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ORCIDElke E. Reinhuber
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2020 – today
- 2024
[c15]Elke E. Reinhuber
, Benjamin Seide:
Eternalising a Unique Construction in VR: Shek Kip Mei Park Fountain in Hong Kong. EVA 2024: 103-108- [c14]Elke E. Reinhuber:
Capturing the Retro-Futuristic Aesthetic of Hong Kong's Street Furniture. EVA 2024: 197-202 - 2023
- [c13]Elke E. Reinhuber:
ConformiTree: an artistic research on the expansion of photography to the third dimension. KUI 2023: 11:1-11:6 - 2022
- [c12]Elke E. Reinhuber:
National Flowers in Blue - Resurrecting analog imaging techniques in the era of big data and pixel perfection. EVA 2022 - 2021
- [c11]Elke E. Reinhuber:
Synthography - An Invitation to Reconsider the Rapidly Changing Toolkit of Digital Image Creation as a New Genre Beyond Photography. ArtsIT 2021: 321-331 - 2020
- [c10]Ross A. Williams, Benjamin Seide, Elke E. Reinhuber:
An Evaluation of Different Strategies to Represent Performance in a Tropical Garden for Immersive Environments. EVA 2020 - [c9]Elke E. Reinhuber, Benjamin Seide, Ross A. Williams:
Garden Of Changes - VR Experience as Meditative Divination Device. SIGGRAPH Asia XR 2020: 4:1-4:2
2010 – 2019
- 2018
- [c8]Elke E. Reinhuber, Ross A. Williams, Benjamin Seide:
The Scale of Immersion: Different audio-visual experiences exemplified by the 360º video Secret Detours. EVA 2018 - [c7]Elke E. Reinhuber, Benjamin Seide, Ross A. Williams:
Secret Detours: A Garden in Singapore. VR 2018: 838 - 2017
- [c6]Elke E. Reinhuber:
Absorbed in Architectural Representations: Venomenon as an Example for Stereoscopic Video Connecting Cultural Heritage and Media Art. Culture Computing 2017: 157-158 - 2016
- [c5]Elke E. Reinhuber:
VENOMENON - A multilayered visual experience. EVA 2016 - 2015
- [c4]Elke E. Reinhuber:
Multiplying the Narrative. Culture Computing 2015: 211-212 - [c3]Elke E. Reinhuber:
Face Value - Augmented Reality Enhanced Photography. EVA 2015 - 2014
- [c2]Elke E. Reinhuber:
Counterfactuals in Media Arts. EVA 2014 - [c1]Elke E. Reinhuber:
Augmented Reality and how to access archived media art a counterfactual media art exhibition. VSMM 2014: 287-294
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