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ORCIDSérgio M. C. Nascimento
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2020 – today
- 2020
[j2]Claudia Feitosa-Santana
, Carlo M. Gaddi, Andreia E. Gomes, Sérgio M. C. Nascimento:
Art through the Colors of Graffiti: From the Perspective of the Chromatic Structure. Sensors 20(9): 2531 (2020)- [j1]João Manuel Maciel Linhares, José A. R. Monteiro, Ana Bailão, Liliana Cardeira, Taisei Kondo, Shigeki Nakauchi, Marcello Picollo, Costanza Cucci, Andrea Casini, Lorenzo Stefani, Sérgio Miguel Cardoso Nascimento:
How Good Are RGB Cameras Retrieving Colors of Natural Scenes and Paintings? - A Study Based on Hyperspectral Imaging. Sensors 20(21): 6242 (2020)
2010 – 2019
- 2015
- [c15]João Manuel Maciel Linhares, Jorge L. A. Santos, Vasco Miguel Nina de Almeida, Catarina A. R. João, Sérgio M. C. Nascimento:
The Display Gamut Available to Simulate Colors Perceived by Anomalous Trichromats. CCIW 2015: 104-110 - [c14]Jorge L. A. Santos, Vasco Miguel Nina de Almeida, Catarina A. R. João, João Manuel Maciel Linhares, Sérgio M. C. Nascimento:
Visual Search for Normal Color and Dichromatic Observers Using a Unique Distracter Color. CCIW 2015: 111-117 - [c13]Sérgio M. C. Nascimento, João Manuel Maciel Linhares, Catarina A. R. João, Kinjiro Amano, Cristina Montagner, Maria J. Melo, Márcia Vilarigues:
Estimating the Colors of Paintings. CCIW 2015: 236-242 - 2013
- [c12]P. Almeida, Cristina Montagner, Rui Jesus, Nuno Correia, Márcia Vilarigues, Maria J. Melo, Sérgio M. C. Nascimento:
Analysis of paintings using multi-sensor data. EUSIPCO 2013: 1-5 - 2012
- [c11]Osamu Masuda, Hélder Tiago Correia, João Manuel Maciel Linhares, Sérgio M. C. Nascimento:
Psychophysical estimation of the best lighting for commercial counters of fruits and vegetables. CGIV 2012: 272-278 - [c10]Eli Brenner, Sérgio M. C. Nascimento:
Judgments about the intensity of the illumination are influenced by the association between colour and luminance in the scene. CGIV 2012: 321-324 - 2010
- [c9]Sérgio Miguel Cardoso Nascimento, Paulo Eduardo Reis Felgueiras, João Manuel Maciel Linhares:
Chromatic effects of metamers of daylights. CGIV/MCS 2010: 45-49 - [c8]João Manuel Maciel Linhares, Paulo Daniel Pinto, Sérgio Miguel Cardoso Nascimento:
Chromatic diversity index - an approach based on natural scenes. CGIV/MCS 2010: 58-61
2000 – 2009
- 2008
- [c7]João Manuel Maciel Linhares, Paulo Daniel Pinto, Sérgio Miguel Cardoso Nascimento:
The number of colors perceived by dichromats when appreciating art paintings under standard illuminants. CGIV/MCS 2008: 441-443 - [c6]Paulo Daniel Pinto, João Manuel Maciel Linhares, Sérgio Miguel Cardoso Nascimento:
Illuminant spectrum maximizing the number of perceived colors in art paintings. CGIV/MCS 2008: 505-507 - [c5]David H. Foster, Iván Marín-Franch, Sérgio M. C. Nascimento, Kinjiro Amano:
Coding efficiency of CIE color spaces. CIC 2008: 285-288 - 2006
- [c4]Kinjiro Amano, David H. Foster, Sérgio M. C. Nascimento:
Color constancy in natural scenes independent of an explicit illuminant cue. CGIV 2006: 181-184 - [c3]Eva M. Valero, Juan Luis Nieves, Sérgio M. C. Nascimento, Kinjiro Amano, David H. Foster:
Spectral recovery from natural scenes with an RGB digital camera. CGIV 2006: 195-198 - [c2]Francisco Miguel Pereira Brardo Ferreira, Paulo Torrão Fiadeiro, Sérgio Miguel Cardoso Nascimento, Vasco Miguel Nina de Almeida, Mário José Teixeira Pereira, João Miguel Dias Pereira Bernardo:
Spectral characterization of a hyperspectral system for imaging of large art paintings. CGIV 2006: 350-354 - 2005
- [c1]David H. Foster, Kinjiro Amano, Sérgio M. C. Nascimento, Michael J. Foster:
Incidence of Metamerism in Natural Scenes. CIC 2005: 36-39
Coauthor Index
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