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ORCID13th CMMR 2017: Matosinhos, Portugal
- Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad:
Music Technology with Swing - 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers. Lecture Notes in Computer Science 11265, Springer 2018, ISBN 978-3-030-01691-3
Music Information Retrieval, Automatic Recognition, Estimation and Classification
- Enrico Marchetto, Geoffroy Peeters:
Automatic Recognition of Sound Categories from Their Vocal Imitation Using Audio Primitives Automatically Found by SI-PLCA and HMM. 3-22 - Ali Nikrang
, David R. W. Sears, Gerhard Widmer:
Automatic Estimation of Harmonic Tension by Distributed Representation of Chords. 23-34 - Tiago Fernandes Tavares, Juliano Henrique Foleiss:
Automatic Music Genre Classification in Small and Ethnic Datasets. 35-48 - Haukur Pálmason, Björn Þór Jónsson, Markus Schedl, Peter Knees:
Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts. 49-62 - Elio Quinton, Florabelle Spielmann, Bob L. Sturm:
Exploring Trends in Trinidad Steelband Music Through Computational Ethnomusicology. 63-75 - Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
k-Best Unit Selection Strategies for Musical Concatenative Synthesis. 76-97
Electronic Dance Music and Rhythm
- Peter Vuust:
Groove on the Brain. 101-110 - Patricio López-Serrano, Christian Dittmar, Meinard Müller:
Finding Drum Breaks in Digital Music Recordings. 111-122 - Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Drum Rhythm Spaces: From Global Models to Style-Specific Maps. 123-134 - Carl Haakon Waadeland, Sigurd Saue:
Modulated Swing: Dynamic Rhythm Synthesis by Means of Frequency Modulation. 135-150 - Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes:
A Hierarchical Harmonic Mixing Method. 151-170 - Jason Hockman, Joseph Thibodeau:
Games Without Frontiers: Audio Games for Music Production and Performance. 171-183
Computational Musicology
- F. Amílcar Cardoso:
Autonomous Composition as Search in a Conceptual Space: A Computational Creativity View. 187-198 - Satoshi Tojo, Alan Marsden, Keiji Hirata:
On Linear Algebraic Representation of Time-span and Prolongational Trees. 199-212 - Tatsuro Yamada, Tetsuro Kitahara, Hiroaki Arie, Tetsuya Ogata:
Four-Part Harmonization: Comparison of a Bayesian Network and a Recurrent Neural Network. 213-225 - Shun Sawada, Yoshinari Takegawa, Keiji Hirata:
On Hierarchical Clustering of Spectrogram. 226-237 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
deepGTTM-III: Multi-task Learning with Grouping and Metrical Structures. 238-251 - Sanga Chaki, Sourangshu Bhattacharya, Raju Mullick, Priyadarshi Patnaik:
Analyzing Music to Music Perceptual Contagion of Emotion in Clusters of Survey-Takers, Using a Novel Contagion Interface: A Case Study of Hindustani Classical Music. 252-269
Sound in Practice: Auditory Guidance and Feedback in the Context of Motor Learning and Motor Adaptation
- Emily Beattie, Margaret Schedel:
Inscribing Bodies: Notating Gesture. 273-283 - Alfred O. Effenberg, Tong-Hun Hwang, Shashank Ghai, Gerd Schmitz:
Auditory Modulation of Multisensory Representations. 284-311 - Lauriane Véron-Delor, Serge Pinto, Alexandre Eusebio, Jean-Luc Velay, Jérémy Danna:
Music and Musical Sonification for the Rehabilitation of Parkinsonian Dysgraphia: Conceptual Framework. 312-326 - Jon Ram Bruun-Pedersen, Stefania Serafin, Francesco Grani:
Investigating the Role of Auditory Feedback in a Multimodal Biking Experience. 327-337 - Benjamin O'Brien, Brett Juhas, Marta Bienkiewicz, Laurent Pruvost, Frank Buloup, Lionel Bringoux, Christophe Bourdin:
Considerations for Developing Sound in Golf Putting Experiments. 338-358
Human Perception in Multimodal Context
- Peter Lennox, Ian McKenzie, Michael Brown:
Feel It in My Bones: Composing Multimodal Experience Through Tissue Conduction. 361-386 - Farzan Kalantari, Florent Berthaut, Laurent Grisoni:
Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction. 387-401 - Thomas Bordonné, Manuel Dias-Alves, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet:
Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials. 402-412 - Gaëtan Parseihian, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet:
Exploration of Sonification Strategies for Guidance in a Blind Driving Game. 413-428 - Luís Aly, Rui Penha, Gilberto Bernardes:
DIGIT: A Digital Foley System to Generate Footstep Sounds. 429-441
Cooperative Music Networks and Musical HCIs
- Carlos Guedes:
Composing and Improvising. In Real Time. 445-453 - Luke Dahl, Florent Berthaut, Antoine Nau, Patricia Plénacoste:
bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras. 454-467 - Leandro Cruz, Vitor Rolla, Juliano Kestenberg, Luiz Velho:
Visual Representations for Music Understanding Improvement. 468-476 - Izaro Goienetxea, Darrell Conklin:
Melody Transformation with Semiotic Patterns. 477-488 - Pedro Louzeiro:
The Comprovisador's Real-Time Notation Interface (Extended Version). 489-508 - Tetsuro Kitahara, Sergio I. Giraldo, Rafael Ramírez:
JamSketch: Improvisation Support System with GA-Based Melody Creation from User's Drawing. 509-521
Virtual and Augmented Reality
- Georg Essl, Sang Won Lee:
Mobile Devices as Musical Instruments - State of the Art and Future Prospects. 525-539 - John Desnoyers-Stewart, David Gerhard, Megan L. Smith:
Augmenting Virtuality with a Synchronized Dynamic Musical Instrument: A User Evaluation of a Mixed Reality MIDI Keyboard. 540-557 - Olivier Capra, Florent Berthaut, Laurent Grisoni:
Toward Augmented Familiarity of the Audience with Digital Musical Instruments. 558-573 - Edward Jangwon Lee, Sangeon Yong, Soonbeom Choi, Liwei Chan, Roshan Lalintha Peiris, Juhan Nam:
Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction. 574-585 - Mariana Seiça, Rui (Buga) Lopes, Pedro Martins, F. Amílcar Cardoso:
Sonifying Twitter's Emotions Through Music. 586-608
Research and Creation: Spaces and Modalities
- Charlotte Beaufort:
Reflections on the Use of Musical Software in Compositional Processes for Light Art. 611-624 - Jônatas Manzolli, Artemis Moroni, Guilherme A. Valarini:
SELFHOOD: An Evolutionary and Interactive Experience Synthesizing Images and Sounds. 625-636 - Sylvain Brétéché, Christine Esclapez:
Music(s), Musicology and Science: Towards an Interscience Network - The Example of the Deaf Musical Experience. 637-657 - Julien Ferrando:
Reading Early Music Today: Between Reenactment and New Technologies. 658-665 - Henrik Frisk:
ArtDoc - An Experimental Archive and a Tool for Artistic Research. 666-676
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