default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID5th ICMC 1978: Evanston, Illinois, USA
- Proceedings of the 1978 International Computer Music Conference, ICMC 1978, Evanston, Illinois, USA, 1978. Michigan Publishing 1978
- Curtis Roads:
Preface. - Iannis Xenakis:
Opening Address. - Hal G. Alles:
An Inexpensive Digital Sound Synthesizer. - Jean-François Allouis:
Use of High-Speed Microprocessors for Digital Synthesis. - Martin Bartlett:
A Microcomputer-controlled Synthesis System for Live Performance. - Richard Blum:
A Low Cost, Real-time, Frequency Modulation Hardware Module for Mini and Micro Computers. - William Buxton, E. A. Fogels, Guy C. Fedorkow, Lawrence Sasaki, Kenneth C. Smith:
An Introduction to the SSSP Digital Synthesizer. - Dean Wallraff:
The DMX-1000 Signal Processing Computer. - Daniel Arfib:
Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine Waves. - James W. Beauchamp:
Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions. - Nelson J. Bridwell:
Interactive Synthesis Without Obscure Diagnostics. - William Buxton, William T. Reeves, Ronald Baecker, Leslie Mezei:
The Use of Hierarchy and Instance in a Data Structure for Computer Music. - Richard L. Cann:
A Musical View of Analysis-Synthesis. - Ercolino Ferretti:
Nuance Blending for the Synthesis of a Brass Choir. - David J. Murray, James W. Beauchamp, Gary Loitz:
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language. - Tracy Lind Petersen:
Interactive Digital Composition. - Neil B. Rolnick:
A Composer's Notes on the Development and Implementation of Software for a Digital Synthesizer. - Emmanuel Ghent:
Further Studies in Compositional Algorithms. - Lejaren Hiller:
Phrase Structure in Computer Music. - Hubert S. Howe Jr.:
Timbral Structures for Computer Music. - Gerald Lefkoff:
Tuned Cyclic Tone Systems. - Justus Matthews:
Music 3150, A Fortran Program for Composing Music for Conventional Instruments. - John R. Myhill:
Some Simplifications and Improvements in the Stochastic Music Program. - Gary Lee Nelson:
Reflections on my use of Computers in Composition 1970-1975. - John Rogers, John Rockstroh:
Score-Time and Real-Time. - Barry Truax:
Polyphonic Timbral Construction in "Androgyny". - Maurice Wright:
Plucking - One Aspect of Plucked String Synthesis and its Realization by Computer and a Musical Application. - William T. Reeves, William Buxton, Rob Pike, Ronald Baecker:
Ludwig: an Example of Interactive Computer Graphics in a Score Editor. - Dean Wallraff:
Nedit - A Graphical Editor for Musical Scores. - W. Kenton Bales, Richard L. Hamilton, Dan W. Scott:
Computer-aided Composition and Performance with AMUS. - William Buxton, Guy C. Fedorkow, Ronald Baecker, William T. Reeves, Kenneth C. Smith, Gustav Ciamaga, Leslie Mezei:
An Overview of the Structured Sound Synthesis Project. - James Dashow, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Computer Music at University of Padova. - Wayne Slawson:
Studio Report: Computer Music at the University of Pittsburgh. - Stephen McAdams, Albert S. Bregman:
The Perceptual Factoring of Acoustic Sequences into Musical Streams. - Tracy Lind Petersen:
Time-Frequency Analysis in the Context of a Perceptual Model. - Martin Piszczalski, Bernard A. Galler:
The Analysis and Transcription of Musical Sound. - C. Aperghis-Tramoni:
Coding and Drawing Music Scores. - Charles G. Boody:
The Micro-computer as an Input Device for Music Analysis or Composition by Computer. - John A. Celona:
Command-String Notation - A New Music Notational System. - Warren E. Hultberg:
Computer-based Processes for Tablature Transcription: Input Language Applications and Development; Analytical Aspects. - Rosalee Nerheim:
Current Applications of a Music Representation and Processing System. - Alexander R. Brinkman:
A Computer-assisted Analysis of Melodic Borrowing from the Cantus Firmus in the Chorale Preludes of Bach's Orgelbüchlein. - Sh. A. Gadgiev:
Statistical Analysis of Structure of Azerbaijan Folk Songs. - István Halmos, György Köszegi, György Mandler:
Computational Ethnomusicology in Hungary in 1978. - Vladimir Hosovsky, Igor Mkrtoumian, Edward Hakopian:
Armenian Universal Structural-Analytical Catalogue of Musical Texts - UNSACAT. - Larry Polansky:
A Hierarchical Analysis of Ruggles' Portals. - Rosalie L. Sward:
The Computer Assists in Attempting to Solve a Problem of Twentieth Century Music.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-01-30 20:40 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
