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2020 – today
- 2022
[j10]Zijin Li, Stephen McAdams:
Guest editorial: Music perception and cognition in music technology. Cogn. Comput. Syst. 4(2): 97-99 (2022)- 2021
- [c17]Lindsey Reymore, Emmanuelle Beauvais-Lacasse, Bennett Smith, Stephen McAdams:
Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio features. ISMIR 2021: 555-561
2010 – 2019
- 2019
- [c16]Aurélien Antoine
, Philippe Depalle, Philippe Macnab-Séguin, Stephen McAdams:
Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information. CMMR 2019: 363-378 - 2018
- [i2]Léopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams:
A database linking piano and orchestral MIDI scores with application to automatic projective orchestration. CoRR abs/1810.08611 (2018) - 2017
- [c15]Léopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams:
A Database Linking Piano and Orchestral MIDI Scores with Application to Automatic Projective Orchestration. ISMIR 2017: 592-598 - 2016
- [j9]Georgios N. Marentakis, Cathryn Griffiths, Stephen McAdams:
Top-Down Influences in the Detection of Spatial Displacement in a Musical Scene. ACM Trans. Appl. Percept. 14(1): 3:1-3:19 (2016) - 2013
- [j8]Georgios N. Marentakis, Stephen McAdams:
Perceptual impact of gesture control of spatialization. ACM Trans. Appl. Percept. 10(4): 22:1-22:21 (2013) - 2012
- [c14]Konstantinos Trochidis, David Sears, Diêu-Ly Trân, Stephen McAdams:
Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates. CMMR 2012: 44-57 - 2011
- [j7]Nils Peters, Georgios N. Marentakis, Stephen McAdams:
Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis. Comput. Music. J. 35(1): 10-27 (2011) - 2010
- [j6]Nicolas Misdariis, Antoine Minard, Patrick Susini, Guillaume Lemaitre, Stephen McAdams, Etienne Parizet:
Environmental Sound Perception: Metadescription and Modeling Based on Independent Primary Studies. EURASIP J. Audio Speech Music. Process. 2010 (2010) - [i1]Marie-Céline Bezat, Vincent Roussarie, Richard Kronland-Martinet, Sølvi Ystad, Stephen McAdams:
Perceptual analyses of action-related impact sounds. CoRR abs/1003.4908 (2010)
2000 – 2009
- 2008
- [j5]Anne Caclin, Stephen McAdams, Bennett K. Smith, Marie-Hélène Giard:
Interactive Processing of Timbre Dimensions: An Exploration with Event-related Potentials. J. Cogn. Neurosci. 20(1): 49-64 (2008) - [c13]Yon Visell, Jeremy R. Cooperstock, Bruno L. Giordano, Karmen Franinovic, Alvin Law, Stephen McAdams, Kunal Jathal, Federico Fontana:
A Vibrotactile Device for Display of Virtual Ground Materials in Walking. EuroHaptics 2008: 420-426 - [c12]Nils Peters, Tristan Matthews, Jonas Braasch, Stephen McAdams:
Vimic - a Novel Toolbox for Spatial sound Processing in Max/MSP. ICMC 2008 - 2007
- [c11]John Ashley Burgoyne, Stephen McAdams:
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL. CMMR 2007: 181-202 - [c10]John Ashley Burgoyne, Stephen McAdams:
Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre. ICMC 2007 - [c9]Georgios N. Marentakis, Nils Peters, Stephen McAdams:
Dj SPAT: spatialized Interactions for DJs. ICMC 2007 - 2006
- [j4]Shlomo Dubnov, Stephen McAdams, Roger Reynolds:
Structural and affective aspects of music from statistical audio signal analysis. J. Assoc. Inf. Sci. Technol. 57(11): 1526-536 (2006) - [j3]Anne Caclin, Elvira Brattico, Mari Tervaniemi, Risto Näätänen, Dominique Morlet, Marie-Hélène Giard, Stephen McAdams:
Separate Neural Processing of Timbre Dimensions in Auditory Sensory Memory. J. Cogn. Neurosci. 18(12): 1959-1972 (2006) - 2004
- [c8]Shlomo Dubnov, Stephen McAdams, Roger Reynolds:
Predicting Human Reactions to Music on the Basis of Similarity Structure and Information Theoretic Measures of the Sound Signal. AAAI Technical Report (7) 2004: 37-40 - 2002
- [j2]Vinod Menon, Daniel J. Levitin, B. K. Smith, A. Lembke, B. D. Krasnow, D. Glazer, Gary H. Glover, Stephen McAdams:
Neural Correlates of Timbre Change in Harmonic Sounds. NeuroImage 17(4): 1742-1754 (2002) - 2000
- [c7]Geoffroy Peeters, Stephen McAdams, Perfecto Herrera:
Instrument Sound Description in the Context of MPEG-7. ICMC 2000
1990 – 1999
- 1999
- [j1]Stephen McAdams:
Perspectives on the Contribution of Timbre to Musical Structure. Comput. Music. J. 23(3): 85-102 (1999) - 1997
- [c6]Stella Paraskeva, Stephen McAdams:
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas. ICMC 1997 - [c5]Daniel Pressnitzer, Stephen McAdams:
Influence of phase effects on roughness modeling. ICMC 1997
1980 – 1989
- 1985
- [c4]Stephen McAdams, Kaija Saariaho:
Qualities and Functions of Musical Timbre. ICMC 1985 - 1984
- [c3]Stephen McAdams, Serge Gladkoff, Jean-Pierre Keller:
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools. ICMC 1984 - 1981
- [c2]Stephen McAdams, David Wessel:
A General Synthesis Package Based on Principles of Auditory Perception. ICMC 1981
1970 – 1979
- 1978
- [c1]Stephen McAdams, Albert S. Bregman:
The Perceptual Factoring of Acoustic Sequences into Musical Streams. ICMC 1978
Coauthor Index
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