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ORCIDFumiko Ishizawa
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2010 – 2019
- 2019
[c11]Tatsuo Nakajima, Risa Kimura, Fumiko Ishizawa, Mizuki Sakamoto:
Analyzing User Experiences in Incorporated Fictionality. EPIA (2) 2019: 13-25- 2018
- [j1]Fumiko Ishizawa, Mizuki Sakamoto, Tatsuo Nakajima:
Extracting intermediate-level design knowledge for speculating digital-physical hybrid alternate reality experiences. Multim. Tools Appl. 77(16): 21329-21370 (2018) - 2017
- [c10]Fumiko Ishizawa, Tatsuo Nakajima:
Guiding Human Behavior Through Alternate Reality Experience. HCI (19) 2017: 35-47 - [c9]Hina Akasaki, Fumiko Ishizawa, Mizuki Sakamoto, Tatsuo Nakajima:
Building a Platform Society Towards Sustainability Based on Internet-of-Things. HCI (21) 2017: 235-251 - [c8]Yuki Yamada, Keisuke Irie, Kota Gushima
, Fumiko Ishizawa, Mohammed AlSada, Tatsuo Nakajima:
HoloMoL: human memory augmentation with mixed-reality technologies. MindTrek 2017: 235-238 - 2016
- [c7]Fumiko Ishizawa, Tatsuo Nakajima:
An Enhanced Real Space Through Temporally Connecting Real and Virtual Scenes. ISAmI 2016: 11-19 - [c6]Mohammed AlSada, Fumiko Ishizawa, Junichi Tsurukawa, Tatsuo Nakajima:
Input Forager: a user-driven interaction adaptation approach for head worn displays. MUM 2016: 115-122 - [c5]Fumiko Ishizawa, Mizuki Sakamoto, Tatsuo Nakajima:
Analyzing Two Case Studies for Enhancing the Meaning of the Real Space. NordiCHI 2016: 95 - [c4]Fumiko Ishizawa, Tatsuo Nakajima:
Alternative Reality: An Augmented Daily Urban World Inserting Virtual Scenes Temporally. UCAmI (1) 2016: 353-364 - 2015
- [c3]Fumiko Ishizawa, Monami Takahashi, Keisuke Irie, Mizuki Sakamoto, Tatsuo Nakajima:
Analyzing Augmented Real Spaces Gamified through Fictionality. MoMM 2015: 309-313 - 2014
- [c2]Mizuki Sakamoto, Akihito Yoshii, Tatsuo Nakajima, Kohki Ikeuchi, Tomoaki Otsuka, Koh Okada, Fumiko Ishizawa, Akihiro Kobayashi:
Human Interaction Issues in a Digital-Physical Hybrid World. CPSNA 2014: 49-54 - [c1]Koh Okada, Fumiko Ishizawa, Akihiro Kobayashi, Akihito Yoshii, Mizuki Sakamoto, Tatsuo Nakajima:
Virtual Drum: Ubiquitous and playful drum playing. GCCE 2014: 419-421
Coauthor Index
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