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Journal Articles
- 2012
[j41]James Harley:
Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1. Comput. Music. J. 36(4): 96-98 (2012)- 2011
- [j40]James Harley:
Évelyne Gayou, Editor: Denis Smalley: Polychrome Portraits No. 15. Comput. Music. J. 35(1): 107-109 (2011) - [j39]James Harley:
Henk Badings: More Electronic Music. Comput. Music. J. 35(1): 111-112 (2011) - [j38]James Harley:
XVIII Colloquio di Informatica Musicale: Prossime distanze. Comput. Music. J. 35(2): 90-92 (2011) - 2010
- [j37]James Harley:
Ralph Paland and Christoph von Blumröder, Eds.: Iannis Xenakis: Das elektroakustiche Werk. Comput. Music. J. 34(4): 75-77 (2010) - [j36]James Harley:
Various: Recovery/Discovery - 40 Years of Surround Electronic Music in the UK. Comput. Music. J. 34(4): 77-79 (2010) - 2009
- [j35]Tae Hong Park, James Harley:
Toronto Electroacoustic Symposium. Comput. Music. J. 33(1): 73-74 (2009) - [j34]James Harley:
Évelyne Gayou: GRM - Le Groupe de Recherches Musicales: Cinquante ans d'histoire. Comput. Music. J. 33(2): 103-105 (2009) - 2008
- [j33]James Harley:
Institut National de l'Audiovisuel: Portraits Polychromes: Max Mathews. Comput. Music. J. 32(1): 95-97 (2008) - [j32]James Harley:
Gregory Taylor: Voiceband Jilt; The Desert Fathers (Jeff Kaiser, Gregory Taylor): Coptic Icons. Comput. Music. J. 32(2): 86-88 (2008) - 2005
- [j31]James Harley:
Paul D. Miller aka DJ Spooky That Subliminal Kid: Rhythm Science. Comput. Music. J. 29(3): 94-96 (2005) - [j30]James Harley:
An Anthology of Noise & Electronic Music/First A-chronology 1921-2001, Volume #1; Second A-chronology 1936-2003, Volume #2; Third A-chronology 1952-2004, Volume #3. Comput. Music. J. 29(3): 98-104 (2005) - [j29]James Harley:
Trevor Pinch and Frank Trocco: Analog Days: The Invention and Impact of the Moog Synthesizer. Comput. Music. J. 29(4): 82-84 (2005) - [j28]James Harley:
Hans Fjellestad: Moog. Comput. Music. J. 29(4): 94-95 (2005) - [j27]James Harley:
Various: -40, Canadian Propaganda Films of the 1940s Reworked. Comput. Music. J. 29(4): 95-97 (2005) - [j26]James Harley:
softVNS 2 Real Time Video Processing and Tracking Software. Comput. Music. J. 29(4): 97-98 (2005) - 2004
- [j25]James Harley:
Electric Rainbow Coalition Festival Hopkins Center for the Arts, Dartmouth College, Hanover, New Hampshire, USA, 22-24 August 2003. Comput. Music. J. 28(1): 66-68 (2004) - [j24]James Harley:
FURT: defekt. Comput. Music. J. 28(1): 71-73 (2004) - [j23]James Harley:
McGill Electronic Music Studio 35th Anniversary: Tornado-Electroacoustic Compositions Compact discs (2), McGill Records 2001-01-2, 2001; available from Electronic Music Studio, Faculty Music, McGill University, 555 Sherbrooke Street West, Montreal, Quebec H3A 1E3, Canada. Comput. Music. J. 28(3): 89-91 (2004) - [j22]James Harley:
Peter Manning: Electronic and Computer Music, Revised and Expanded Edition. Comput. Music. J. 28(4): 93-95 (2004) - [j21]James Harley:
Various: Presence IIIVarious: DISContact! III. Comput. Music. J. 28(4): 100-103 (2004) - 2003
- [j20]James Harley:
Trevor Wishart: voiceprints. Comput. Music. J. 27(4): 101-103 (2003) - [j19]Don Damborg, James Harley:
GRM Tools. Comput. Music. J. 27(4): 103-107 (2003) - 2002
- [j18]James Harley:
Editor's Notes. Comput. Music. J. 26(1): 4 (2002) - [j17]James Harley:
The Electroacoustic Music of Iannis Xenakis. Comput. Music. J. 26(1): 33-57 (2002) - [j16]James Harley:
Riccardo Bianchini and Alessandro Cipriani: Virtual Sound: Sound Synthesis and Signal Processing-Theory and Practice with Csound Softcover, 2001, ISBN 88-900261-1-1, 506 pages, foreword (James Dashow), bibliography, index, CD-ROM; Contempo s.a.s., Rome, Italy; fax (+39) 06-355-020-25; electronic mail info@virtual-sound.com or info@contemponet.com; World Wide Web www.virtual-sound.com or www.contemponet.com. Comput. Music. J. 26(1): 93-94 (2002) - [j15]James Harley:
