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ORCIDMark Grimshaw-Aagaard
Person information
- affiliation: Aalborg University, Denmark
- affiliation (former): University of Bolton, UK
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2020 – today
- 2022
[c13]Mark Grimshaw-Aagaard
, Brian Bemman:
An Exploratory Study on Ultrasound Presence in Urban Spaces. Audio Mostly Conference 2022: 67-73- 2020
- [c12]Mads Walther-Hansen, Mark Grimshaw-Aagaard:
Don't extend! reduce!: the sound approach to reality. Audio Mostly Conference 2020: 8-15
2010 – 2019
- 2019
- [c11]Mark Grimshaw-Aagaard:
Sound and the Feeling of Presence. EVA 2019: 342-343 - 2016
- [j8]Robert Hugh Campbell, Mark Grimshaw:
User Resistance to Information System Implementations: A Dual-Mode Processing Perspective. Inf. Syst. Manag. 33(2): 179-195 (2016) - [c10]Mads Walther-Hansen, Mark Grimshaw:
Being in a Virtual World: Presence, Environment, Salience, Sound. Audio Mostly Conference 2016: 77-84 - 2015
- [j7]Robert Hugh Campbell, Mark Grimshaw:
Enochs of the modern workplace: The behaviours by which end users intentionally resist information system implementations. J. Syst. Inf. Technol. 17(1): 35-53 (2015) - [c9]Mark Grimshaw, Mads Walther-Hansen:
The Sound of the Smell of my Shoes. Audio Mostly Conference 2015: 18:1-18:8 - 2014
- [j6]Mark Grimshaw:
Sounding off on sound. Comput. Games J. 3(2): 194-195 (2014) - [c8]Mark Grimshaw, Tom Garner:
Imagining sound. Audio Mostly Conference 2014: 2:1-2:8 - [e1]Mark Grimshaw, Mads Walther-Hansen:
Audio Mostly 2014, AM '14, Aalborg, Denmark, October 1-3, 2014. ACM 2014, ISBN 978-1-4503-3032-9 [contents] - 2013
- [c7]Mark Grimshaw, Tom Garner:
Sonosemantics. Audio Mostly Conference 2013: 4:1-4:6 - 2012
- [c6]Mark Grimshaw, Tom Garner:
The use of sound to represent data and concepts as a means to engender creative thought: some thoughts on implementation and a research agenda. Audio Mostly Conference 2012: 9-15 - 2011
- [j5]Angela Tinwell, Mark Grimshaw, Debbie Abdel Nabi, Andrew Williams:
Facial expression of emotion and perception of the Uncanny Valley in virtual characters. Comput. Hum. Behav. 27(2): 741-749 (2011) - [j4]Angela Tinwell, Mark Grimshaw, Andrew Williams:
The Uncanny Wall. Int. J. Arts Technol. 4(3): 326-341 (2011) - [c5]Angela Tinwell, Mark Grimshaw, Debbie Abdel Nabi:
Effect of Emotion and Articulation of Speech on the Uncanny Valley in Virtual Characters. ACII (2) 2011: 557-566 - [c4]Tom Garner, Mark Grimshaw:
A climate of fear: considerations for designing a virtual acoustic ecology of fear. Audio Mostly Conference 2011: 31-38 - 2010
- [j3]Lennart E. Nacke, Mark N. Grimshaw, Craig A. Lindley:
More than a feeling: Measurement of sonic user experience and psychophysiology in a first-person shooter game. Interact. Comput. 22(5): 336-343 (2010) - [c3]Tom Garner, Mark Grimshaw, Debbie Abdel Nabi:
A preliminary experiment to assess the fear value of preselected sound parameters in a survival horror game. Audio Mostly Conference 2010: 10
2000 – 2009
- 2009
- [c2]Angela Tinwell, Mark Grimshaw:
Bridging the uncanny: an impossible traverse? MindTrek 2009: 66-73 - 2008
- [j2]Mark Grimshaw, Gareth Schott:
A Conceptual Framework for the Analysis of First-Person Shooter Audio and its Potential Use for Game Engines. Int. J. Comput. Games Technol. 2008: 720280:1-720280:7 (2008) - [j1]Mark Grimshaw:
Sound And Immersion In The First-Person Shooter. Int. J. Intell. Games Simul. 5(1): 5-11 (2008) - 2007
- [c1]Mark Grimshaw, Gareth Schott:
Situating Gaming as a Sonic Experience: The acoustic ecology of First-Person Shooters. DiGRA Conference 2007
Coauthor Index
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