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Caroline Larboulette
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2020 – today
- 2021
- [j5]Lucie Naert, Caroline Larboulette, Sylvie Gibet:
Motion synthesis and editing for the generation of new sign language content. Mach. Transl. 35(3): 405-430 (2021) - 2020
- [j4]Lucie Naert, Caroline Larboulette, Sylvie Gibet:
A survey on the animation of signing avatars: From sign representation to utterance synthesis. Comput. Graph. 92: 76-98 (2020) - [c16]Lucie Naert, Caroline Larboulette, Sylvie Gibet:
LSF-ANIMAL: A Motion Capture Corpus in French Sign Language Designed for the Animation of Signing Avatars. LREC 2020: 6008-6017 - [c15]Tiago Brizolara, Sylvie Gibet, Caroline Larboulette:
Elemental: a Gesturally Controlled System to Perform Meteorological Sounds. NIME 2020: 470-476
2010 – 2019
- 2017
- [c14]Lucie Naert, Caroline Larboulette, Sylvie Gibet:
Coarticulation Analysis for Sign Language Synthesis. HCI (8) 2017: 55-75 - 2016
- [c13]Caroline Larboulette, Sylvie Gibet:
I Am a Tree: Embodiment Using Physically Based Animation Driven by Expressive Descriptors of Motion. MOCO 2016: 18:1-18:8 - 2015
- [c12]Clément Reverdy, Sylvie Gibet, Caroline Larboulette:
Optimal marker set for motion capture of dynamical facial expressions. MIG 2015: 31-36 - [c11]Caroline Larboulette, Sylvie Gibet:
A review of computable expressive descriptors of human motion. MOCO 2015: 21-28 - 2014
- [c10]Pamela Carreno-Medrano, Sylvie Gibet, Caroline Larboulette, Pierre-François Marteau:
Corpus Creation and Perceptual Evaluation of Expressive Theatrical Gestures. IVA 2014: 109-119 - 2013
- [j3]Juan Ramos, Caroline Larboulette:
A Muscle Model for Enhanced Character Skinning. J. WSCG 21(2): 107-116 (2013) - [c9]Caroline Larboulette, Pablo Quesada, Olivier Dumas:
Burning Paper: Simulation at the Fiber's Level. MIG 2013: 47-52 - [c8]Javier Alcon, David Travieso, Caroline Larboulette:
Influence of Dynamic Wrinkles on the Perceived Realism of Real-Time Character Animation. WSCG 2013: 95-103 - 2011
- [j2]Caroline Larboulette, François Faure:
Symposium on Computer Animation 2010. Comput. Graph. Forum 30(6): 1867 (2011)
2000 – 2009
- 2009
- [c7]Caroline Larboulette:
Computer Animation Curriculum: An Interdisciplinary Approach. Eurographics (Education Papers) 2009: 73-80 - [c6]José Juan Aliaga, Caroline Larboulette:
Physically based animation of sea anemones in real-time. SCCG 2009: 75-82 - 2007
- [c5]Caroline Larboulette:
Celtic Knots Colorization based on Color Harmony Principles. CAe 2007: 65-72 - 2006
- [j1]Caroline Larboulette, Marie-Paule Cani, Bruno Arnaldi:
Ajout de détails dynamiques à une animation temps-réel de personnage. Tech. Sci. Informatiques 25(6): 759-789 (2006) - [c4]Alexander Wilkie, Andrea Weidlich, Caroline Larboulette, Werner Purgathofer:
A reflectance model for diffuse fluorescent surfaces. GRAPHITE 2006: 321-331 - 2005
- [c3]Alexander Wilkie, Caroline Larboulette, Werner Purgathofer:
Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours. CAe 2005: 241-245 - [c2]Caroline Larboulette, Marie-Paule Cani, Bruno Arnaldi:
Dynamic skinning: adding real-time dynamic effects to an existing character animation. SCCG 2005: 87-93 - 2004
- [b1]Caroline Larboulette:
Traitement temps-réel des déformations de la peau et des tissus sous-cutanés pour l'animation de personnages. INSA de Rennes, France, 2004 - [c1]Caroline Larboulette, Marie-Paule Cani:
Real-Time Dynamic Wrinkles. Computer Graphics International 2004: 522-525
Coauthor Index
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