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ORCIDComputer Music Journal, Volume 29
Volume 29, Number 1, Spring 2005
- Brigitte Robindoré:
Forays into Uncharted Territories: An Interview with Curtis Roads. 11-20 - David Bessell:
The Instrumental Remodeling of Elements of Musical Electronics in Moon Veiled by Clouds. 21-33 - Fabien Gouyon
, Simon Dixon:
A Review of Automatic Rhythm Description Systems. 34-54 - Bill Z. Manaris, Juan Romero, Penousal Machado, Dwight Krehbiel, Timothy Hirzel, Walter Pharr, Robert B. Davis:
Zipf's Law, Music Classification, and Aesthetics. 55-69 - Goffredo Haus, Maurizio Longari:
A Multi-Layered, Time-Based Music Description Approach Based on XML. 70-85 - Edward Childs:
International Conference on Auditory Display 2004: Listening to the Mind Listening Sydney, Australia, 6-9 July 2004. 86-89 - M. J. Grant:
Helga de la Motte-Haber, Editor: Klangkunst: Tönende Objekte und klingende Räume. 89-91 - Eliot Handelman:
David Cope: Virtual Bach. 91-96 - Mark Wagy:
Halou: Wholeness E.P. 96-97 - Meg Schedel:
The Bifurcators, with "Blue" Gene Tyranny: Like a Bird in the Wilderness. 97-98 - Mark Wagy:
Various: Foro De Comunicaciones Electroacústicas Vol. III. 98-99 - Jim Hearon:
Musical Dice Games. 99-100 - Jim Hearon:
Lexikon Musikautomaten: Die Welt der selbstspielenden Musikinstrumente. 100-101 - Meg Schedel:
Cycling '74 radiaL Loop-Based Performance Software. 101-103
Volume 29, Number 2, Summer 2005
- Fernando Benadon:
An Interview with Martin Matalon. 13-22 - Gil Weinberg:
Interconnected Musical Networks: Toward a Theoretical Framework. 23-39 - Christopher Ariza:
The Xenakis Sieve as Object: A New Model and a Complete Implementation. 40-60 - Elaine Chew, Yun-Ching Chen:
Real-Time Pitch Spelling Using the Spiral Array. 61-76 - Andrew Marshall:
Workshop in Algorithmic Computer Music 2004 Music Center, University of California, Santa Cruz, USA; 25 June-9 July 2004. 77-78 - Carley Tanoue:
Fourth MUSICNETWORK Open Workshop Universitat Pompeu Fabra, Barcelona, Spain; 15-16 September 2004. 78-80 - Jim Phelps:
Electronic Music Midwest Festival Lewis University, Romeoville, Illinois, USA; 16-18 September 2004. 80-81 - Larry Heyl:
James Dashow: 60th Birthday USA Concert Tour College Park, Maryland; Ann Arbor, Michigan; Champaign, Illinois; Seattle, Washington; Eugene, Oregon; Berkeley, California; Dominguez Hills, California; Albuquerque, New Mexico; 14-20 October 2004. 82-83 - Ian Whalley:
International Computer Music Conference 2004: Papers. 83-87 - Dan Hosken:
International Computer Music Conference 2004: Concerts University of Miami, Coral Gables, Florida, USA; 16 November 2004. 88-91 - Bob L. Sturm:
Lutz Trautmann and Rudolf Rabenstein: Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method. 91-93 - Margaret Cahill:
Bill Purse: The PrintMusic! Primer - Mastering the Art of Music Notation with Finale PrintMusic! 93-94 - Patricia L. Dirks:
Robert Normandeau: Claire de terre. 94-96 - Ross Feller:
Neil Leonard: Timaeus. 96-97 - Steven M. Miller:
Chris Brown: Talking Drum. 97-99 - Margaret Cahill:
CreativeSynth/Cycling '74: MODE Plug-Ins. 99-103 - Eric S. Strother:
DVD Creation/Duplication Software. 103-105
Volume 29, Number 3, Fall 2005
- Christine Anderson:
Dynamic Networks of Sonic Interactions: An Interview with Agostino Di Scipio. 11-28 - Mikael Laurson, Vesa Norilo, Mika Kuuskankare:
