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Publication search results
found 32 matches
- 2004
- Christopher Bannerman:
Reflections on practice as research: the university, the artist, the research endeavour. Digit. Creativity 15(2): 65-70 (2004) - Ghislaine Boddington, Christopher Bannerman:
Sharing the process: a consideration of inter-authorship in the performing arts. Digit. Creativity 15(2): 76-80 (2004) - Jorgen Callesen, Katrine Nilsen:
From lab to stage: practice-based research in performance. Digit. Creativity 15(1): 32-38 (2004) - Martyn Dade-Robertson:
Digital mnemonics. Digit. Creativity 15(1): 57-62 (2004) - Glorianna Davenport, Ali Mazalek:
Dynamics of creativity and technological innovation. Digit. Creativity 15(1): 21-31 (2004) - Diana Domingues:
Cyberart and interfaces: the coupled body. Digit. Creativity 15(3): 159-174 (2004) - Jeffery Edwards, George Whale:
Defining an alternative picture space. Digit. Creativity 15(3): 129-142 (2004) - Sue Gollifer:
Artist Space 7. Digit. Creativity 15(3): 182-192 (2004) - Diane Gromala, Christopher D. Shaw:
Expressing the immeasurable: a methodology for developing a visualization tool for patients' assessments of pain. Digit. Creativity 15(4): 253-256 (2004) - Eva Hornecker:
Analogies from didactics and moderation/ facilitation methods: designing spaces for interaction and experience. Digit. Creativity 15(4): 239-244 (2004) - Giulio Jacucci, Minna Isomursu:
Facilitated and performed 'happenings' as resources in ubiquitous computing design. Digit. Creativity 15(4): 223-231 (2004) - Pamela Jennings:
Reflections on interdisciplinary team development for the design of a platform for computer supported collaborative play. Digit. Creativity 15(4): 209-222 (2004) - Mauri Kaipainen:
Practice-based research at the University of Art and Design Helsinki. Digit. Creativity 15(1): 8-9 (2004) - Richard Layzell:
Tania's Space. Digit. Creativity 15(2): 81-85 (2004) - Rosemary Lee, Niki Pollard:
Delving and doubled seeing: on a choreographer's practice. Digit. Creativity 15(2): 71-75 (2004) - Per Linde, Simon Niedenthal, Mette Agger Eriksen, Janna Lindsjö:
Interaction design as understanding and transforming place. Digit. Creativity 15(4): 197-208 (2004) - Lone Malmborg:
The Digital Bauhaus: vision or reality? Digit. Creativity 15(3): 175-181 (2004) - Michael Nitsche:
Spatial structuring, cinematic mediation, and evocative narrative elements in the design of an RT 3D VE: The Common Tales Project. Digit. Creativity 15(1): 52-56 (2004) - Riikka Pelo:
Marina's Garden: interactive narrative as a drama of responsibility and interruption. Digit. Creativity 15(1): 18-20 (2004) - François Penz:
The architectural promenade as narrative device: practice based research in architecture and the moving image. Digit. Creativity 15(1): 39-51 (2004) - Angela Piccini, Baz Kershaw:
Practice as research in performance: from epistemology to evaluation. Digit. Creativity 15(2): 86-92 (2004) - Jane Prophet:
Re-addressing practice-based research: funding and recognition. Digit. Creativity 15(1): 2-7 (2004) - Sarah Rubidge, Alistair MacDonald:
Sensuous Geographies: a multi-user interactive/ responsive installation. Digit. Creativity 15(4): 245-252 (2004) - Janez Strehovec:
The software word: digital poetry as new media-based language art. Digit. Creativity 15(3): 143-158 (2004) - Maureen Thomas:
Practice-based research. Digit. Creativity 15(1): 1 (2004) - Maureen Thomas, Ludvig Lohse:
Flexible media: producing character-based reconfigurable drama. Digit. Creativity 15(2): 98-109 (2004) - Pia Tikka:
(Interactive) cinema as a model of mind. Digit. Creativity 15(1): 14-17 (2004) - Mika Luma Tuomola:
Cooking in the Crucible. Digit. Creativity 15(1): 10-13 (2004) - Ron Wakkary, Simon Niedenthal:
Experience and design methods: cross-dressing and border-crossings. Digit. Creativity 15(4): 193-196 (2004) - Joanna Walker:
Ephemeral architectures: the body and landscape in augmented reality. Digit. Creativity 15(2): 93-97 (2004)
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