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Chris Chafe
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2020 – today
- 2024
- [j5]Luca Borgianni, Stefano Giordano, Chris Chafe:
Democratizing Networked Music Performance with a RL-Based SD-WAN. IEEE Commun. Mag. 62(12): 26-32 (2024) - 2023
- [c29]Prateek Verma, Chris Chafe:
A Content Adaptive Learnable "Time-Frequency" Representation for audio Signal Processing. ICASSP 2023: 1-5 - [c28]Michael Mulshine, Ge Wang, Chris Chafe, Jack Atherton, Terry Feng, Celeste Betancur:
WebChucK: Computer Music Programming on the Web. NIME 2023 - [i5]Prateek Verma, Chris Chafe:
A Content Adaptive Learnable Time-Frequency Representation For Audio Signal Processing. CoRR abs/2303.10446 (2023) - 2022
- [i4]Prateek Verma, Chris Chafe, Jonathan Berger:
One-Shot Acoustic Matching Of Audio Signals - Learning to Hear Music In Any Room/ Concert Hall. CoRR abs/2210.15750 (2022) - 2021
- [c27]Prateek Verma, Chris Chafe:
A Generative Model for Raw Audio Using Transformer Architectures. DAFx 2021: 230-237 - [i3]Prateek Verma, Chris Chafe:
A Generative Model for Raw Audio Using Transformer Architectures. CoRR abs/2106.16036 (2021) - 2020
- [c26]Prateek Verma, Alessandro Ilic Mezza, Chris Chafe, Cristina Rottondi:
A Deep Learning Approach for Low-Latency Packet Loss Concealment of Audio Signals in Networked Music Performance Applications. FRUCT 2020: 268-275 - [i2]Prateek Verma, Alessandro Ilic Mezza, Chris Chafe, Cristina Rottondi:
A Deep Learning Approach for Low-Latency Packet Loss Concealment of Audio Signals in Networked Music Performance Applications. CoRR abs/2007.07132 (2020)
2010 – 2019
- 2019
- [j4]Irán R. Román
, Auriel Washburn, Edward W. Large
, Chris Chafe, Takako Fujioka
:
Delayed feedback embedded in perception-action coordination cycles results in anticipation behavior during synchronized rhythmic action: A dynamical systems approach. PLoS Comput. Biol. 15(10) (2019) - [i1]Prateek Verma, Chris Chafe, Jonathan Berger:
Neuralogram: A Deep Neural Network Based Representation for Audio Signals. CoRR abs/1904.05073 (2019) - 2018
- [j3]Chris Chafe:
I am Streaming in a Room. Frontiers Digit. Humanit. 5: 27 (2018) - [c25]Nick Gang, Srinath Sibi, Romain Michon, Brian K. Mok, Chris Chafe, Wendy Ju:
Don't Be Alarmed: Sonifying Autonomous Vehicle Perception to Increase Situation Awareness. AutomotiveUI 2018: 237-246 - [c24]Leif Handberg, Ludvig Elblaus, Chris Chafe, Elliot Kermit Canfield-Dafilou:
Op 1254: Music for Neutrons, Networks and Solenoids using a Restored Organ in a Nuclear Reactor. TEI 2018: 537-541 - 2017
- [c23]Romain Michon, Julius O. Smith III, Matthew Wright, Christopher Chafe, John Granzow, Ge Wang:
Passively augmenting mobile devices towards hybrid musical instrument design. NIME 2017: 19-24 - 2016
- [j2]Cristina Rottondi
, Chris Chafe, Claudio Allocchio, Augusto Sarti:
An Overview on Networked Music Performance Technologies. IEEE Access 4: 8823-8843 (2016) - [c22]Romain Michon, Julius Orion Smith III, Matthew Wright, Chris Chafe:
Augmenting the iPad: the BladeAxe. NIME 2016: 247-252 - 2011
- [c21]Edgar Berdahl, Chris Chafe:
Autonomous New Media Artefacts (AutoNMA). NIME 2011: 322-323 - 2010
- [j1]Juan Pablo Cáceres, Chris Chafe:
JackTrip/SoundWIRE Meets Server Farm. Comput. Music. J. 34(3): 29-34 (2010)
2000 – 2009
- 2009
- [c20]Juan Pablo Cáceres, Chris Chafe:
JackTrip: Under the Hood of an Engine for Network Audio. ICMC 2009 - 2008
- [c19]Chris Chafe:
Tapping into the Internet as an acoustical and Musical Medium. ICMC 2008 - 2004
- [c18]Michael Gurevish, Chris Chafe, Grace Leslie, Sean Tyan:
Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy. ICMC 2004 - [c17]Matthew Wright, Jonathan Berger, Christopher Burns, Chris Chafe, Fernando Lopez-Lezcano, Julius O. Smith III:
CCRMA Studio Report. ICMC 2004 - 2002
- [c16]Chris Chafe, Scott Wilson, Daniel Walling:
Physical model synthesis with application to Internet acoustics. ICASSP 2002: 4056-4059 - [c15]Stefania Serafin, Patty Huang, Sølvi Ystad, Chris Chafe, Julius O. Smith III:
Analysis and synthesis of unusual friction-driven musical instruments. ICMC 2002 - 2000
- [c14]M. Sile O'Modhrain, Chris Chafe:
The Performer-Instrument Interaction: A Sensory Motor Perspective. ICMC 2000 - [c13]M. Sile O'Modhrain, Stefania Serafin, Chris Chafe, Julius O. Smith III:
Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument. ICMC 2000
1990 – 1999
- 1997
- [c12]Chris Chafe:
Statistical Pattern Recognition for Prediction of Solo Piano Performance. ICMC 1997 - 1996
- [c11]Chris Chafe, M. Sile O'Modhrain:
Musical Muscle Memory and the Haptic Display of Performance Nuance. ICMC 1996 - 1995
- [c10]Chris Chafe:
Adding Vortex Noise to Wind Instrument Physical Models. ICMC 1995 - 1993
- [c9]Chris Chafe:
Tactile Audio Feedback. ICMC 1993 - [c8]Patte Wood, Chris Chafe, Perry R. Cook:
Studio Report: Center for Computer Research in Music and Acoustics (CCRMA). ICMC 1993 - 1990
- [c7]Chris Chafe:
Pulsed noise in self-sustained oscillations of musical instruments. ICASSP 1990: 1157-1160 - [c6]Robert T. Schumacher, Chris Chafe:
Characterization of aperiodicity in nearly periodic signals. ICASSP 1990: 1161-1164 - [c5]Perry R. Cook, Christopher Chafe, Julius O. Smith III:
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization. ICMC 1990 - [c4]Frederick L. Malouf, Mark Lentczner, Christopher Chafe:
A Real-time Implementation of Physical Models. ICMC 1990
1980 – 1989
- 1986
- [c3]Chris Chafe, David A. Jaffe:
Source separation and note identification in polyphonic music. ICASSP 1986: 1289-1292 - [c2]Chris Chafe, Julius O. Smith III, Patte Wood:
Current Work at CCRMA: An Overview. ICMC 1986 - 1985
- [c1]Chris Chafe, David A. Jaffe, Kyle Kashima, Bernard Mont-Reynaud, Julius O. Smith III:
Techniques for Note Identification in Polyphonic Music. ICMC 1985
Coauthor Index

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