]Arne Eigenfeldt, Philippe Pasquier:
Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound. ICCC 2011: 27-32 - [c38]Kristin Carlson, Thecla Schiphorst, Philippe Pasquier:
Scuddle: Generating Movement Catalysts for Computer-Aided Choreography. ICCC 2011: 123-128 - [c37]Stephen Makonin, Philippe Pasquier, Lyn Bartram:
Elements of Consumption: An Abstract Visualization of Household Consumption. Smart Graphics 2011: 194-198 - 2010
- [c36]Erick Martínez, Ivan Kwiatkowski, Philippe Pasquier:
Towards a Model of Social Coherence in Multi-agent Organizations. COIN@AAMAS&MALLOW 2010: 114-131 - [c35]Pooyan Fazli, Alireza Davoodi, Philippe Pasquier, Alan K. Mackworth:
Multi-robot area coverage with limited visibility. AAMAS 2010: 1501-1502 - [c34]Nathan Sorenson, Philippe Pasquier:
Towards a Generic Framework for Automated Video Game Level Creation. EvoApplications (1) 2010: 131-140 - [c33]Arne Eigenfeldt, Philippe Pasquier:
Realtime Generation of Harmonic Progressions Using Constrained Markov Selection. ICCC 2010: 16-25 - [c32]Nathan Sorenson, Philippe Pasquier:
The Evolution of Fun: Automatic Level Design Through Challenge Modeling. ICCC 2010: 258-267 - [c31]Carlos Castellanos, Diane Gromala, Philippe Pasquier:
Heterogenesis: Collectively emergent autonomy. ICME 2010: 1606-1611 - [c30]Pooyan Fazli, Alireza Davoodi, Philippe Pasquier, Alan K. Mackworth:
Complete and robust cooperative robot area coverage with limited range. IROS 2010: 5577-5582 - [c29]Michael Nixon, Philippe Pasquier, Magy Seif El-Nasr:
DelsArtMap: Applying Delsarte's Aesthetic System to Virtual Agents. IVA 2010: 139-145 - [c28]Sungkuk Chun, Andrew Hawryshkewich, Keechul Jung, Philippe Pasquier:
Freepad: A Custom Paper-based MIDI Interface. NIME 2010: 31-36 - [c27]Andrew Hawryshkewich, Philippe Pasquier, Arne Eigenfeldt:
Beatback: A Real-time Interactive Percussion System for Rhythmic Practise and Exploration. NIME 2010: 100-105 - 2009
- [c26]Jack Stockholm, Philippe Pasquier:
Reinforcement Learning of Listener Response for Mood Classification of Audio. CSE (4) 2009: 849-853 - [c25]Arne Eigenfeldt, Philippe Pasquier:
Realtime Selection of Percussion Samples Through Timbral Similarity in Max/MSP. ICMC 2009 - [c24]James B. Maxwell, Philippe Pasquier, Arne Eigenfeldt:
Hierarchical Sequential Memory for Music: A Cognitive Model. ISMIR 2009: 429-434 - [c23]Ali Nasri Nazif, Alireza Davoodi, Philippe Pasquier:
Multi-Agent Area Coverage Using a Single Query Roadmap: A Swarm Intelligence Approach. PRIMA Workshops 2009: 95-112 - 2008
- [c22]Aaron M. Levisohn, Philippe Pasquier:
BeatBender: subsumption architecture for autonomous rhythm generation. Advances in Computer Entertainment Technology 2008: 51-58 - [c21]Philippe Pasquier, Eunjung Han, Kirak Kim, Keechul Jung:
Shadow agent: a new type of virtual agent. Advances in Computer Entertainment Technology 2008: 71-74 - [c20]Carlos Castellanos, Philippe Pasquier, Luther Thie, Kyu Che:
Biometric tendency recognition and classification system: an artistic approach. DIMEA 2008: 166-173 - [c19]Jack Stockholm, Philippe Pasquier:
Eavesdropping: audience interaction in networked audio performance. ACM Multimedia 2008: 559-568 - [c18]Daghan L. Acay, Liz Sonenberg, Alessandro Ricci, Philippe Pasquier:
How Situated Is Your Agent? A Cognitive Perspective. ProMAS 2008: 136-151 - 2007
- [c17]Philippe Pasquier, Ramon Hollands, Frank Dignum, Iyad Rahwan, Liz Sonenberg:
An empirical study of interest-based negotiation. ICEC 2007: 339-348 - [c16]Iyad Rahwan, Philippe Pasquier, Liz Sonenberg, Frank Dignum:
On the Benefits of Exploiting Underlying Goals in Argument-based Negotiation. AAAI 2007: 116-121 - [c15]Iyad Rahwan, Philippe Pasquier, Liz Sonenberg, Frank Dignum:
On the Benefits of Exploiting Hierarchical Goals in Bilateral Automated Negotiation. ArgMAS 2007: 18-30 - [c14]Philippe Pasquier, Ramon Hollands, Frank Dignum, Iyad Rahwan, Liz Sonenberg:
