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Publication search results
found 29 matches
- 2018
- Brian Bemman, David Meredith:
Generating New Musical Works in the Style of Milton Babbitt. Comput. Music. J. 42(1) (2018) - Matthew Burtner, Nashim Ximena Gargari, Daniel Blinkhorn, Sophia Chakri, Yingjia Lemon Guo, Glen Whitehead, Anant Das, Tom Sobolik, Abigail Johnson, Siyang Sophia Shen, Cory Ryan, Jack Patton-Smith, D. Edward Davis, Stephanie Cheng Smith:
Sound Anthology: Program Notes. Comput. Music. J. 42(1) (2018) - Jason Corey, Ross Feller:
Audio Production and Critical Listening: Technical Ear Training . By Jason Corey. ( New York City and London: Routledge , 2017, softcover.). Comput. Music. J. 42(1) (2018) - Ken Déguernel, Emmanuel Vincent, Gérard Assayag:
Probabilistic Factor Oracles for Multidimensional Machine Improvisation. Comput. Music. J. 42(02) (2018) - Stefano Fasciani, Lonce Wyse:
Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning. Comput. Music. J. 42(1) (2018) - Ross Feller:
Örjan Sandred: The Musical Fundamentals of Computer Assisted Composition. By Ross Feller. (Gambier, Ohio, USA .). Comput. Music. J. 42(02) (2018) - Ross Feller:
Esther Lamneck: Tárogáto Constructions. Comput. Music. J. 42(4): 75-83 (2018) - Gunnar Geisse, Seth Rozanoff:
The Wannsee Recordings. By Gunnar Geisse. (München, Germany: NEOS Music GmbH, 2017, two compact discs.). Comput. Music. J. 42(1) (2018) - Marta Gentilucci, Luc Ardaillon, Marco Liuni:
Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness. Comput. Music. J. 42(4): 26-40 (2018) - Janko Gravner, Kyle Johnson:
Coupled Map Lattices as Musical Instruments. Comput. Music. J. 42(02) (2018) - Folkmar Hein, Manuella Blackburn, Shintaro Imai, Erik Mikael Karlsson, Åke Parmerud, Horacio Vaggione, Trevor Wishart:
Sound Anthology: Program Notes. Comput. Music. J. 42(4): 96-102 (2018) - Michael Krzyzaniak:
Interactive Learning of Timbral Rhythms for Percussion Robots. Comput. Music. J. 42(02) (2018) - Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
On the Documentation of Electronic Music. Comput. Music. J. 42(4): 41-58 (2018) - D. J. Malinowski:
The Third Annual Cube Fest. Comput. Music. J. 42(4): 75-83 (2018) - Eduardo Reck Miranda, Edward Braund, Satvik Venkatesh:
Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? Comput. Music. J. 42(3) (2018) - John D. Moeller:
Multichannel Works for Nonstationary Audiences. Comput. Music. J. 42(3) (2018) - Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza:
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape. Comput. Music. J. 42(4): 59-74 (2018) - Miriam Richter:
From Radios to Biocomputers: An Interview with Eduardo Reck Miranda. Comput. Music. J. 42(1) (2018) - Seth Aaron Rozanoff:
Steven Kemper: Mythical Spaces. By Seth Rozanoff. (Glascow, Scotland, UK .). Comput. Music. J. 42(02) (2018) - Seth Rozanoff:
Gaudeamus Muziekweek. Comput. Music. J. 42(4): 75-83 (2018) - Giorgio Sancristoforo:
Letters. Comput. Music. J. 42(4): 8 (2018) - Gunhild Seim, Marilyn Crispell, David Rothenberg, Seth Aaron Rozanoff:
Grenseland by Gunhild Seim, Marilyn Crispell, and David Rothenberg. Comput. Music. J. 42(3) (2018) - Sean Soraghan, Felix Faire, Alain Renaud, Ben Supper:
A New Timbre Visualization Technique Based on Semantic Descriptors. Comput. Music. J. 42(1) (2018) - Karolin Stange, Christoph Wick, Haye Hinrichsen:
Playing Music in Just Intonation: A Dynamically Adaptive Tuning Scheme. Comput. Music. J. 42(3) (2018) - Martin Supper:
Constraints and Freedom: A Conversation with Georg Katzer. Comput. Music. J. 42(3) (2018) - Spencer Topel, Ross Feller:
Iced Bodies: Ice Music for Chicago at The Arts Club of Chicago. By Spencer Topel. (12 August 2017, performed by Seth Parker Woods.). Comput. Music. J. 42(1) (2018) - Kari Väkevä, Ross Feller:
Diptych by Kari Väkevä. Comput. Music. J. 42(3) (2018) - Anna Xambó, Alexander Lerch, Jason Freeman:
Music Information Retrieval in Live Coding: A Theoretical Framework. Comput. Music. J. 42(4): 9-25 (2018) - Victor Zappi, Andrew Allen, Sidney S. Fels:
Extended Playing Techniques on an Augmented Virtual Percussion Instrument. Comput. Music. J. 42(02) (2018)
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