Elliott Sharp, Producer: State of the Union 2.001 Compact discs (3), EMF Media CD 028, 2001; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+1) 888-749-9998 or (+1) 518-434-4110; fax (+1) 518-434-0308; electronic mail emf@emf.org; World Wide Web www.cdemusic.org/. Comput. Music. J. 26(3): 99-100 (2002) - 2001
- [j14]James Harley:
Iannis Xenakis: Persepolis Compact disc, 2000, FractalOX; available from Fractal Records, 26 rue Garnier, 92200 Neuilly-sur-Seine, France; fax (+33) 1-4745-1702; electronic mail fractal.rec@wanadoo.fr; World Wide Web www.fractal-records.com. Comput. Music. J. 25(1): 92-93 (2001) - [j13]James Harley:
Digigram VXpocket PC Card Digital Audio Interface Digigram, S.A., Parc de Pré Millier, 38330 Montbonnot, France; telephone (+33) 4-7652-4747; fax (+33) 4-7652-1844; electronic mail info@digigram.com; World Wide Web www.digigram.com. Comput. Music. J. 25(1): 99-100 (2001) - [j12]James Harley:
Surrounded by Sound: The 109th Convention of the Audio Engineering Society Los Angeles, California, USA, 22-25 September 2000. Comput. Music. J. 25(2): 68-70 (2001) - [j11]James Harley:
Elizabeth McNutt: Pipe Wrench Compact disc, 2000, EMF 025; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+1) 518-434-4110; elec-tronic mail emf@emf.org; World Wide Web www.emf.org. Comput. Music. J. 25(3): 101-103 (2001) - [j10]Juniana Grimm, Lon Schnittgrund, James Harley:
Waves Gold Native Bundle Version 3.0. Comput. Music. J. 25(4): 102-106 (2001) - 2000
- [j9]Mihu Iliescu, James Harley:
Bálint András Varga: Conversations with Iannis Xenakis Faber and Faber, 1996, 255 pages, softcover, illustrated, notes, list of compositions, discography, bibliography, index, ISBN 0-571-17959-2; available from Faber and Faber, 3 Queen Square, London WC1N 3AU, UK; World Wide Web www.faber.co.uk. Comput. Music. J. 24(1): 85-87 (2000) - [j8]James Harley:
The Residents: Wormwood: Curious Stories from the Bible Compact disc, 1998, East Side Digital, ESD 81332; available from East Side Digital, 530 North 3rd St., Minneapolis, Minnesota 55401, USA; telephone (612) 375-0233; fax (612) 375-9580; electronic mail esd@noside.com; World Wide Web www.noside.com/esd/. Comput. Music. J. 24(2): 109-110 (2000) - [j7]James Harley:
Marc Treib: Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varèse. Comput. Music. J. 24(3): 74-76 (2000) - [j6]James Harley:
Sound in Space 2000 Symposium. Comput. Music. J. 24(4): 66-69 (2000) - [j5]James Harley:
Howard Sandroff: Tephillah; Pierre Boulez: Dialogue de l'ombre double; Rami Levin: A New Leaf. Comput. Music. J. 24(4): 76-78 (2000) - [j4]James Harley:
Jan Boerman: The Complete Tape Music Dick Raaijmakers: The Complete Tape Music. Comput. Music. J. 24(4): 79-80 (2000) - 1999
- [j3]Ellen Waterman, James Harley:
Open Ears Festival of Music and Sound. Comput. Music. J. 23(1): 79-82 (1999) - [j2]Steven Schick, James Harley:
Karlheinz Stockhausen: Mikrophonie I red fish blue fish, Steven Schick, director, Green Umbrella, Los Angeles, California, USA, 26 January 1999. Comput. Music. J. 23(4): 74 (1999) - [j1]James Harley:
Journées d'Informatique Musicales 1999 Centre de Recherche et Développement de France Télécom, Issy-Les-Moulineaux, France, 17-19 May 1999. Comput. Music. J. 23(4): 86-88 (1999)
Conference and Workshop Papers
- 2018
- [c4]David D. Wickland, David A. Calvert, James Harley:
Evaluating symbolic representations in melodic similarity. DLfm 2018: 62-68 - 1999
- [c3]James Harley:
Dixieland-Gamelan Band? Encounters of an Algorithmic Kind. ICMC 1999 - 1995
- [c2]James Harley, Marc Couroux:
The Residents: Musical Deconstruction of Popular Culture. ICMC 1995 - 1994
- [c1]James Harley:
Algorithms Adapted from Chaos Theory: Compositional Consideration. ICMC 1994
Coauthor Index
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