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2010 – 2019
- 2018
[p1]Mary Simoni:
The Audience Reception of Algorithmic Music. The Oxford Handbook of Algorithmic Music 2018- 2013
- [b1]Mary Simoni, Roger B. Dannenberg:
Algorithmic Composition - A Guide to Composing Music with Nyquist. University of Michigan Press 2013, ISBN 978-0-472-03523-6, pp. I-XII, 1-249 - 2011
- [j3]Mary Simoni:
Tara Rodgers: Pink Noises: Women on Electronic Music and Sound. Comput. Music. J. 35(3): 102-103 (2011) - 2010
- [j2]Mary Simoni, Kristin Fosdick:
Barry Truax: Acoustic Communication and Compositional Techniques. Comput. Music. J. 34(2): 96-98 (2010)
2000 – 2009
- 2008
- [c6]Mary Simoni, Betty Anne Younker:
Project Lovelace: teenage girls and Technology-Based Composition. ICMC 2008 - 2002
- [j1]Mary Simoni:
Diane Thome: Bright Air/Brilliant Fire Compact disc, CRC2527, 2001; available from Centaur Records, Inc. 8867 Highland Rd., Suite 206, Baton Rouge, LA, USA; telephone (+1) 225-336-4877; fax (+1) 225-336-9678; electronic mail info@centaurrecords.com; Web www.centaurrecords.com. Comput. Music. J. 26(4): 105-106 (2002) - [c5]Erica Schattle, Mary Simoni:
Collaboration Software for Music Analysis: A Case Study. ICMC 2002
1990 – 1999
- 1999
- [c4]Mary Simoni, Benjamin Broening, Christopher Rozell, Colin Meek, Gregory H. Wakefield:
A Theoretical Framework for Electro-Acoustic Music. ICMC 1999 - [c3]Andrew Sterian, Mary Simoni, Gregory H. Wakefield:
Model-Based Musical Transcription. ICMC 1999 - 1996
- [c2]Gregory H. Wakefield, Mary Simoni:
Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments. ICMC 1996 - 1995
- [c1]Mary Simoni:
A Survey of Gender Issues Related to Computer Music and Strategies for Change. ICMC 1995
Coauthor Index
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