PWGLSynth: A Visual Synthesis Language for Virtual Instrument Design and Control. 29-41 - Steffen Brandorff, Morten Lindholm, Henrik Bærbak Christensen:
A Tutorial on Design Patterns for Music Notation Software. 42-54 - Jônatas Manzolli, Paul F. M. J. Verschure:
Roboser: A Real-World Composition System. 55-74 - Arun Shenoy, Ye Wang:
Key, Chord, and Rhythm Tracking of Popular Music Recordings. 75-86 - Wibke Bantelmann:
trans_canada Festival: Trends in Acousmatics and Soundscapes. 87-88 - Elizabeth Hinkle-Turner:
Judy Malloy, Editor: Women, Art, and Technology. 88-91 - Dave Phillips:
Heinrich K. Taube: Notes from the Metalevel: Introduction to Algorithmic Music Composition. 91-93 - Ian Whalley:
Mike E. Collins: A Professional Guide to Audio Plug-Ins and Virtual Instruments. 93-94 - James Harley:
Paul D. Miller aka DJ Spooky That Subliminal Kid: Rhythm Science. 94-96 - Ian Whalley:
Christoph Cox and Daniel Warner, Editors: Audio Culture: Readings in Modern Music. 96-98 - James Harley:
An Anthology of Noise & Electronic Music/First A-chronology 1921-2001, Volume #1; Second A-chronology 1936-2003, Volume #2; Third A-chronology 1952-2004, Volume #3. 98-104 - Barry Moon:
Electrotap Teabox Sensor Interface. 104-106 - Eric S. Strother:
Sony Media Acid 5.0 Music Studio and Acid 5.0 Pro. 106-108
Volume 29, Number 4, Winter 2005
- Brett Terry:
Editor's Notes. 4
- Brian Evans:
Foundations of a Visual Music. 11-24 - Roger B. Dannenberg:
Interactive Visual Music: A Personal Perspective. 25-35 - Jøran Rudi:
Computer Music Video: A Composer's Perspective. 36-44 - Bill Alves:
Digital Harmony of Sound and Light. 45-54 - Randy Jones, Ben Nevile:
Creating Visual Music in Jitter: Approaches and Techniques. 55-70 - Joyce Shintani:
Multimedia Festival Transmediale 05 in Berlin International Media Art Festival, Haus der Kulturen der Welt, Berlin, Germany, 4-8 February 2005. 71-73 - A. William Smith:
3rd Spark Festival of Electronic Music and Art School of Music, University of Minnesota, Minneapolis, Minnesota, USA, 16-20 February 2005. 74-75 - Alexia Rosari:
Amnon Wolman, Ron Kuivila, Phill Niblock: Sound Art at Gasp Neil Leonard, Curator, Gallery Artists Studio Projects, Brookline, Massachusetts, USA, 4/5, 12, 19 March 2005. 75-77 - Larry Austin:
14th Florida Electroacoustic Music Festival, 2005 Black Box Theater, Phillips Center for the Performing Arts, University of Florida, Gainesville, Florida, USA, 7-9 April 2005. 77-82 - James Harley:
Trevor Pinch and Frank Trocco: Analog Days: The Invention and Impact of the Moog Synthesizer. 82-84 - Laurie Radford:
Esther Lamneck: Tárogató: A Folk Instrument With a Contemporary Sound. 84-85 - Laurie Radford:
Mario Verandi: orillas distantes/distant shores. 85-87 - Ross Feller:
Bone: Uses Wrist Grab. 87-88 - Steven M. Miller:
Tom Erbe, Chris Mann, Larry Polansky, douglas repetto, Christian Wolff: Trios. 88-90 - Peter V. Swendsen:
Matthew Burtner: Metasaxophone Colossus. 90-92 - Alan Shockley:
Ludger Brümmer, Compositions; Silke Braemer, Videos: Thrill. 92-94 - James Harley:
Hans Fjellestad: Moog. 94-95 - James Harley:
Various: -40, Canadian Propaganda Films of the 1940s Reworked. 95-97 - James Harley:
softVNS 2 Real Time Video Processing and Tracking Software. 97-98
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