- 2015
- Carlos de Lemos Almada:
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation. MCM 2015: 42-51 - Emmanuel Amiot:
Can a Musical Scale Have 14 Generators? MCM 2015: 349-360 - Jaime Arias
, Myriam Desainte-Catherine, Carlos Olarte, Camilo Rueda:
Foundations for Reliable and Flexible Interactive Multimedia Scores. MCM 2015: 29-41 - Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo, Kenneth Sörensen:
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm. MCM 2015: 149-160 - Gilles Baroin, Hugues Seress:
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis - Using Polarization and Tonal Regions in a Dynamic Environment. MCM 2015: 315-320 - Brian Bemman, David Meredith:
Exact Cover Problem in Milton Babbitt's All-Partition Array. MCM 2015: 237-242 - Clifton Callender:
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces. MCM 2015: 257-266 - Liang Chen, Rong Jin, Christopher Raphael:
Renotation from Optical Music Recognition. MCM 2015: 16-26 - David Clampitt, Jennifer Shafer:
Greek Ethnic Modal Names vs. Alia Musica's Nomenclature. MCM 2015: 385-390 - Johanna Devaney:
Evaluating Singer Consistency and Uniqueness in Vocal Performances. MCM 2015: 173-178 - Mathieu Giraud, Slawek Staworko:
Modeling Musical Structure with Parametric Grammars. MCM 2015: 85-96 - Ryan Groves:
Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm. MCM 2015: 122-127 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Structural Similarity Based on Time-Span Sub-Trees. MCM 2015: 187-192 - James R. Hughes:
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading. MCM 2015: 267-278 - Özgür Izmirli:
Constructing Geometrical Spaces from Acoustical Representations. MCM 2015: 245-256 - Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson:
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting. MCM 2015: 3-15 - Katerina Kosta, Oscar F. Bandtlow, Elaine Chew:
A Change-Point Approach Towards Representing Musical Dynamics. MCM 2015: 179-184 - Robin C. Laney, Robert Samuels, Emilie Capulet:
Cross Entropy as a Measure of Musical Contrast. MCM 2015: 193-198 - Stefan Lattner, Maarten Grachten, Kat Agres, Carlos Eduardo Cancino Chacón:
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines. MCM 2015: 323-334 - Marco Castrillón López, Manuel Domínguez Romero:
On the Step-Patterns of Generated Scales that are Not Well-Formed. MCM 2015: 361-372 - Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation. MCM 2015: 128-134 - Maria Mannone, Guerino Mazzola:
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality. MCM 2015: 137-148 - Andrew J. Milne, David W. Bulger, Steffen A. Herff, William A. Sethares:
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters. MCM 2015: 97-108 - Eita Nakamura, Shinji Takaki:
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals. MCM 2015: 109-114 - Thomas Noll:
Triads as Modes within Scales as Modes. MCM 2015: 373-384 - Robert W. Peck:
All-Interval Structures. MCM 2015: 279-290 - Alexandre Popoff:
A Statistical Approach to the Global Structure of John Cage's Number Piece Five5. MCM 2015: 231-236 - Alexandre Popoff, Moreno Andreatta, Andrée C. Ehresmann:
A Categorical Generalization of Klumpenhouwer Networks. MCM 2015: 303-314 - Marcelo Enrique Rodríguez-López, Anja Volk:
Location Constraints for Repetition-Based Segmentation of Melodies. MCM 2015: 73-84 - Tobias Schlemmer:
Unifying Tone System Definitions: Ordering Chromas. MCM 2015: 291-302