Exploiting Hierarchical Goals in Bilateral Automated Negotiation: Empirical Study. AMEC/TADA 2007: 46-61 - 2006
- [c13]Philippe Pasquier, Brahim Chaib-draa:
Integrating Social Commitment-Based Communication in Cognitive Agent Modeling. AC 2006: 76-92 - [c12]Philippe Pasquier, Iyad Rahwan, Frank Dignum, Liz Sonenberg:
Argumentation and Persuasion in the Cognitive Coherence Theory: Preliminary Report. ArgMAS 2006: 193-210 - [c11]Philippe Pasquier, Roberto A. Flores, Brahim Chaib-draa:
An ontology of social control tools. AAMAS 2006: 1369-1371 - [c10]Philippe Pasquier, Brahim Chaib-draa:
Modelling the links between social commitments and individual intentions. AAMAS 2006: 1372-1374 - [c9]Philippe Pasquier, Iyad Rahwan, Frank Dignum, Liz Sonenberg:
Argumentation and Persuasion in the Cognitive Coherence Theory. COMMA 2006: 223-234 - [c8]Philippe Pasquier, Frank Dignum, Iyad Rahwan, Liz Sonenberg:
Interest-Based Negotiation as an Extension of Monotonic Bargaining in 3APL. PRIMA 2006: 327-338 - 2005
- [c7]Roberto A. Flores, Philippe Pasquier, Brahim Chaib-draa:
Layered message semantics using social commitments. AAMAS 2005: 1323-1324 - 2004
- [c6]Roberto A. Flores, Philippe Pasquier, Brahim Chaib-draa:
Conversational Semantics with Social Commitments. AC 2004: 18-32 - [c5]Philippe Pasquier, Roberto A. Flores, Brahim Chaib-draa:
Modelling Flexible Social Commitments and Their Enforcement. ESAW 2004: 139-151 - [c4]Philippe Pasquier, Mathieu Bergeron, Brahim Chaib-draa:
DIAGAL: A Generic ACL for Open Systems. ESAW 2004: 152-165 - 2003
- [c3]Philippe Pasquier, Nicolas Andrillon, Marc-André Labrie, Brahim Chaib-draa:
An Exploration in Using Cognitive Coherence Theory to Automate BDI Agents' Communicational Behavior. Workshop on Agent Communication Languages 2003: 37-58 - [c2]Philippe Pasquier, Brahim Chaib-draa:
The cognitive coherence approach for agent communication pragmatics. AAMAS 2003: 544-551 - 2002
- [c1]Philippe Pasquier, Brahim Chaib-draa:
Cohérence et conversations entre agents: vers un modèle basé sur la consonance cognitive. JFSMA 2002: 189-204
Parts in Books or Collections
- 2019
- [p1]Mirjana Prpa, Philippe Pasquier:
Brain-Computer Interfaces in Contemporary Art: A State of the Art and Taxonomy. Brain Art 2019: 65-115
Editorship
- 2015
- [e5]Sarah Fdili Alaoui, Philippe Pasquier, Thecla Schiphorst, Jules Françoise, Frédéric Bevilacqua:
Proceedings of the 2nd International Workshop on Movement and Computing, MOCO 2015, Vancouver, British Columbia, Canada, August 14-15, 2015. ACM 2015, ISBN 978-1-4503-3457-0 [contents] - 2014
- [e4]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Musical Metacreation, Papers from the 2014 AIIDE Workshop, October 4, 2014, Raleigh, NC, USA. AAAI Technical Report WS-14-18, AAAI Press 2014 [contents] - [e3]Frédéric Bevilacqua, Sarah Fdili Alaoui, Jules Françoise, Philippe Pasquier, Thecla Schiphorst:
International Workshop on Movement and Computing, MOCO '14, Paris, France, June 16-17, 2014. ACM 2014, ISBN 978-1-4503-2814-2 [contents] - 2013
- [e2]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Graeme McCaig:
Musical Metacreation, Papers from the 2013 AIIDE Workshop, October 14-15, 2013, Boston, Massachusetts, USA. AAAI Technical Report WS-13-22, AAAI Press 2013 [contents] - 2012
- [e1]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Musical Metacreation, Papers from the 2012 AIIDE Workshop, October 9, 2012, Stanford University, Palo Alto, California, USA. AAAI Technical Report WS-12-16, AAAI Press 2012 [contents]
Informal and Other Publications
- 2024
- [i10]Ahmed M. Abuzuraiq, Philippe Pasquier:
Seizing the Means of Production: Exploring the Landscape of Crafting, Adapting and Navigating Generative AI Models in the Visual Arts. CoRR abs/2404.17688 (2024) - 2023
