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Publication search results
found 88 matches
- 2000
- Jon Appleton:
Wendy Carlos: Clockwork Orange, Sonic Seasonings, Tales of Heaven and Hell Compact discs, 1998 (reissues), ESD 81362/81382/81352; available from East Side Digital, 530 North 3rd St., Minneapolis, Minnesota 55401, USA; telephone (612) 375-0233; fax (612) 375-9580; electronic mail esd@noside.com; World Wide Web http: //www.noside.com/esd/wendycarlos.html. Comput. Music. J. 24(1): 97-98 (2000) - Larry Austin:
Synthése '99 29th Festival International des Musiques et Créations Electroniques, 28 May to 06 June 1999, Bourges, France. Comput. Music. J. 24(1): 70-75 (2000) - Larry Austin:
Sound Diffusion in Composition and Performance: An Interview with Denis Smalley. Comput. Music. J. 24(2): 10-21 (2000) - Philip C. Baczewski:
CDCM Computer Music Series, Vol. 28: Larry Austin: Sound Plays, Cityscapes, Sound Portraits - 1993-96 Compact disc, 1999, Centaur CRC 2428; available from CDCM, P.O. Box 50888, Denton, Texas 76206, USA; telephone (940) 591-8128; electronic mail cdcm@sndart.cemi.unt.edu; World Wide Web www.music.unt.edu/CDCM/newcdccat.html#28. Comput. Music. J. 24(2): 106-108 (2000) - Nick Bailey, David Cooper:
Perceptually Smooth Timbral Guides by State-Space Analysis of Phase-Vocoder Parameters. Comput. Music. J. 24(1): 32-42 (2000) - Christopher Bailey, Oliver Schneller, Douglas Geers, Elaine Thomazi Freitas:
IRCAM@Columbia 1999 Columbia University, New York, New York, USA, 15-21 November 1999. Comput. Music. J. 24(2): 94-98 (2000) - Andriy Biletskyy:
Doctor Webern: A Visual Environment for Computer-Assisted Composition Based on Linear Thematism. Comput. Music. J. 24(3): 34-37 (2000) - David Birchfield, Douglas Geers, Johnathan Lee:
Interactive Arts Festival Columbia University, New York, New York, USA, 6-9 April 1999. Comput. Music. J. 24(2): 83-88 (2000) - James Bohn:
CyberQuilt: An ICMA CD-ROM Anthology CD-ROM (for Macintosh), 1999, ICMA CDR001; available from International Computer Music Association, 2040 Polk St., Suite 330, San Francisco, California 94109, USA; telephone (650) 493-9448; fax (650) 493-8045; electronic mail ICMA@email.sjsu.edu; World Wide Web music.dartmouth.edu/∼icma/. Comput. Music. J. 24(2): 113-114 (2000) - Roberto Bresin, Anders Friberg:
Emotional Coloring of Computer-Controlled Music Performances. Comput. Music. J. 24(4): 44-63 (2000) - Osvaldo Budón:
Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione. Comput. Music. J. 24(3): 9-22 (2000) - Osvaldo Budón:
Jorge Antunes: Musica Eletronica 70's I; Musica Eletronica 70's II; Musica Eletronica 90's I. Comput. Music. J. 24(3): 86-87 (2000) - Warren Burt:
watt ever Compact disc, 1998, Tall Poppies 2-CD TP074; available from Tall Poppies, P.O. Box 373, Glebe, New South Wales 2037, Australia; electronic mail tallpoppies@moreinfo.com.au; World Wide Web www.moreinfo.com.au/tallpoppies. Comput. Music. J. 24(1): 92-93 (2000) - Warren Burt:
Linda Ceff: Mistika Compact disc, 1998, Move CD-MD3168; available from Move Records, P.O. Box 266, Carlton South, Victoria 3053, Australia. Comput. Music. J. 24(1): 95-96 (2000) - Warren Burt:
Henry Gwiazda: noTnoTesnoTrhyThms. Comput. Music. J. 24(4): 73-74 (2000) - Antonio Camurri, Shuji Hashimoto, Matteo Ricchetti, Andrea Ricci, Kenji Suzuki, Riccardo Trocca, Gualtiero Volpe:
EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems. Comput. Music. J. 24(1): 57-69 (2000) - Kim Cascone:
Kodwo Eshun: More Brilliant than the Sun: Adventures in Sonic Fiction Quartet Books, 1998, 222 pages, softcover, bibiography, discography, acknowledgments, index, ISBN 0-7043-8025-0; available from Quartet Books, 27 Goodge St., London W1P 2LD, UK; World Wide Web www.interlinkbooks.com. Comput. Music. J. 24(1): 88-89 (2000) - Kim Cascone:
Caipirinha Music Architettura Series: Vol. 1 Savvas Ysatis and Taylor Deupree: Tower of Winds; Vol. 2 Tetsu Inoue: Waterloo Terminal; Vol. 3 David Toop: Museum of Fruit Compact discs, 1998/1999, Caipirinha Music cai2007 (vol.1), cai2016 (vol.2), cai2022 (vol.3); available from Caipirinha Music, 1120 Fifth Ave., No. 15A, New York, New York 10128, USA; telephone (212) 410-5117; fax (212) 987-8940; electronic mail caipirinha@caipirinha.com; World Wide Web www.caipirinha.com. Comput. Music. J. 24(2): 105-106 (2000) - Kim Cascone:
The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music. Comput. Music. J. 24(4): 12-18 (2000) - Kim Cascone:
Simon Reynolds: Generation Ecstasy: Into the World of Techno and Rave Culture. Comput. Music. J. 24(4): 69-70 (2000) - Ali Taylan Cemgil, Peter Desain, Bert Kappen:
Rhythm Quantization for Transcription. Comput. Music. J. 24(2): 60-76 (2000) - Joel Chadabe:
Remarks on Computer Music Culture. Comput. Music. J. 24(4): 9-11 (2000) - Marc Chemillier:
Fourth Annual Mathematical Diderot Forum: Mathematics and Music. Comput. Music. J. 24(3): 70-71 (2000) - Anna Sofie Christiansen:
Martin Supper: Elektroakustische Musik und Computermusik: Geschichte, Ästhetik, Methoden, Systeme. Comput. Music. J. 24(3): 81-84 (2000) - Holly Day:
Mnemonists: Horde. Comput. Music. J. 24(3): 92 (2000) - Thierry Delatour:
Molecular Music: The Acoustic Conversion of Molecular Vibrational Spectra. Comput. Music. J. 24(3): 48-68 (2000) - Patricia L. Dirks:
Mary Lee Roberts: Six Compositions. Comput. Music. J. 24(3): 87-88 (2000) - Patricia L. Dirks:
Gary Berger, Michael Horowitz, Simon Jaunin, Martin Neukom, Kit Powell, Nicolas Sordet, Bruno Spoerri, and Harold Vasquez: Swiss Center for Computer Music. Comput. Music. J. 24(3): 95-96 (2000) - Shlomo Dubnov:
Martin Russ: Sound Synthesis and Sampling. Comput. Music. J. 24(3): 71-74 (2000) - Alfio Fazio:
The PRIE MIDI Environment. Comput. Music. J. 24(3): 30-33 (2000)
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