• case-insensitive prefix search: default
  e.g., sig matches "SIGIR" as well as "signal"
• exact word search: append dollar sign ($) to word
  e.g., graph$ matches "graph", but not "graphics"
• boolean and: separate words by space
  e.g., codd model
• boolean or: connect words by pipe symbol (|)
  e.g., graph|network

Update May 7, 2017: Please note that we had to disable the phrase search operator (.) and the boolean not operator (-) due to technical problems. For the time being, phrase search queries will yield regular prefix search result, and search terms preceded by a minus will be interpreted as regular (positive) search terms.

found 30 matches

• 2002
• 
  Steven Abrams, Ralph Bellofatto, Robert M. Fuhrer, Daniel Oppenheim, James L. Wright, Richard Boulanger, Neil Leonard, David Mash, Michael Rendish, Joe Smith:
  QSketcher: an environment for composing music for film. Creativity & Cognition 2002: 157-164
• 
  Shigeki Amitani, Koichi Hori:
  Supporting musical composition by externalizing the composer's mental space. Creativity & Cognition 2002: 165-172
• 
  Josephine Anstey, Dave Pape:
  Scripting the interactor: an approach to VR drama. Creativity & Cognition 2002: 150-156
• 
  Linda Candy, Ernest A. Edmonds:
  Modeling co-creativity in art and technology. Creativity & Cognition 2002: 134-141
• 
  Linda Candy, Bronac Ferran, Judith Mottram, Ernest A. Edmonds, John Haworth, Jon Pettigrew:
  Panel: research into art and technology. Creativity & Cognition 2002: 25-30
• 
  Geoff Cox:
  Generator: the dialectics of orderly disorder. Creativity & Cognition 2002: 45-49
• 
  Nigel Cross:
  Creative cognition in design: processes of exceptional designers. Creativity & Cognition 2002: 14-19
• 
  Liane Gabora:
  Cognitive mechanisms underlying the creative process. Creativity & Cognition 2002: 126-133
• 
  John S. Gero:
  Computational models of creative designing based on situated cognition. Creativity & Cognition 2002: 3-10
• 
  Johan F. Hoorn:
  A model for information technologies that can be creative. Creativity & Cognition 2002: 186-191
• 
  Norio Ishii, Kazuhisa Miwa:
  Interactive processes between mental and external operations in creative activity: a comparison of experts' and novices' performance. Creativity & Cognition 2002: 178-185
• 
  Andruid Kerne:
  Concept-context-design: a creative model for the development of interactivity. Creativity & Cognition 2002: 192-199
• 
  Mike King:
  Computers and modern art: digital art museum. Creativity & Cognition 2002: 88-94
• 
  Kari Kuutti, Giulio Iacucci, Carlo Iacucci:
  Acting to know: improving creativity in the design of mobile services by using performances. Creativity & Cognition 2002: 95-102
• 
  Remko van der Lugt:
  Functions of sketching in design idea generation meetings. Creativity & Cognition 2002: 72-79
• 
  Brent MacGregor:
  Cybernetic serendipity revisited. Creativity & Cognition 2002: 11-13
• 
  Eduardo Reck Miranda:
  Sounds of artificial life. Creativity & Cognition 2002: 173-177
• 
  Yukari Nagai, Hisataka Noguchi:
  How designers transform keywords into visual images. Creativity & Cognition 2002: 118-125
• 
  Kumiyo Nakakoji, Yasuhiro Yamamoto, Atsushi Aoki:
  Interaction design as a collective creative process. Creativity & Cognition 2002: 103-110
• 
  Chika Oshima, Kazushi Nishimoto, Yohei Miyagawa, Takashi Shirosaki:
  A concept to facilitate musical expression. Creativity & Cognition 2002: 111-117
• 
  Jack Ox:
  2 performances in the 21st century virtual color organ. Creativity & Cognition 2002: 20-24
• 
  Robert Pepperell:
  Computer aided creativity: practical experience and theoretical concerns. Creativity & Cognition 2002: 50-56
• 
  Rob Saunders, John S. Gero:
  How to study artificial creativity. Creativity & Cognition 2002: 80-87
• 
  Hirohito Shibata, Koichi Hori:
  A system to support long-term creative thinking in daily life and its evaluation. Creativity & Cognition 2002: 142-149
• 
  Ben Shneiderman:
  Creativity support tools: a tutorial overview. Creativity & Cognition 2002: 1-2
• 
  Michael A. Terry, Elizabeth D. Mynatt:
  Recognizing creative needs in user interface design. Creativity & Cognition 2002: 38-44
• 
  Winger Tseng, Stephen A. R. Scrivener, Linden J. Ball:
  The impact of functional knowledge on sketching. Creativity & Cognition 2002: 57-64
• 
  Marc Vass, John M. Carroll, Clifford A. Shaffer:
  Supporting creativity in problem solving environments. Creativity & Cognition 2002: 31-37
• 
  George Whale:
  Why use computers to make drawings? Creativity & Cognition 2002: 65-71
• 
  Ernest A. Edmonds, Linda Candy, Terence Kavanagh, Thomas T. Hewett:
  Proceedings of the 4th Conference on Creativity & Cognition, Loughborough, United Kingdom, October 13-16, 2002. ACM 2002, ISBN 1-58113-465-7 [contents]