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ORCIDMargaret Schedel
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- affiliation: Stony Brook University, NY, USA
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2020 – today
- 2021
[c11]Margaret Schedel, Brian Smith, Robert Cosgrove, Nick Hwang:
RhumbLine: Plectrohyla Exquisita - Spatial Listening of Zoomorphic Musical Robots. NIME 2021- [c10]Sofy Yuditskaya, Sophia Sun, Margaret Schedel:
Synthetic Erudition Assist Lattice. NIME 2021 - 2020
- [j12]Margaret Schedel, Sonya Yuditskaya, Susan E. Green:
New Interfaces for Musical Expression (NIME) Conference. Comput. Music. J. 43(2-3): 159-166 (2020)
2010 – 2019
- 2019
- [j11]Mara Helmuth, Judith Shatin, Annea Lockwood, Elizabeth Hoffman, Elsa Justel, Judy Klein, Elizabeth Hinkle-Turner, Laurie Spiegel, Hildegard Westerkamp, Natasha Barrett, Margaret Schedel, Paula Matthusen, Carla A. Scaletti, Katharine Norman, Frances White, Esther Lamneck:
Sound and Video Anthology: Program Notes. Comput. Music. J. 43(4): 110-120 (2019) - [c9]Margaret Schedel, Jocelyn Ho, Matthew Blessing:
Women's Labor: Creating NIMEs from Domestic Tools . NIME 2019: 377-380 - 2018
- [p2]Margaret Schedel:
Color is the Keyboard: Transcoding from Visual to Sonic. The Oxford Handbook of Algorithmic Music 2018 - 2017
- [c8]Emily Beattie, Margaret Schedel:
Inscribing Bodies: Notating Gesture. CMMR 2017: 273-283 - 2013
- [b1]Nick Collins, Margaret Schedel, Scott Wilson:
Electronic Music. Cambridge Introductions to Music, Cambridge University Press 2013, ISBN 978-1-107-64817-3, pp. I-XI, 1-227 - 2012
- [p1]Margaret Schedel:
Electronic music and the studio. The Cambridge Companion to Electronic Music 2012: 24-37 - 2011
- [j10]Margaret Schedel:
Roger T. Dean, Editor: Oxford Handbook of Computer Music. Comput. Music. J. 35(1): 105-107 (2011) - [j9]Margaret Schedel:
Chris Salter: Entangled: Technology and the Transformation of Performance. Comput. Music. J. 35(3): 100-102 (2011) - [c7]Margaret Schedel, Rebecca Fiebrink:
A Demonstration of Bow Articulation Recognition with Wekinator and K-Bow. ICMC 2011 - [c6]Margaret Schedel, Phoenix Perry, Rebecca Fiebrink:
Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic Systems. NIME 2011: 453-456 - 2010
- [c5]Visruth Premraj, Margaret Schedel, Tamara L. Berg:
iWalk: a tool for interacting with geo-located data through movement and gesture. ACM Multimedia 2010: 1059-1062
2000 – 2009
- 2008
- [j8]Margaret Schedel:
Simon Emmerson: Living Electronic Music. Comput. Music. J. 32(4): 83-84 (2008) - [c4]Margaret Schedel, Alison Rootberg:
Scoring the Color of Waiting. ICMC 2008 - [c3]Margaret Schedel, Alison Rootberg, Elizabeth de Martelly:
Scoring an Interactive, Multimedia Performance Work. NIME 2008: 339-342 - 2005
- [j7]Meg Schedel:
The Bifurcators, with "Blue" Gene Tyranny: Like a Bird in the Wilderness. Comput. Music. J. 29(1): 97-98 (2005) - [j6]Meg Schedel:
Cycling '74 radiaL Loop-Based Performance Software. Comput. Music. J. 29(1): 101-103 (2005) - 2004
- [c2]Mara Helmuth, Margaret Schedel, Jennifer Bernard, Ivica Ico Bukvic, Shiau-uen Ding:
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)2 in 2004. ICMC 2004 - 2003
- [j5]Margaret Schedel:
Curtis Roads: Microsound. Comput. Music. J. 27(1): 88-89 (2003) - [j4]Margaret Schedel, John P. Young:
Freight Elevator Quartet: Fix It In Post. Comput. Music. J. 27(1): 94-97 (2003) - [j3]Margaret Schedel, John P. Young:
Interface: ./swank. Comput. Music. J. 27(1): 100-101 (2003) - [j2]Meg Schedel:
Natasha Barrett: Isostasie. Comput. Music. J. 27(4): 98-99 (2003) - 2000
- [j1]John P. Young, Margaret Schedel:
ICMC '99 International Computer Music Conference, Beijing, China, 22-28 October 1999. Comput. Music. J. 24(2): 77-83 (2000)
1990 – 1999
- 1999
- [c1]Margaret Schedel:
The Notation of Interactive Music: Limitations and Solutions. ICMC 1999
Coauthor Index
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