- [i9]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Ghassan Hamarneh:
Invisible Users: Uncovering End-Users' Requirements for Explainable AI via Explanation Forms and Goals. CoRR abs/2302.06609 (2023) - 2022
- [i8]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Xiaoxiao Li, Ghassan Hamarneh:
Transcending XAI Algorithm Boundaries through End-User-Inspired Design. CoRR abs/2208.08739 (2022) - 2021
- [i7]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Ghassan Hamarneh:
EUCA: A Practical Prototyping Framework towards End-User-Centered Explainable Artificial Intelligence. CoRR abs/2102.02437 (2021) - 2020
- [i6]Jianyu Fan, Yi-Hsuan Yang, Kui Dong, Philippe Pasquier:
A Comparative Study of Western and Chinese Classical Music based on Soundscape Models. CoRR abs/2002.09021 (2020) - [i5]Jianyu Fan, Eric Nichols, Daniel Tompkins, Ana Elisa Méndez Méndez, Benjamin Elizalde, Philippe Pasquier:
Multi-label Sound Event Retrieval Using a Deep Learning-based Siamese Structure with a Pairwise Presence Matrix. CoRR abs/2002.09026 (2020) - [i4]Jeffrey Ens, Philippe Pasquier:
Quantifying Musical Style: Ranking Symbolic Music based on Similarity to a Style. CoRR abs/2003.06226 (2020) - [i3]Kivanç Tatar, Daniel Bisig, Philippe Pasquier:
Introducing Latent Timbre Synthesis. CoRR abs/2006.00408 (2020) - [i2]Jeffrey Ens, Philippe Pasquier:
MMM : Exploring Conditional Multi-Track Music Generation with the Transformer. CoRR abs/2008.06048 (2020) - 2019
- [i1]Omid Alemi, Philippe Pasquier:
Machine Learning for Data-Driven Movement Generation: a Review of the State of the Art. CoRR abs/1903.08356 (2019)
Coauthor Index
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
Unpaywalled article links
Add open access links from 
to the list of external document links (if available).
Privacy notice: By enabling the option above, your browser will contact the API of unpaywall.org to load hyperlinks to open access articles. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Unpaywall privacy policy.
Archived links via Wayback Machine
For web page which are no longer available, try to retrieve content from the 
of the Internet Archive (if available).
Privacy notice: By enabling the option above, your browser will contact the API of archive.org to check for archived content of web pages that are no longer available. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Internet Archive privacy policy.
Reference lists
Add a list of references from 
, 
, and 
to record detail pages.
load references from crossref.org and opencitations.net
Privacy notice: By enabling the option above, your browser will contact the APIs of crossref.org, opencitations.net, and semanticscholar.org to load article reference information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the Crossref privacy policy and the OpenCitations privacy policy, as well as the AI2 Privacy Policy covering Semantic Scholar.
Citation data
Add a list of citing articles from and to record detail pages.
load citations from opencitations.net
Privacy notice: By enabling the option above, your browser will contact the API of opencitations.net and semanticscholar.org to load citation information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the OpenCitations privacy policy as well as the AI2 Privacy Policy covering Semantic Scholar.
OpenAlex data
Load additional information about publications from 
.
Privacy notice: By enabling the option above, your browser will contact the API of openalex.org to load additional information. Although we do not have any reason to believe that your call will be tracked, we do not have any control over how the remote server uses your data. So please proceed with care and consider checking the information given by OpenAlex.
last updated on 2025-01-09 13:04 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
