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ORCIDGeorges Gagneré
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2020 – today
- 2024
[i9]Georges Gagneré, Anastasiia Ternova:
AKN_Regie: bridging digital and performing arts. CoRR abs/2401.03761 (2024)- [i8]Georges Gagneré:
AKN_Regie: a bridge between digital and performing arts. CoRR abs/2405.09574 (2024) - [i7]Georges Gagneré:
The Shadow: Coevolution Processes Between a Director, Actors and Avatars. CoRR abs/2407.09483 (2024) - [i6]Georges Gagneré, Cédric Plessiet, Rémy Sohier:
Interconnected virtual space and Theater. Practice as research on theater stage in the era of the network. CoRR abs/2407.11989 (2024) - 2023
- [c12]Georges Gagneré
:
The Shadow: Coevolution Processes Between a Director, Actors and Avatars. ARTECH 2023: 37:1-37:8 - [c11]Georges Gagneré, Anastasiia Ternova:
AKN_Regie: bridging digital and performing arts. KUI 2023: 9:1-9:11 - [i5]Georges Gagneré, Anastasiia Ternova:
CAstelet in Virtual reality for shadOw AVatars (CAVOAV). CoRR abs/2303.06981 (2023) - [i4]Georges Gagneré, Cédric Plessiet:
Experiencing avatar direction in low cost theatrical mixed reality setup. CoRR abs/2303.06984 (2023) - [i3]Georges Gagneré, Andy Lavender, Cédric Plessiet, Tim White:
Challenges of movement quality using motion capture in theatre. CoRR abs/2303.06987 (2023) - [i2]Georges Gagneré:
Emergence and fragility of a research-creation (2000-2007). CoRR abs/2303.09123 (2023) - [i1]Georges Gagneré, Cédric Plessiet:
Quand le jeu vidéo est le catalyseur d'expérimentations théâtrales (2014-2019). CoRR abs/2310.13717 (2023) - 2022
- [j1]Anastasiia Ternova, Georges Gagneré:
The Wizard Without Shadow: Staging and Evolution of a Performance Involving Motion Capture. Int. J. Art Cult. Des. Technol. 11(3): 1-13 (2022) - 2021
- [c10]Georges Gagneré, Anastasiia Ternova:
Keeping the living bond between actors and remote audiences in distributed virtual theater. ARTECH 2021: 39:1-39:12 - [c9]Anastasiia Ternova, Georges Gagneré:
The Wizard without Shadow. ARTECH 2021: 108:1-108:7 - 2020
- [c8]Georges Gagneré, Tom Mays, Anastasiia Ternova:
How a Hyper-actor directs Avatars in Virtual Shadow Theater. MOCO 2020: 15:1-15:9 - [c7]Georges Gagneré:
The Shadow. MOCO 2020: 31:1-31:2
2010 – 2019
- 2019
- [c6]Cédric Plessiet, Georges Gagneré, Rémy Sohier:
A Proposal for the Classification of Virtual Character. VISIGRAPP (2: HUCAPP) 2019: 168-174 - 2018
- [c5]Georges Gagneré, Andy Lavender, Cédric Plessiet, Tim White:
Challenges of movement quality using motion capture in theatre. MOCO 2018: 44:1-44:6 - [c4]Georges Gagneré, Cédric Plessiet:
Experiencing avatar direction in low cost theatrical mixed reality setup. MOCO 2018: 55:1-55:6 - [c3]Cédric Plessiet, Georges Gagneré, Rémy Sohier:
Avatar Staging: an evolution of a real time framework for theater based on an on-set previz technology. VRIC 2018: 6:1-6:6 - 2014
- [c2]Adela Barbulescu, Rémi Ronfard, Gérard Bailly, Georges Gagneré, Hüseyin Çakmak:
Beyond basic emotions: expressive virtual actors with social attitudes. MIG 2014: 39-47 - 2011
- [c1]Christian Jacquemin, Georges Gagneré, Benoît Lahoz:
Shedding light on shadow: real-time interactive artworks based on cast shadows or silhouettes. ACM Multimedia 2011: 173-182
Coauthor Index
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last updated on 2024-08-25 20:09 CEST by the dblp team
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